Josh Groban Preservation Hall Jazz Band & Eleri Ward• July 27, 2022• Vivint Arena
Reviewed and Photographed by Kevin Rolfe
Utah loves Josh Groban. He could easily do a concert in Utah every year and it would be well attended. In some ways, it feels like a homecoming concert when Groban stops here on his tours. I’m sure that is in part, due to him recording his Awake concert film right here in Salt Lake City at the very same venue where we saw him on July 27, 2022. To my knowledge, he has no ties to this state. It just feels like there is a real connection between Utah and Josh. Groban’s stop on his Harmony Tour was no exception. The lineup was stacked with talent from newcomer Eleri Ward to the really fun Preservation Hall Jazz Band to Josh Groban. The night never lacked for beautiful moments of music.
Two and a half years ago, thousands of local Lumineers fans purchased their concert tickets and were looking forward to seeing the impressive indie folk band perform live. After being postponed for 2 years due to the Covid 19 pandemic, The Lumineers finally had the opportunity to bring their Brightside Tour to Salt Lake City. On July 20th, the band played a fantastic show to a sold-out audience at the Maverick Center. As a fan myself, I felt overwhelmed with excitement as I arrived at the Venue. I had the opportunity to talk with a few other concertgoers, who were eager for the night to start. One couple told me how they had become Lumineers fans after seeing them open for U2 at a concert in 2017. While a couple of young girls mentioned they had been fans since middle school, and couldn’t believe they were finally at the concert.
Legendary and multi-Platinum rockers Styx have hit the road with their friends REO Speedwagon on their Live and UnZoomed Tour. They’ll be joined by special guests, Loverboy. The tour stops off at USANA Amphitheatre on Saturday, July 9. We had the opportunity to catch up with Vocalist and Keyboardist, Lawrence Gowan a few weeks back. To purchase tickets to the Live and UnZoomed show click here. Hope you enjoy our conversation!
Interviewed by Kevin Rolfe
STYX L/R: Chuck Panozzo, Ricky Phillips, Todd Sucherman, Tommy Shaw, James “J.Y.” Young and Lawrence Gowan. Portrait shoot at Macon City Auditorium on October 4, 2014 in Macon, Georgia. (Photo by Rick Diamond/Getty Images for STYX)
UCR: As you know, Utah loves having you guys out here. You’re back out on the road with REO Speedwagon. Do you determine by tour who closes the show? Or is it a show by show decision?
Red Butte Garden started July off on a good note with a double headliner show starring Chris Isaak and Lyle Lovett. These two legends could not have picked a better date to come to Utah. The weather was perfect, and everyone was feeling good heading into the Independence Day weekend. I’ve seen Chris Isaak in concert once. I was invited last minute and was beyond impressed with the concert. I’ve always wanted to see him again. I had never seen Lyle Lovett in concert before this show. So for me personally, this was a perfect mix of anticipation to see someone I had enjoyed before, and the anticipation of seeing someone I had been wanting to see.
I chatted with a few people before the show and I asked them if they had seen either artist before. They had seen both and mentioned that they never pass up the opportunity to see them whenever they come to Utah. They assured me that I was in for a good night.
It was a night for 80s icons at Red Butte Garden Amphitheater. Legendary synth-pop star, Howard Jones played to an adoring sold out audience on a beautiful Tuesday evening in Salt Lake City. He was joined by the “Voice of Ultravox”, Midge Ure. An icon in his own right. Howard Jones has such a strong fanbase here in Utah. He’s played here so many times over the years and people come back every time he tours through. I remember one year he was a support act for Barenaked Ladies. He added his own solo date the next day because there was such a clamoring from his fans to see him in more than a shortened set. He’s also played shows up at Park City’s Egyptian Theater with just him and a piano. Those shows always sell out. There is a connection between Jones and Utah that I can’t totally explain. But it’s there and both parties embrace it.
It was one of the more wild nights I’ve seen at Sandy Amphitheater. The mighty Tenacious D made a tour stop in the typically mild-mannered Salt Lake suburb. The powerhouse fusion of Jack Black and Kyle Gass was almost more than Sandy Amp could handle. I don’t know how often the “D” goes on tour. I don’t know that they come to Utah too often. The vibe inside Sandy Amp was that of great anticipation. It was a different kind of excitement. There was this feeling like “this Is going to be awesome.” But also, “I wonder just how amazingly weird it’s going to get tonight.” And it got pretty weird. But the perfect amount. Tenacious D mixed a cocktail of weird, hilarious, blue, and rock on that stage. This show may have been funny. But Tenacious D came to rock. And so did theIr fans.
ZZ Top has been coming to Utah since the 70s. They used to call The Salt Palace home whenever they would come to Salt Lake City. In recent years, Red Butte Garden Amphitheater is the stopping place for the legendary Blues Rock band. ZZ Top helped bring live music back to Red Butte last summer just weeks following the passing of original bassist, Dusty Hill. Less than a year later, ZZ Top made their return with the same lineup, including new bassist and former guitar tech to Hill, Elwood Francis. The moment the band walked on stage, the generally casual garden attendees, jumped to their feet, ready to rock.
Seeing Tash Sultana live is more than just a concert. It’s an all-encompassing experience. Sultana is the only one on stage. But you would never know it by the layers upon layers of music that are coming out of the speakers and into the stands. There was a vibrant energy throughout the audience and it was clear that the people there were expecting a fun night. The line for merch was lengthy but shortened just in time for Tash Sultana to take the stage. I like the way Sandy Amphitheater set up the merch booth. The line forms on the hill so people can actually watch the show from a distance as they wait to buy a shirt.
Chicago & Brian Wilson w/ Al Jardine and Blondie Chaplin• June 14, 2022• USANA Amphitheatre
Reviewed by Josilyn Wakkuri Lybbert
Chicago, with Brian Wilson, played a packed USANA Amphitheater on June 14, 2022! Fans of all ages gathered to see and hear some iconic hits primarily from the 60s, 70s, and 80s! Anticipation was apparent as people waited in line to go through security. While I was in line, I heard various conversations taking place ranging from how many times some of the concertgoers had seen Chicago live before, to those like myself who were so excited to hear some of the classic Beach Boys songs performed by Brian Wilson!
It’s the summer and this is the summer of love and unity. 311 is on the last leg of their Spring 2022 tour and made a stop in Sandy Utah at Sandy Amphitheater. Now, this is a new location for 311 from what we are used to. They usually perform at USANA Amphitheater. I’ve been to many 311 concerts in the past and know they have an amazing turnout at each show. I couldn’t imagine seeing a smaller venue holding all these people. However, this venue being smaller made for a more intimate night. You could tell that the attendees at this show were definitely at the level of “An Excitable One”. The name 311 gave the fan base that’s been there since the beginning. The excitable ones helped get their music outside of Omaha, Nebraska – a grassroots movement- and even named their next albumGrassroots.
As I got into the venue I looked to the left and saw the merch table with a line that was probably about 311 miles long, not really, but it was long. 311 has tour shirts that look like sports jerseys and say the name of your city and state and the date that they performed. It was cool to see the multiple years worn by all different types of people.
Teenage Wrist
Photo Credit: Brittany DeMott
Teenage Wrist, a band that brought me back to my youth. Their name is inspired by the song “Teenage Wristband” by The Twilight Singers – formed by Greg Dulli. When I heard them perform, it reminded me of the music I would load onto my pink iPod mini in high school and blast at full volume (not realizing the hearing loss I’d start experiencing as I got older). Teenage Wrist came out to perform and the crowd was there for it. They seemed to have taken kindly to this band, as did I, and really got into it. I’d imagine if they weren’t fans before, they are now. I immediately looked them up on Spotify and pulled the lyrics up and it is Brittany approved. Check them out!
Without delay, 311 came out on stage and started off with “Come Original”. I think there is no better song to open with this song as it gets you hyped up immediately. When this song started you had people rushing back in to not miss the show. Fans were dancing and singing as they come into the crowd. Strangers technically, but family here. What really stood out the most in the crowd was the amount of smiles that I could see. I don’t know what it is about younger fans but they always make me want to cry because they are so unbelievably stoked to be at this concert. Shout out to all the cool parents who take their children to shows. Because there’s nothing better than going to school the next day and showing off your new shirt and bragging that you got to go to a concert.
I was sitting about 6 rows back from the stage but it felt like I was in the front because of the size of the venue. The stage is only about three and a half feet tall so it really feels like they’re on the same level as you and there aren’t huge gaps between the seats on the stage. “3. 11. 3 3 11.” chants would come from the crowd, a common occurrence at a 311 show. During their songs, I noticed the lighting design on stage. Lighting is such an important part of how we feel and so it is necessary that the lights fit the vibe of the song. It’s incredible what a few lights can do to a show. My favorite lights were the purple ones as they were incredibly vibrant and fit perfectly with the feeling of the evening.
The sound at Sandy Amphitheater is probably one of the best in the valley. The sound techs that work with the tour did a fantastic job making sure the sound was clear and loud enough to feel. I always rate the sound based on how much bass I can feel throughout my body. I give this one a solid 10/10. Not overpowering so it wouldn’t ruin the music, but not weak, either. I could understand the words and had my earplugs in. Sidebar: please wear your earplugs! I never did and now my television has to be up full blast. My parents call me “grandpa” and I use subtitles for everything. Anyway, I digress.
As I watched the show, I noticed how 311 interacts with the crew. You can tell this is more than a work relationship. You can see that this crew and 311 are actually an entire family. I have recognized a few of the crew members that have been with them for years and you just don’t see retention like that these days. An extremely special “Thank you” goes to the entire tour crew. Without you all, this show wouldn’t be half of what you have made it into. We appreciate the band but we also appreciate the crew who brings the band to us! Thank you on behalf of the fans!
The stage sits on a hill and is south-facing. This means the performers are not blinded by the sunset, yet we get to enjoy a sunset and a show. A 2 for 1! And what better song to play at sunset than their cover of The Cure’s “Lovesong”. Throughout the show we got to witness guitar solos by Nick Hexum and Tim Mahoney, P-Nut’s bass solo, and the incredible and notable drum solo by Chad Sexton. We know when we get the drum solo that this will lead to an all-band drum sesh, known as “Applied Science”. Each time I see this set I’ve noticed they incorporate more instruments and visuals to it.
I overheard someone saying “That means they have 3 songs left!” That someone was right on, they must come here often. They ended the show with “Creatures (For A While)” and said their goodbyes to the fans. If you’re new here, they aren’t done. They’ll be back in just a moment so don’t leave! The band returned to the stage and the screams intensifed. They play the last two songs, “Omaha Stylee” and the hit “Down”. “Down” was their first #1 single to hit the Billboard Alternative Song Chart and is dedicated specifically to those old-school fans, The Excitable Ones. Everyone gave it all that they had to rock out to this. There was headbanging, dancing, jumping, the whole enchilada. This ending was the perfect beginning to a “Never Ending Summer”. Thank you, 311!