This weekend, on July 19th, Americana/Folk Duo Watchhouse made their way into Salt Lake City, Utah to headline the third weekend of the 37th Annual Twilight concert series. The Chapel Hill, North Carolina-based couple, comprised of Andrew Marlin and Emily Frantz, found themselves surrounded by high-rise apartments and office buildings as they took the stage at the downtown-based Gallivan Center. They would go on to deliver a soul-filled set of American and folk-based music that was interwoven with the influence of bluegrass, indie, and hints of alt-rock. We’ve had the opportunity to cover Watchhouse multiple times over the years. This performance was right up there with all the rest.
It felt very fitting to be at an outdoor concert on the evening of the Summer Solstice. But not just any outdoor concert. That alone would have been great. But Old Crow Medicine show performing at the Sandy Amphitheater on the eve of a full Strawberry Moon on the Summer Solstice was an evening of perfection for an avid concertgoer like myself. Old Crow Medicine Show returned to Utah just shy of a year since their last stop here in July 2023. The band would be celebrating 25 years of their album Jubilee.
Cavetown • Mother Mother • June 18, 2024 • Granary Live
Reviewed and Photographed by Mike Ferguson
The atmosphere at Granary Live in Salt Lake City was buzzing with excitement on the evening of Tuesday, June 18th as music enthusiasts gathered for a double feature showcasing performances by Mother Mother and Cavetown. The venue, known for its vibe, provided the ideal setting for an event that promised a mix of high-energy alternative rock and soulful indie folk tunes.
Sarah McLachlan • Feist • June 6, 2024 • Utah First Amphitheatre
Reviewed and Photographed by Kevin Rolfe
Photo Credit: Kevin Rolfe
It was good to be back at Utah First Credit Union Amphitheatre (Formerly USANA Ampitheatre). The night before we were in attendance for the Utah return of the Red Hot Chili Peppers. And while the vibe was completely different, the excitement level was comparable. The great Sarah McLachlan brought her Fumbling Towards Ecstacy 30th Anniversary Tour to Utah and people were in a celebratory mood. The majority of the crowd arrived early to hang out, grab a bite or a drink, and socialize. Fans were ready for a night of great music with some incredible voices.
Danny Lux made his first trip to The Complex last Friday on the latest stop of his international tour, Tour of Lux. The Chicano artist celebrates the release of his fifth studio album EVOLUXION, joined by fellow Latin artist Dariell Cano. That night, The Complex housed a sizable audience made up mostly of Latine and Spanish-speaking fans dressed in Danny’s signature tour merch. Before the show began, eager fans searched for glimpses of performers in the wings and then cheered to beckon them on stage. The excitement in the crowd was palpable.
On Wednesday, June 5 the Red Hot Chili Peppers brought their Unlimited Love tour to Utah’s First Amphitheatre. It was no surprise that the show quickly sold out. Utah fans have waited 18 long years for the band to return. Their last concert in Utah was in 2006, Their performance was the 3rd to last concert at the original Delta Center before the name changed to Energy Solutions Arena. I found it interesting that their long-awaited return to Utah marked the 3rd concert at the newly named Utah First Amphitheatre (formerly USANA Amphitheatre.)
Tuesday, June 4th, marked a night to remember at The Complex in SLC, UT, as music enthusiasts gathered in anticipation of a double-bill concert featuring the talented Madison Beer and the dynamic Upsahl. The venue was abuzz with excitement, with eager fans filling every inch of available space, signaling a near sell-out show.
Opening the evening was Upsahl, a rising star whose magnetic presence and infectious energy immediately captured the attention of the audience. With a setlist that seamlessly blended catchy hooks, introspective lyrics, and pulsating rhythms, Upsahl commanded the stage with confidence and flair.
From the moment she stepped into the spotlight, Upsahl exuded a raw and unbridled passion for her craft, channeling her emotions into each note and lyric. Tracks like “Drugs” and “People I Don’t Like” showcased her knack for crafting anthemic pop-rock tunes with a rebellious edge, while introspective ballads like “Fine” allowed her to showcase the depth and vulnerability of her songwriting.
But perhaps the most captivating aspect of Upsahl’s performance was her infectious charisma and magnetic stage presence. Whether she was dancing with abandon, engaging in playful banter with the crowd, or delivering powerhouse vocals that reverberated through the venue, Upsahl held the audience in the palm of her hand, leaving them hungry for more.
As her set drew to a close, the cheers and applause that erupted from the crowd served as a testament to Upsahl’s undeniable talent and star power. For 45 electrifying minutes, she had set the stage on fire, leaving an indelible mark on all who were fortunate enough to bear witness to her captivating performance.
As the lights dimmed and the anticipation reached a fever pitch, it was clear that the stage had been set for an unforgettable night of music. And with Madison Beer poised to take the stage, the energy in the room was palpable, signaling that the best was yet to come.
From the instant she emerged, clad in an ensemble that radiated both style and sophistication, it was evident that the audience was in for a treat. With a setlist spanning her repertoire of hits and fan favorites, Madison’s performance was nothing short of spectacular.
For nearly 90 minutes, Madison held the audience in the palm of her hand, effortlessly transitioning between heart-wrenching ballads and high-energy anthems. Her powerhouse vocals soared through the venue, sending shivers down the spines of all who were fortunate enough to bear witness. Each song was accompanied by mesmerizing visuals and choreography, further enhancing the immersive experience for concert attendees.
But perhaps the most remarkable aspect of Madison’s performance was her undeniable connection with her fans. As she interacted with the crowd, sharing personal anecdotes and words of encouragement, it was clear that she genuinely valued the support of her dedicated fanbase. This sincerity only served to deepen the emotional resonance of her music, forging an unbreakable bond between artist and audience.
By the time Madison took her final bow, the energy in the room was electric, reverberating with the echoes of a truly unforgettable performance. As concertgoers spilled out into the night, their hearts full and spirits lifted, it was evident that they had borne witness to something truly special. Madison Beer and Upsahl had not only delivered a concert, but an experience—one that would linger in the memories of all who were lucky enough to be a part of it.
Melanie Martinez is a musical force that cannot be stopped. It seems with each tour she gets bigger and bigger. From being a contestant on season 3 of the acclaimed singing show, The Voice to selling out major arenas on her recent Trilogy Tour, Martinez is a force to be reconned with. I had the opportunity to see Melanie on her last stop in Utah on her Portals Tour at the Sandy Amphitheater. I was impressed with her fanbase then, but that was nothing compared to what I saw inside the Delta Center on May 18. The arena was filled with devoted fans dressed up as nymphs, fairies, and baby dolls. Glitter and sparkles were everywhere. Outside of a Taylor Swift Concert, I haven’t seen so many fans dressed up.
Kilby Court Block Party: Now A Salt Lake City Tradition
This May, local concertgoers and music lovers from afar returned to the Salt Lake fairgrounds for the fifth iteration of the Kilby Block Party. This year’s music festival celebrates the 25th year of its namesake, Kilby Court. For the past five years, Kilby has brought a countless number of esteemed music icons to the festival stage, including the likes of indie titans Phoebe Bridgers, Steve Lacy, and The Strokes. As the festival continues to curate a dazzling array of artists, this year’s lineup featured performances spanning several eras of indie-rock.
On May 25, 2024, The Music of The Beach Boys brought by Al Jardine, Carnie and Wendy Wilson, and Matt Jardine was the kickoff show for the season for Scera Shell Outdoor Theater in Orem!
It was my first time at this venue. I was so impressed with the kindness of the staff there. My husband was equally as impressed with their reasonable concession prices! Venue workers all adorned leis. There was a vintage Volkswagen Beetle with surfboards, and beach balls were scattered throughout the area. This made for a perfect setting to welcome one of the founding members of The Beach Boys and many of his friends and family who all played their own role in The Beach Boys in different seasons of the iconic, legendary band!
