Twelve years. TWELVE YEARS! It’s been twelve years since Alternative Rock band, Keane made a tour stop in Salt Lake City. It’s been about that long since they’ve played most cities. A lengthy hiatus, solo projects, and conquering a myriad of issues in their personal lives have kept the boys from Winslow, England away from the road. But on September 8, 2024, Keane triumphantly returned to Utah. Red Butte Garden Amphitheater was jam-packed. In speaking with some of the venue’s employees, I was informed that this was one of the shows that sold out the fastest. That didn’t surprise me at all. Keane is a band very high on my list of favorite bands. I had heard rumblings that they’d be touring The States over the summer and I had my fingers crossed that they’d be playing SLC.
Post Malone started his F-1 Trillion Tour right here in his hometown SLC, Utah. He did a two-day stint and both days were packed. Seems the first show on Sunday was busier but not by much. I was able to shoot the images of the artists on Sunday the 8th and then I had the opportunity to view the show on the 9th. I will include both of Post Malone’s setlists. There was a slight variation on each night. Utah First Credit Union Amphitheatre holds a max capacity of 25,000, so the energy was high for both nights.
I had the privilege of covering Allison Russell’s set as she joined Hozier for his sold-out stop on the Unreal Earth Tour at Utah First Credit Union Amphitheater on August 31st. This highly sought-after show had thousands of eager fans lined up throughout the expansive parking lot and there was even a huge line at the less popular south entrance! With people queued up like that, one couldn’t help but expect that the show was going to be great if that many fans were coming to spend their Saturday night there!
Some concerts are better than others. I hope that’s the most obvious statement I make in this article. I go to a lot of concerts and I love it. There is something (for the most part) great in every show I have the privilege of covering. But certain concerts just check all the boxes. Howard Jones played two headlining sold-out shows at Sandy Amphitheater on August 16 and 17.
New Wave greats, ABC and Haircut One Hundred joined Howard. This was one of those shows that checked all the boxes that I look for as an avid concertgoer. Entertaining headliner, check. Support band that could be a headliner on their own, check. Opener that I have never seen and always wanted to, check! It was a great mix of music from a nostalgic early MTV era that I loved so much. Judging by the two sold-out nights, I wasn’t the only one who felt this way.
A sold-out crowd packed their way into Red Butte Garden this last Monday, August 19th, to spend their evening singing and dancing with folk-rock, singer-songwriter, Shakey Graves. The Salt Lake City crowd was treated to a high-energy yet personal show by the Austin city-based performer. One could not have asked for a better evening as all the stars seemed to align, the days of storming had just cleared up and set the stage for one of the best shows of the summer.
Ogden Amphitheater transformed into a vibrant hub of eclectic sound and energy as St. Vincent took the stage for the Ogden Twilight Concert Series. Known for her avant-garde style and electrifying performances, St. Vincent, whose real name is Annie Clark, did not disappoint the eager crowd that had gathered to witness her live.
The atmosphere at the Ogden Amphitheater was charged with anticipation even before the show began. The Ogden Twilight Concert Series, which has become a staple in the local music scene, brought together fans of all ages, united by their love for innovative and genre-defying music. The amphitheater, with its intimate setting and excellent acoustics, provided the perfect backdrop for St. Vincent’s performance.
August 9th marked an electrifying evening at the Sandy Amphitheater, where Texas country-rock sensation Koe Wetzel brought his “Damn Near Normal” tour to life, with Kolby Cooper warming up the stage as the opener. The concert was a dynamic blend of raw energy, lyrical depth, and Southern charm, making it an unforgettable night for fans.
Ogden Twilight hasn’t been pulling any of their punches when it comes to insane show lineups. Diplo, St. Vincent, and Killer Mike making an appearance to name a few. But this particular show has been a big mark on my calendar for quite some time. Having indie-rock favorite Hippo Campus and hip-hop star Killer Mike perform on the same day was one that initially confused me. I was eager to see it nevertheless.
The 25-year-old global superstar from Guadalajara, Mexico would make his ÉXODO tour stop in Salt Lake City, Utah on August 11, 2024. Peso Pluma had his breakthrough year in 2023 with his GÉNESIS album which went on to win a Grammy for Best Música Mexicana Album. In 2023 he also collaborated with Eslabon Armado on a song titled “Ella Baila Sola” which became one of the most streamed songs around the world. Peso Pluma has played a big part in the corridos tumbados movement which translates to trap corridos. Peso Pluma is known for his raspy voice style and was the first Música Mexicana artist to perform at the MTV Video Music Awards this last year.
The rash guard-clad Aquabats returned to Salt Lake City on their newest tour celebrating the band’s 30th anniversary of fighting crime. Over the decades, The Aquabats have become some of Ska Rock’s biggest icons, known for their distinctive skin-tight rash guards, board shorts, and penchant for slaying inflatable monsters. The heroes in blue have not only made their mark on the music scene during their tenure, but have also featured in shows like Yo Gabba Gabba, and at one point even hosted their own family-friendly program for a short stint.
After a lengthy touring hiatus, The Aquabats are back on the road promoting their latest album Finally! joined by Left Alone and The Agrolites. Last Tuesday, fans of all ages flocked to The Complex in their signature Aquabat attire for a chance to hear the bands perform. The night was a testament to The Aquabats’ enduring appeal across generations and their never-faltering superhero-turned-ska-punk charm.
The first act I was able to catch was The Aggrolites. Emerging in the early 2000s, The Aggrolites are known for their unique “Dirty Reggae” sound, a fusion of classical reggae with ska-punk and soul sensibilities. From the moment the band of five stepped onto stage, they exuded a contagious energy that matched the upbeat feel of their songs. Opening tracks like “Pop the Trunk” and “Funky Fire” featured the laid-back reggae you’d expect of Bob Marley with a raw edge of traditional punk. Some songs like “Time To Get Tough” seemed to veer more towards rock, while others like “Mr. Misery” were light-hearted sing-alongs that called for audience participation.
Early in their career, The Aggrolites appeared on Yo Gabba Gabba where they first performed the classic favorite “Banana.” The crowd (including myself) was enthused to see that the beloved song made its way into the set. Costumed stage crew and members of The Aquabats pranced out of the wings wearing banana suits to accompany The Aggrolites for the song. Appropriately, members then threw inflatable bananas into the crowd which bounced across the venue for the remainder of the set.
Shortly after the stage crew cleared out frontman Jesse Wagner took a moment to thank the crowd for their support throughout the years. He talked about how Salt Lake City was always one of their favorite destinations on tour. Wagner recalled how Utah had consistently brought the loudest and most enthusiastic crowds, and the audience that night was no exception.
To wrap up their set, The Aggrolites finished with one of their biggest tracks, “Dirty Reggae.” Fittingly, the song is a tribute to the band’s unique ska punk and reggae identity. At the end of their performance, some of their front-row fans got a chance to score some tour merch as band members handed copies of the setlist and drumsticks to the audience. The Aggrolites seemed to care a lot about their fans and maintaining a lightheartedness on stage. It’s no surprise that their performance was well-received by both the families and rock enthusiasts in attendance.
Following a short wait, The Aquabats trotted onto the stage, proudly forming the band’s iconic bat symbol over each of their heads. Their set kicked off with fan favorites like “Cat with Two Heads!” and “My Skateboard!” from their 1997 album. The performance was about as chaotic as you might expect from a band dressed head to toe in spandex apparel.
Each member of the ska rock ensemble was decked out in superhero regalia, sporting hefty belts across their waist emblazoned with the Aquabats logo. Frontman and lead singer Christian Jacobs, better known by his hero alias The MC Bat Commander, led the performance. Accompanied by solos from other band members like Ricky Fitness and Eaglebones Falconhawk. On each side of the stage, LED screens played a bizarre array of visuals, featuring everything from clips of Shrek to graphics of Cabbage Patch dolls. These eclectic elements combined with the band’s over-the-top showmanship made the live listening experience all the more surreal.
The crowd seemed to be swept away by the performance too as The Aquabats threw inflatable sharks and floaties into the audience. The show felt like an immersive comic book turned dance-party adventure, complete with impromptu skirmishes and goofy antics that had families cheering along.
The Aquabats moved through some of their bigger hits like “Pizza Day!” and “Red Sweater!” while young fans got their first taste of the concert experience crowd surfing on blowup inflatables. Midway through the set, the band instructed audience members to make a circle by raising their arms overhead in a ritual they perform each show called “The Circle of Love.” Fans young and old all formed the circle in a wholesome tribute to The Aquabats’ song “Lovers Loving Love.”
After all these years, The Aquabats haven’t lost their undeniable charisma. Even though their performance may be as hokey as it is semi-coherent at times, The Aquabats have found a way to make their show a welcoming one for everybody, including the most hardcore of rock fans. I look forward to seeing how The Aquabats continue to grow their ever-loyal fanbase.
