The Aquabats

The Aquabats

The Aquabats • The Aggrolites • July 31, 2024 • The Complex

Reviewed and Photographed by Logan Fang

The rash guard-clad Aquabats returned to Salt Lake City on their newest tour celebrating the band’s 30th anniversary of fighting crime. Over the decades, The Aquabats have become some of Ska Rock’s biggest icons, known for their distinctive skin-tight rash guards, board shorts, and penchant for slaying inflatable monsters. The heroes in blue have not only made their mark on the music scene during their tenure, but have also featured in shows like Yo Gabba Gabba, and at one point even hosted their own family-friendly program for a short stint.

Photo Credit: Logan Fang

After a lengthy touring hiatus, The Aquabats are back on the road promoting their latest album Finally! joined by Left Alone and The Agrolites. Last Tuesday, fans of all ages flocked to The Complex in their signature Aquabat attire for a chance to hear the bands perform. The night was a testament to The Aquabats’ enduring appeal across generations and their never-faltering superhero-turned-ska-punk charm. 

The Aggrolites

Photo Credit: Logan Fang

The first act I was able to catch was The Aggrolites. Emerging in the early 2000s, The Aggrolites are known for their unique “Dirty Reggae” sound, a fusion of classical reggae with ska-punk and soul sensibilities. From the moment the band of five stepped onto stage, they exuded a contagious energy that matched the upbeat feel of their songs. Opening tracks like “Pop the Trunk” and “Funky Fire” featured the laid-back reggae you’d expect of Bob Marley with a raw edge of traditional punk. Some songs like “Time To Get Tough” seemed to veer more towards rock, while others like “Mr. Misery” were light-hearted sing-alongs that called for audience participation.

Early in their career, The Aggrolites appeared on Yo Gabba Gabba where they first performed the classic favorite “Banana.” The crowd (including myself) was enthused to see that the beloved song made its way into the set. Costumed stage crew and members of The Aquabats pranced out of the wings wearing banana suits to accompany The Aggrolites for the song. Appropriately, members then threw inflatable bananas into the crowd which bounced across the venue for the remainder of the set.

Shortly after the stage crew cleared out frontman Jesse Wagner took a moment to thank the crowd for their support throughout the years. He talked about how Salt Lake City was always one of their favorite destinations on tour. Wagner recalled how Utah had consistently brought the loudest and most enthusiastic crowds, and the audience that night was no exception.

To wrap up their set, The Aggrolites finished with one of their biggest tracks, “Dirty Reggae.” Fittingly, the song is a tribute to the band’s unique ska punk and reggae identity. At the end of their performance, some of their front-row fans got a chance to score some tour merch as band members handed copies of the setlist and drumsticks to the audience. The Aggrolites seemed to care a lot about their fans and maintaining a lightheartedness on stage. It’s no surprise that their performance was well-received by both the families and rock enthusiasts in attendance. 

The Aquabats

Following a short wait, The Aquabats trotted onto the stage, proudly forming the band’s iconic bat symbol over each of their heads. Their set kicked off with fan favorites like “Cat with Two Heads!” and “My Skateboard!” from their 1997 album. The performance was about as chaotic as you might expect from a band dressed head to toe in spandex apparel.

Photo Credit: Logan Fang

Each member of the ska rock ensemble was decked out in superhero regalia, sporting hefty belts across their waist emblazoned with the Aquabats logo. Frontman and lead singer Christian Jacobs, better known by his hero alias The MC Bat Commander, led the performance. Accompanied by solos from other band members like Ricky Fitness and Eaglebones Falconhawk. On each side of the stage, LED screens played a bizarre array of visuals, featuring everything from clips of Shrek to graphics of Cabbage Patch dolls. These eclectic elements combined with the band’s over-the-top showmanship made the live listening experience all the more surreal.

The crowd seemed to be swept away by the performance too as The Aquabats threw inflatable sharks and floaties into the audience. The show felt like an immersive comic book turned dance-party adventure, complete with impromptu skirmishes and goofy antics that had families cheering along.

The Aquabats moved through some of their bigger hits like “Pizza Day!” and “Red Sweater!” while young fans got their first taste of the concert experience crowd surfing on blowup inflatables. Midway through the set, the band instructed audience members to make a circle by raising their arms overhead in a ritual they perform each show called “The Circle of Love.” Fans young and old all formed the circle in a wholesome tribute to The Aquabats’ song “Lovers Loving Love.”

Photo Credit: Logan Fang

After all these years, The Aquabats haven’t lost their undeniable charisma. Even though their performance may be as hokey as it is semi-coherent at times, The Aquabats have found a way to make their show a welcoming one for everybody, including the most hardcore of rock fans. I look forward to seeing how The Aquabats continue to grow their ever-loyal fanbase.

The Warning

The Warning w/ Devora• April 24, 2022• The Complex

Reviewed and Photographed by Vanessa Holt

There is no doubt in my mind that the best way to start a week is with a concert. To top it all off is with a rock concert. That is exactly what I signed myself up for this last Sunday with The Warning headlining at The Complex. I hadn’t heard of either Devora or The Warning previously but I’m never opposed to hearing new artists. Especially if my first time hearing them would be live. 

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Circle Jerks

Circle Jerks w/ 7 Seconds & Negative Approach • March 17, 2022 • The Complex

Photographed by Jacob Moniz & Reviewed by Carter Sears

It wasn’t hard to tell what kind of show you were walking into on the evening of St. Patrick’s Day. The patched jean jackets, piercings, and tattoos were uncountable outside as circle jerks summoned the old punks and the new generation of the straight edge population of Salt Lake to The Complex. The crowd, ready to start the pit and buzzing with excitement filtered in. With a mad dash to the merch booth blocking the door. This dedication to the scene and vibe of old-school punk was held through the night.

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Underoath

Underoath w/ Spiritbox, Bad Omens, & Stray From the Path • March 4, 2022 • The Complex

Reviewed and Photographed by Vanessa Holt

It’s been what feels like a long wait, since the release of Underoath’s latest album, Voyeurist. The full-length run of their North American tour was announced in August of 2021 and officially kicked off in February of this year. The tour lineup started as Underoath, Every Time I Die, and Spiritbox. Then due to drastic changes earlier this year that Every Time I Die endured, the lineup took a quick change. And Bad Omens and Stray From The Path were added. There was no doubt that there was heartbreak not being able to see Every Time I Die who’s been a band for so long on tour with Underoath. But there also wasn’t going to be any type of disappointment for the two new bands. I’m always excited to attend any shows but there was something about this one specifically with this lineup that had me anticipating it for days.

Stray From the Path

Stray From the Path kicked off the night. They are one of the best bands to open up for anyone. Their music falls under the hardcore genre meaning the entire set is nothing but moshpits and circle pits. I’ve only seen the band play in smaller venues like In The Venue and The Loading Dock where fans had the chance to stage dive. Being on the Rockwell side of The Complex prevented them from doing so. But that didn’t stop fans from giving it their all.

Many of their songs address controversial topics which can cause a quick conversation amongst people. But it has never been in the way of Stray From the Path forcing their opinions onto someone. They reminded others that shows are supposed to be a safe place where everyone is welcome. They played a few of their older songs such as “Badge & A Bullet” and “The House Always Wins” along with a few of their newer ones such as “Fortune Teller” off their last album, Internal Atomics, and their newest single, “Guillotine”. The single was released just two days before they joined the Voyeurist tour. Having it on the setlist that soon after the release was great to hear. Stray From The Path had only been on the tour for a few days but vocalist Drew Dijorio thought it was one of the top 3 shows so far. 

Bad Omens

I’m a pretty big fan of Bad Omens. This was going to be my first time seeing them live, and they didn’t disappoint in the slightest. The band’s setlist consisted of a majority of their newer songs off of their latest album, The Death of Peace of Mind. Which has become one of my few albums of the year. The first four songs were their singles off the album; “THE DEATH OF PEACE OF MIND”, “ARTIFICIAL SUICIDE”, “Like A Villian”, and “What Do You Want From Me”? The singles were a clear insight of how new this era of Bad Omens is, while they still kept to the heavier elements. Meaning we still got to hear his deep and low unclean vocals, which gave me chills hearing live. They incorporated newer sounds that fit so well for the band.

Before starting each track, the lights would dim and a recorded track would play before the band started on the next song. During “ARTIFICAL SUICIDE” vocalist, Noah Sebastian stepped out in a ski mask. It made his presence even more intimidating with a black trenchcoat. The entire execution of it all made it one of the best performances I’ve ever seen. For the fans who’ve known Bad Omens for some time, they played a few older songs like, “Never Know” and “Limits” which the majority of the crowd was singing along to. They saved the best for last, “Dethrone”. Sebastian had one question before starting, “Are you ready to go crazy? I want to see you all lose it in the circle pit.”.  I believe it’s one of their heaviest songs to date. The circle pit was one of the biggest I’ve seen that lasted the whole song. 

Spiritbox

There are no words to express how much I was looking forward to seeing Spiritbox perform. This tour was one of the first US tours they’ve been on. Everyone I’ve known has told me that Spiritbox puts on an unbelievable performance and vocalist Courtney LaPlante’s vocals are some of the best to hear live. The entire crowd had shown up with the same amount of excitement to see the band. It felt like everyone in the crowd was singing along to their songs. The majority were off of their latest album, Eternal Blue. When people first hear Spiritbox on any streaming service, some think that all the unclean vocals are covered by someone else in the band. Everyone ends up blown away once they learn it’s all done by LaPlante herself.

She had one of the strongest and most intimidating stage presence I’ve ever seen. While most vocalists wander the stage constantly bouncing around back and forth, a lot of her time was spent at the mic stand when headbanging during intros or breakdowns, every second was still captivating. They ended the set with “Eternal Blue”, which is one of my favorite tracks. It has fewer vocals and more instrumental. Before starting the song LaPlante had stated, “Feel whatever you need to during this song, let the emotions take over and I’ll feel it too.”. The energy in the entire room had calmed. It was a peaceful moment to enjoy being in that room surrounded by other fans and listening to this amazing song.

Everyone was singing but it wasn’t the type of song to be screaming lyrics at the top of your lungs. Our voices seemed to blend so well with LaPlante’s. For those who came to the show and had never heard of Spiritbox before, they left as fans. There was no doubt that when the time comes that Spiritbox does a US headlining tour there is going to be a major turnout. 

Underoath

I haven’t seen Underoath since 2018 on their last headlining tour. It’s been long overdue and many fans were unsure if we would ever get to see them again. I was impressed with this tour specifically because it had as much fan interaction as possible. Despite being high up on the stage, vocalist, Spencer Chamberlain hopped down onto the speakers to get as close as possible. Parts of their setlist were picked by fans. Including one of their encore songs, “Thorn” that won on a Twitter vote. “We are so happy to be back in Salt Lake City. Thank you for showing up and selling out the show,” Chamberlain stated. “We’re happy to be here with our friends, Stray From The Path who we’ve known for 10 years. And our new friends in Spiritbox and Bad Omens.”

Underoath has been in the scene for quite some time. Every time I’ve managed to see them whether it was a headlining tour, opening for a band, or playing a short set on a festival lineup, the energy the band of six brings to the stage is crazy. Even from the back, drummer Aaron Gilipsie gives it his all. Chamberlain on the early half of their set, “our guitarist, James Smith got food poisoning last night and he’s not feeling too good, give him a round of applause!” The crowd cheered him on. “We had one of our techs Andy learn the songs last minute in case he couldn’t do it. I know you’re not feeling good James but you’re killing it.” Chamberlain exclaimed.

His encouraging words to his bandmate were true. For someone who spent a lot of their day not feeling the greatest he still put on a good show. When they stepped out for their encore and asked whether or not we wanted one or two songs, someone from the crowd asked for three. Chamberlain joked, “James has food poisoning! This guy is trying to kill him by asking for three songs.” While the tour was announced after their album came out, most bands would play the album front to back. But it was the perfect mix of their newer songs and older songs to satisfy all fans across the board. Leaving that night a ton of fans were raving about how this is one of the best shows of the year.

K. Flay

K. Flay w/ Kid Sistr & Corook • March 5, 2022 • The Complex

Reviewed by Carter Sears • Photographed by Jacob Moniz

With the snow pouring outside, it was immediately apparent that this was not going to be a normal concert. The security rushed us inside where everyone was waiting in line in The Grand Room of The Complex. Confusion and excitement filled the room with the sound of the end of a soundcheck coming from inside that night’s venue, as the band threw together what we would later learn to be a miracle set. 

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Oliver Tree

Oliver Tree w/ 347 Aidan & Sueco •March 1, 2022 •The Complex

Reviewed by Jacob Moniz & Carter Sears. Photographed by Jacob Moniz

Cowboy Tears Tour

The line wrapped around the building of The Complex for Oliver Tree’s “Cowboy Tears” tour this past Tuesday. After seeing him play the smaller venue in The Complex in 2019, there was a strange sense of pride in watching him sell out the Rockwell this year. Words can’t explain how excited I was to see him perform with a bigger budget and fanbase.

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Still Woozy

Still Woozy w/ Wallice & Legwurk •February 25, 2022 •The Complex

Reviewed and Photographed by Vanessa Holt

Still Woozy stopped in Salt Lake City on his “If This Isn’t Nice” tour, and it was going to be a crazy night. It was sold out on the Rockwell side of The Complex. Every time I’ve attended a show on the bigger side of the venue it’s always been a crazy show. I went in having absolutely no idea who Still Woozy was or the type of music he played. But talking with fans throughout the venue they had reassured me that I was in for a good time and he was going to leave quite an impression. He had artists, Legwurk and Wallice kicking off the night and getting the crowd warmed up. 

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Shinedown

Shinedown with Ayron Jones February 2, 2022 The Complex

Reviewed by Vanessa Holt Photos by Kevin Rolfe

Photo Credit: Kevin Rolfe

It was an interesting night for Salt Lake City on Wednesday, February 2 with the Shinedown in town. Seeing as it was a sold-out show, fans were determined to not miss a single minute of it. The line for the venue wrapped around the corner. It stretched all the way to the back end of The Complex. Everyone was buzzing with excitement for the show. After recently seeing several bands show up with multiple openers some thought it might end up being a short night with only one opener for Shinedown. It was going to be far from a short night. Ayron Jones played a usual set of 30-minutes. But Shinedown had a stacked setlist that ended up being 2 hours long!

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