Hippie Sabotage March 7, 2020 The Union

By: Kinsi Cook

Photo Credit: Kinsi Cook @kinsis.photos

Marking their tenth stop on the Direction Of Dreams Tour, Hippie Sabotage took Salt Lake City by storm. Hippie Sabotage is an indie duo from Sacramento California, composed of brothers Kevin and Jeff Saurer. Stopping by Utah for the first time since last summer’s SLC Twilight, Hippie Sabotage put on one of the best concerts that I have ever been to. Fans were allowed into The Union at 7 PM, however, they started lining up long before then trying to secure their spot at the front of the barricade. 

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Mark E. Bassy March 4, 2020 The Depot

By: Kaden Severn

Photo Credit: Kaden Severn @simplybrilliantstudios

The line went down the street at The Depot for the sold out PMD tour featuring Marc E Bassy. There was an excited energy as everyone filed into their spots. Background music began to play and normally people tune it out but people must have been really excited about the show because every single song was sung along to by everyone in attendance! When “Halo” by Beyoncé played, it was so loud that I couldn’t hear the other photographer next to me!

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Jackie Evancho February 27, 2020, Eccles Theater

By: Kinsi Cook

Photo Credit: Kinsi Cook @kinsis.photos

Nineteen-year-old Jackie Evancho stunned an audience of all ages as she performed at the Eccles Theater in Salt Lake City this past Thursday. At an early age of 10, she made her first appearance to the world on America’s Got Talent season 5 where she finished with a 2nd place medal. No longer a child, Jackie sang songs from her newest broadway album, “The Debut.” Jackie exclaimed on her website, “I’m very proud to be recording and interpreting songs by these contemporary theater songwriters. Not only do I love the songs, but I am able to tell a story and interpret them from my perspective. It was an incredible experience getting to know these characters and songs and I can’t wait to perform them live!” 

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Electric Guest w/ Soleima February 22, 2020, Urban Lounge

By: Evelyn Salazar

Photo Credit: Evelyn Salazar @takenbyevelyn

Last Saturday night, Electric Guest and Soleima sold out The Urban Lounge in downtown Salt Lake City. People of all kinds rushed inside as soon as doors opened to grab their drinks from the bar and get close to the stage. If it’s a sold out show, you know it’s going to be a good night. There were even people outside seeing if anyone had tickets for sale in hopes to get inside. I made my way up towards the stage and secured a spot. Urban Lounge is a smaller venue with a bar inside, so there’s no photo pit. So I really can’t leave my spot if I want to be at a good angle to take some photos. 

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The Paranoyds February 14, 2020, Kilby Court

By: Katie Barber

Photo Credit: Katie Barber

After opening for Tacocat last year at Kilby, The Paranoyds made their way back to SLC in support of their first album Carnage Bargain, described on the group’s Bandcamp page as “a raucous blend of garage rock grit, new wave swagger, horror film soundtrack campiness, and a myriad of other influences.” Their live show gave a glimpse into this “myriad,” made evident in their tangible 1960’s Batman theme-esque guitar riffs, their reverberating synth accents, and infinite rhythms that rattle around in your head and never seem to leave. 

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Pinegrove February 15, 2020, The Complex

By: Erica Fasoli

Photo Credit: Erica Fasoli @ericajfasoli

Saturday night at the Complex focused on the comeback of a band that sincerely wanted to make amends and a crowd that was ready to forgive. Pinegrove, an indie-folk band, made a stop in Salt Lake City to promote their newest album release, “Marigold”, based on their experiences over the past few years.

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Sarah McLachlan February 13, 2020, Eccles Theater

By: Tiffany Mull

Photo Credit: Kevin Rolfe @utahconcertreview

“I’ve come to terms with the fact that I write the same song over and over,” Sarah said, “so with my limited musical ability, I try to spice things up by switching instruments.” This isn’t true, of course, but it does show a level of self-deprecation and humility rare for an artist of her renown.

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