Category: Concert Reviews

I must admit, before last night, I had no idea that Lord Huron, or Trampled by Turtles even existed.  Shame on me because both of these bands are really talented and have great songs.  I have totally cheated myself for not having listened to them before.  But I’m glad I was given this opportunity to see them.

The thing I like most about seeing a band that I am not as familiar with is going into a show with zero expectations.  When I go to concerts of bands I’ve followed for years, I have hopes of hearing certain songs, and I expect things to go a certain way.  Well with these two bands, I didn’t know their hits versus their deep cuts.

Lord Huron took the stage right at 7:30.  I think the crowd was surprised by this because I walked right in the Complex and got a great spot dead center. About halfway through the first song, the crowd filled the space around me.  I honestly can’t think of a song I didn’t like.  The crowd was the indicator from me of which songs were their favorites.  My first impression was that these guys belong on the stage at Pioneer Park.  These guys would be perfect for the Twilight Concert Series.  Next summer maybe?  They have a certain indie flair that would be perfect for that setting.

Again, not knowing much about the band, I looked to the crowd for information.  I could tell that there were some fans there to see one band over another.  The thing I like about situations like these is the band and the way they perform their music will determine whether they win over the entire crowd or not.  Lord Huron did just that.  Before the show was over, they had the entire crowd’s attention.  They’re a very straight forward band.  Not much talking to the crowd, relaxed stage presence.  All that is just fine with me.  Some bands interact with the crowd a lot, others not so much.  I would prefer bands do what comes naturally than to try to force it.

They mentioned having played Salt Lake City in the past, recalling shows at Kilby Court, and the Depot.  Judging by the reaction of the audience, some fans were at those shows, while others just enjoyed that these local spots w
ere remembered.

I thought Lord Huron did an exceptional job of pleasing their fans, winning over the others, and for sure making a new fan out of me.  I look forward to the next time they come to town.  I will for sure be more knowledgeable about their music.

After hearing Lord Huron, I think I was most surprised to discover that Trampled by Turtles sounded nothing like them.  I guess that’s why there seemed to be a divide in the crowd.  Trampled by Turtles would be considered Americana if I were to try to label their sound.  They had elements of Country, Bluegrass, and even a little Spanish style in their songs.

I found it interesting that the six-piece band (Vocalist/ Acoustic Guitar, Acoustic Bass, Cellist, Banjo, Fiddle, and Mandolin) did not consist of a drummer.  And yet the crowd was dancing and moving as if there was one. While I felt like some songs would have sounded great with drums backing the song, I was really impressed with the energy and rhythm they produced drummer-less.

Each instrumentalist was a true talent in their craft.  Sometimes if felt like there were six soloists, meshing together.  And I mean that in a good way.  Each instrument had their time to be featured, in particular, the Mandolin and the Fiddle, but when they all played together they created a beautiful sound.

I’m sure many of you have heard the term “Dance like nobody’s watching.”.  Well, there was something about Trampled by Turtles performance that brought this reaction out of many crowd members.  As I looked around the complex, I saw people country dancing, dancing alone, pogoing up and down, and even dramatic slow dance between two dudes, during one of the softer numbers.  I think it takes a really talented band, to cause someone to just let loose and move the way you want to, without caring who might be looking on.
I really enjoyed this show.  If you are foolish like me and haven’t heard of these bands, do yourself a favor and check them out immediately.  They are very different in their style, but both incredibly talented.

Last night i made my way to Pioneer Park for my first show of this summer’s Twilight Concert Series where Big Grams made their much anticipated visit to Salt Lake City. Big Grams consists of the Electro Rock duo, Phantogram and Big Boi of Outkast fame.

I believe both Big Boi and Phantograms have taken the Twilight stage in the past but this was their first time appearing together as Big Grams.

Unfortunately I was unable to arrive in time to see the full set of Anderson .Paak and the Free Nationals.  But I will say this, as I was walking into the park, I noticed the crowd already seemed in top form.  They appeared to be the perfect opener for Big Grams.

Big Grams took the stage just a little after 9 o’clock.  They came out high energy from thestart, and in turn, the crowd was about as high energy as I have seen at Twilight.  From the first beat of their set until the last note, the crowd did not die down.  They were crowd surfing, sitting on shoulders, jumping, dancing, and from what I understand, even moshing.  And without any surprise, Sarah Barthel, lead vocalist of Phantagrams and of course Big Grams, commented on how great the crowd was. Then stating,“The best we’ve had so far! And I’m not just saying that!”  I feel like we’ve heard that before here in Utah, haven’t we?  I’d say we hear that commentary in just about every show that comes through this concert loving state!  Of course the crowd loved the compliment, and turned it up a few more notches for the remainder of the set.

I’d have to say the highlight of the evening was the mashup of Ms. Jackson, of course a huge hit for Outkast, and Mouthful of Diamonds, one of Phantograms initial hits. As if the crowd wasn’t crazy enough, they pretty much lost it during this point of the show. So much so, that I was being bumped, pushed, basically shoved from all sides to the point that I was unable to get any video footage to share with everyone.  If I had posted it you would have bet that I was filming a concert in right when an earthquake hit.

I have to say for a supergroup like this, with only one EP released, there was a lot of excitement for them to come to Salt Lake, and for their visit they were gifted one of the most excited crowds I’ve seen.

From what I’ve read, this EP is most probably their only collaboration.  But if they keep putting on shows like this, and if crowds keep reacting like this one did, I don’t see how Big Grams can stop.

One of the most anticipated concerts of the summer has to be the Weezer and Panic! At The Disco tour.  You read me right.  Weezer and Panic! At The Disco are on tour together.  These bands really could not be more different.  I remember when I saw this, I was really confused as to why these bands would be paired together.  Whatever the reason, they brought their traveling show to the USANA Amphitheater last night.

The show opened with Andrew McMahon and The Wilderness of Jack’s Mannequin and Something Corporate fame.  I thought he did a solid job getting things started.  I always feel bad for opening bands at USANA.  They usually go on about an hour before sunset, therefore the sun is just blazing right in their face.  They must be burning up!  McMahon didn’t seem to feel the heat as he went from playing piano, to moving all around the stage, and at one point making his way all the way out to the lawn where the band had placed a parachute to be used elementary school style.  Fans held the edges as other fans ran underneath.  He closed with his most recent hit, “Cecillia and the Satellite”.

Panic! At The Disco followed about twenty minutes later.  Now one thing I’ll say for sure, Panic won the t-shirt battle.  Everywhere I looked the amphitheater was flooded with Panic! At The Disco shirts.  For a minute there I was worried for Weezer that they’d be playing to a half empty venue.

My opinion of a band doesn’t really matter.  The only reason I tend to give my feelings for the band is so readers know the point of view that this review is coming from.  With that said, I have never really listened to Panic! At The Disco.  I can’t say anything negative because it’s not like I ever listened to them and hated them.  I simply hadn’t heard much of them.  Which by the way is always strange to me that I missed ever listening to a band this big.  Anyway, I fully recognize that I’m not really the right person to be writing a review on a band I barely know. Being aware of this, I decided to get a better reading on the show by watching the Panic! At The Disco t-shirt wearing fans, focusing on the very excited middle school aged girls right next to me.  (Not creepy sounding at all.)

From minute one of Panic’s set, they were singing every word and in a state of euphoria.   They were filming their favorite songs, and singing in each other’s faces as you would expect of people seeing their favorite band.  I looked around the venue, and these girls certainly weren’t the only ones loving this performance.  And don’t get me wrong, I was really impressed with the band.  Their sound is really unique, and Brendon Urie has an incredible vocal range.  He played piano, and drums and guitar throughout the set.  Their sound seemed to blend together a number of genres from jazz, to punk, to B-52’s, to Modern Rock.  They even covered Queen’s “Bohemian Rhapsody”.  Urie certainly had the vocal range, and kudos to the rest of the band for pulling off the song.  It certainly was a crowd pleaser. I mean, who doesn’t love “Bohemian Rhapsody”?

I was happy for all of those who were there primarily to see Panic.  They were given a great show, and I’d say even most Weezer fans would come away from seeing Panic! At The Disco appreciating their performance and talent.

Now, when Weezer took the stage, USANA Amphitheater still seemed to be at capacity.  So my worries that Weezer wouldn’t be playing to a full crowd were unnecessary.  The band opened with “California Kids” from their newest album.  It’s always interesting to see how new songs go over with a crowd wanting to hear hits, as well as other fans who came to see the other headliner.  But it was the perfect opening song to get things going.  Surprising to me, the crowd sang along.  So I was foolish for assuming people might not want to hear it.

From there the band rolled out about some of their biggest hits and best songs.  I was out on the lawn, and the enormous sold out venue was in a frenzy at this point.  There were people head banging to “Hash Pipe”, as well as possibly busting out their own hash pipe in celebration.  There were others dancing like no one was looking during “Pork and Beans”, or “Perfect Situation”.  “Perfect Situation” being a personal favorite of mine.

I found it interesting that during this stage of the concert, the middle school Panic! At The Disco fans were now watching me, happy for me that I was getting to experience the euphoria they had previously felt.  It would seem my excitement got them a little more excited and they began to dance, and even sang along to songs that they were surprised that they knew.

I’m just going to say, I was not holding back.  Weezer songs are so fun to sing along to. And was I singing along!  I was pumping my fist, screaming lyrics, and there may have been a few clumsy dance moves.

I looked over to some fans around me in the middle of the song “Beverly Hills”.  At the same time they looked over at me.  We caught each other in a state of perma grin.  We laughed and i said, “How awesome is this?!”.  They followed with, “This is incredible!!!! Wooooo!”.  And they we sang the lyrics as loudly as we could.  There is not much I enjoy more than bonding with a complete stranger over a similar interest.

When I sit back and think about why this Weezer set was so great, I strangely had to stop and thing about it for a minute to get a solid answer.  Their lighting and the graphics on the big screen behind the band are really cool, but that’s not what makes the show great.  They don’t do a ton of crowd work, so that’s not why I was so happy with concert.  They don’t dance, or run all around the stage, or have a really powerful presence on the stage.  Don’t get me wrong, they’re fun.  Rivers Cuomo sang one song with a crown and royal cape, another with a sombrero or oversized cowboy hat (Hard to tell from the lawn.).  They brought out a bunch of huge beach balls and threw them into the audience.  They even read some tweets that had been posted about the show.  So their stage presence is not boring by any means.  But that can’t be why the show was so great.  And after sifting through the reasons I came to a conclusion.  This show was amazing because they sound great live, and they have outstanding songs that are perfect for a concert. Their songs are so memorable that even if you aren’t a huge fan, you still know all the words.

All in all, it was a very good night for live music. All three bands did a great job. And for me, Weezer was in the right place. Closing the show. I have no doubt that there were probably some fans in attendance that would have preferred Panic! At The Disco close the show. I’m sure it’s all a matter of perspective. But if you were a fan of one over the other, or a fan of both, I know everyone there could agree that even though these bands seemed to be an unusual pairing, they brought us a really fun night.

Panic! At The Disco Setlist 
Don’t Threaten Me with a Good Time
Vegas Lights
The Ballad of Mona Lisa
Hallelujah
Time to Dance
Emperor’s New Clothes
Girls/Girls/Boys
Ready to Go (Get Me Out of My Mind)
Nine in the Afternoon
Crazy=Genius
Miss Jackson<
Golden Days
Bohemian Rhapsody(Queen cover)
LA Devotee
I Write Sins Not Tragedies
This is Gospel
Positive Hardcore Thursday/ Positive Hardcore
Victorious

Weezer Setlist
California Kids
Hash Pipe
My Name Is Jonas
(If You’re Wondering If I Want You To) I Want You To
Pork and Beans
I Love the USA
Perfect Situation
Thank God for Girls
Beverly Hills
Dope Nose / Back to the Shack / Keep Fishin’ / The Good Life / Surf Wax America
Undone – The Sweater Song
King of the World / Only in Dreams
Island in the Sun
Say It Ain’t So

Encore:
El Scorcho
Buddy Holly

So it has been over a week since I saw  Adele in concert.  I saw her in Denver, and I don’t really do reviews outside of Utah.  It seems a little weird since we are Utah Concert Review!  But, I just can’t stop thinking about the show.  I have replayed it over and over in my head since I left the Pepsi Center.  So, I decided to do a write up on my experience anyway.  Therefore, I’m adding a new section to the website called “UCR On Tour”.  This is where I’ll put reviews of any shows I see outside of the beehive state.

 So, Adele.  I have had the privilege of seeing many of the greats in concert.  And while I knew Adele was a great live singer, and accomplished performer, I didn’t think the show would make the impact it did.

I did a little research before the show, and I found out that Adele doesn’t have a supporting act, and she goes on right at 8 PM.  I’m glad I looked into it because most of the time I’ll show up during the opening set.  If I hadn’t looked into it, I would have missed a decent portion of the show.

I showed up to the Pepsi Center at 7:57.  I had planned my flight out perfectly so that I would have plenty of time to meet my sister and her husband (the generous ones who gave me this ticket as a Christmas present.) and get to the venue.  What I didn’t plan on was waiting in the car rental line for over 90 minutes!  So walking into the venue with three minutes until showtime was not ideal.  But I still had three minutes to get to my seat!

After climbing three massive flights of stairs, and sprinting to the other side of the venue, I made met my family, already seated, just as Adele appeared from below the stage!  I was out of breath (I know we’re in Utah, but he altitude in Denver is insane! Adele even said so!  She had oxygen ready back stage just in case!), I was sweating profusely, and yet, all I could think was “I made it!’, and “Wow, there she is.”.  And there she was indeed.  Rising from beneath a small stage, on my side of the venue, with the main stage, housing her exceptional band and backup singers on the opposite other end of the jam packed arena.  (You can see what I mean from the pictures and videos posted in this article.) Adele greeted the Denver audience, appropriately with her huge hit, “Hello”.

The amazing thing about concerts is although you are in the midst of thousands of other fans, the event can be quite a personal experience.  And this night was no exception.  When I was given this gift on Christmas Day, we were unaware that almost seven months later, this would be the last night my sister and her family would be spending as citizens of Colorado.  A life enriching opportunity was leading them Georgia.  So not only were we seeing one of our favorite artists, they were also being given a spectacular send off.

Which brings me one of my favorite Adele songs “Hometown Glory”.  As expected, the crowd roared upon hearing the first few notes of the popular song off of her debut album.  The enormous screen show pictures of Adele’s hometown of London, England.  Midway through the song, the backdrop changed to some of the most beautiful panoramic views of downtown Denver that I have ever seen.  To no surprise, the local audience went crazy.  While I’m sure this happens in every tour stop, it really adds a nice touch, and for my sister and brother in law, it was a very touching moment.  In a room of almost 20,000 fans, Adele gave them a very personal, private, and poignant farewell to the beautiful city they had called home.

Now, just in case Adele decides to come to Salt Lake City, I won’t spoil all of the events that transpired that night.  I’lI finish this article by sharing the two things that stood out the most to me.

One, her interaction with the crowd.  She was so good with the audience.  I heard it mentioned several times in my seats way back in Booniville, “How can we be this far back, and she’s making us feel like we’re in the front row?”  My sister said it, the girls behind me said it, and the couple on the other side of the aisle said it. And it was true.  She spoke to us as if we were old friends from school handing out again.  She brought fans on stage.  She took the time to take selfies with them.  She crouched down so she could fit into the camera frame of fans on the floor taking selfies. She told stories about her time in Denver, and about her life.  She was so relatable, even though she is a huge huge star.  For all I know, it could just be an act.  And if it is, she’s as good at seeming genuine, as she is at singing.  No one is that good at pretending to be awesome.

And secondly, her voice.  What a voice!  I know what you’re thinking.  “Duh, of course she has a good voice.  I’m pretty sure her platinum records, and sold out world tour should have told you that.”.  And you’re right, I knew that.  That’s why I wanted to see her live.  So, Duh to you!  But how impressive is it, that even though I already knew she was an amazing vocalist, and performer, she still blew me away beyond my expectations? She far exceeded anything that I had hoped for.  And I was already expecting greatness.  This woman has a very unique gift.

I consider myself very fortunate to see Adele when her career is this white hot.  She might stay this way for years to come, but I think it’s impossible for it to go any better.  She’s had three albums that are just about perfect, her voice is in peak form, and she still loves what she does.  It’s obvious that even though we were her 55th show of 105, she was still excited to perform for us, and to bring us her songs.  I say this a lot, but I truly mean that this is a night I won’t forget.  This show moved into the top five of all the shows I’ve ever seen.  No frills, no dance routines, no killer guitar solos necessary, just a gifted and talented woman..  It was a perfect night.

Set list:
Hello
Hometown Glory
One and Only
Rumour Has It
Water Under the Bridge
Skyfall
Million Years Ago
Send My Love (to Your New Lover)
Make You Feel My Love
Sweetest Devotion
Chasing Pavements
Someone Like You
Set Fire to the Rain

Encore:
When We Were Young
Rolling in the Deep

This past Saturday, Boston stopped by the USANA Amphitheater on their 40th Anniversary Tour. My main reason for attending this concert was to see their opener Dennis DeYoung.  Dennis is one of the founding members of the band STYX.  He was one of the lead vocalists, as well as a writer of many of their biggest hits.  While I don’t usually go into much detail on openers, I really want to share my feelings about seeing DDY in person for the first time.

I was a kid when STYX was releasing 5 multi platinum albums in a row.  I had heard many of their songs, and was enthralled with the “Mr. Roboto” video.  But it wasn’t until the late 90’s when boy bands and Britney Spears were ruling the airwaves, that I decided to look in the music vault and there I discovered STYX.  I heard they were going on tour, so I went to their website to see when they’d be in town.  I noticed that in the band pictures, Mr. DeYoung was not pictured with the rest of the group.  So I did a little research and came to find that he was no longer a part of the band.  His songs were my favorite so it was really disappointing.  The history of his departure has been laid out in VH1’s “Behind the Music”, as well as plenty of interviews with the band. So if you want more info on that, there are places to find it.  Anyway,  I went to see the DeYoung-less STYX, and I will say it was a really fun show.  But whenever they would do DDY song, as much as their new keyboard player and vocalist tried, he was no Dennis.  He was a solid performer too.  But there is nothing like the original in most cases.  So from that time, until now, I’ve been really wanting to see Dennis DeYoung perform his songs.  And this past Saturday, there he was, opening for Boston.

Dennis performed for 45 minutes, and it went quick!  He opened with “Grand Illusion”, “Lady”, “Blue Collar Man” and then “Mr. Roboto”.  A song that STYX never does.  And say what you will about that song, it was a huge hit for them, and it was well received by the crowd. He was really engaging with the audience, telling jokes, and interacting with fans in between songs.  He even performed STYX songs that he didn’t sing lead on.  For these gave way to his lead guitarist August Zadra, who did an exceptional job filling in for Tommy Shaw.

As I mentioned, for someone who has really wanted to see Dennis DeYoung for over 15 years, the time went fast.  He ended with “Come Sail Away”, and the crowd was singing along, and into it as if he was closing the entire show.

When I saw STYX, I really missed DDY being there, but when I saw Dennis, I didn’t really miss the other guys.  Maybe it’s because I’ve already seen the other guys of STYX, or maybe it’s due to always really liking Dennis’ songs.  Hard to say.  But I do remember thinking that these guys would put on an amazing show if they were all together again.  And that sentiment was felt by many of the fans there at USANA.  When Dennis was finished, I ran to wait in line at the restroom.  Manyof the guys in line with me, as well as people walking by were talking about how great that show was. Several mentioned how great it would be if Dennis was to rejoin STYX.  One can only hope!

Dennis DeYoung Setlist

The Grand Illusion
Lady
Blue Collar Man (Long Nights)
Mr. Roboto
Too Much Time on My Hands
Babe
The Best of Times
The End (Beatles Cover)
Renegade
Come Sail Away

BOSTON

As I mentioned, I attended this concert to see Dennis DeYoung.  But don’t get me wrong.  Boston has been a huge band my whole life.  I have many friends who are die hard Boston fans.  I have never seen them, so I was looking forward to seeing them.

Boston came out with guns blazing!  Theyplayed four of their biggest songs, of course starting with the “Star Spangled Banner” leading right into “Rock N Roll Band”.  They played hit after hit much to the delight of this surprisingly much older crowd.  I don’t know why I was surprised by that, Boston has been around for 40 years.  

Tom Scholz is the only remaining original band member still in Boston.  But he’s the songwriter, producer, etc. So I suppose if he’s still in there, it almost doesn’t matter who else is with him. Some of the current band members have been with Boston longer than some originals.  I found them all to be very accomplished, and great performers.   I was really impressed with Tommy DeCarlo.  A Boston fan who replaced Brad Delp on lead vocals after his unfortunate passing in 2007.  He sounded great, and fit the Boston sound everyone is accustomed to.

Another favorite band member of mine was Beth Cohen on keyboard and backing vocals. She was so into the show, covering all the incredibly high harmonies that we love.  She even took the lead on a track or two.  Her voice was amazing!

The order of the setlist to was really peculiar to me.  Keep in mind this is my first Boston show, so maybe they have always done things like this. As I mentioned, they sang a ton of huge songs right off the bat, and then the 2nd half of the show felt like it was mostly instrumental.  I would have thought they would have placed the hit songs throughout the show while throwing in instrumentals in between.  But again, maybe this is how they’ve always done it, so who am I to judge.  

Overall it was a really entertaining show, and I would probably see them again.  It’s interesting to me with bands of this era.  They’ve been panned in the annals of Rock n Roll history.  They’ve been called “Sell-Out Rock” “Arena Rock” or “Corporate Rock”.  But if you really listen, you’ll see that these bands are really talented. Of course, if you like Boston, make sure you get out to one of their shows.  You’ll have a good time.

Boston Setlist

The Star-Spangled Banner
Rock & Roll Band
Smokin’
Feelin’ Satisfied
Peace of Mind
Long Time Segue
Cool the Engines
We’re Ready
Higher Power
I Think I Like It
Don’t Look Back
Something About You
Amanda
The Launch
More Than a Feeling
“E” Jam
The Journey

To Be a Man
Walk On
Walk On (Some More)
Foreplay/ Long Time

Encore:
Used to Bad News
Party

Salt Lake City’s prominent alternative station X96 did the Utah community a solid by sponsoring, along with others, The Salt City Sounds concert series, a free concert downtown at the Gallivan Center.  Their invited guests were Broods.  A brother and sister electronic duo from New Zealand.

With only a couple days away from the release of their much anticipated new album ‘Conscious’, we were given a well mixed 13 song set featuring favorites from their first album ‘Evergreen’, along with songs many of us were hearing for the first time.

Lead singer Georgia Nott didn’t let the hot summer night, or even the high elevation slow her down.  She owned the stage with a balanced, yet highly energetic display of crowd work, and vocal prowess. Georgia is bite size.  I mean, she’s tiny!  With the way the stage is set up at the Gallivan Center, there were times when the crowd was jumping up anddown, she would all but disappear.  I noticed how much the crowd enjoyed when Georgia spoke with her New Zealand accent.  Many of them actually wanted her to speak more often.  Keyboardist, Caleb Nott stayed busy working synths, drum pads, and backing vocals.

Once again, Utah concert goers have done it again.  Early in the show, Georgia mentioned how much they loved performing in Utah.  She told us not to tell anyone, but I had to say it because I have always believed this is one of the best places to see a show, because the crowd is usually so good.  I’ve been to enough concerts to know thatthese artists are genuine when they say that.  And I’ve heard many bands come through here tell us that this is their favorite place to play.

The only thing that wasn’t my favorite, was they left the stage and never came back.  The crowd was the highest they had been the whole night, and they stuck around hoping, maybe even expecting Broods to come back.  But they never did.  Now, I know that the whole encore thing is a little cliche’, and it is understood that our cheering isn’t necessarily what’s bringing the band back on stage.  But, it is what it is.  We want you to leave, we want to cheer, and we want you to come back and sing a few more songs.  That’s just how it works.  Don’t get me wrong, it didn’t ruin the night or anything.  We just want our encore!

As the band left the stage, Georgia Nott said “Best show ever!” into the microphone.  Now it’s hard to believe that this would truly be the case.  But, later that night, a clip of the show was
posted on their twitter account making the exact same statement.  So, I have no other choice than to believe her. It was a really fun night.

After seeing a string of pop stars (who I did enjoy thoroughly), It was nice to spend an evening getting back in touch with my alternative music roots. On Friday June 3rd, I got to witness The Cure perform an almost three hour, 33 song set at West Valley’s Maverik Center.

I did not have tickets to this show, and I was hoping to find some affordable tickets the day of.  The show had been sold out for months, so I was felt that obtaining tickets might not be in the cards.  Well, fate was on my side, because a friend of mine texted me the night before letting me know that she might have an extra ticket, and confirming that the ticket was mine the following morning.  My excitement was through the roof!

The Cure is known for doing really long sets, so I knew that we should show up on time.  We got to our seats right at 7:30 and as we sat down The Twilight Sad took the stage, opening the show.  They played a respectable 40 minutes, setting the mood for the headliner.

When you’re the king of your genre, and when you’ve been doing it for 30+ years, you’re likely to have fans coming to your shows wanting to hear just your big hits.  This seems to be the case with The Cure.  But The Cure are not really that kind of band.  Robert Smith doesn’t want to come out, do 90 minutes of hits and be on to the next town.  He ensures that the fans get their money’s worth, and that the truest of fans enjoy themselves with songs they wouldn’t expect to hear, but want to.  The set list is rearranged in every city, and the best thing to do is to expect the unexpected.

The show opened with about 30 minutes of songs that a casual fan of The Cure would most likely not recognize.  As I looked around the arena I could see the mega fans so excited to hear these songs, while others were looking at each other shrugging their shoulders, unsure of what these songs were, only certain that they weren’t on a greatest hits album.  But right at the 30 minute mark a huge spiderweb appeared on the screens behind the band.  Both the diehard and the casual fan roared their approval, knowing that the next song was going to be one of their favorites, “Lullaby”.  This seemed to be the real start of the show as far as fan energy was concerned.  The Cure sprinkled in hits with songs from albums across their career.  It seemed they would never go two or three songs without performing a fan favorite.  It seemed as if the energy of the show continued to grow all the way to the end.

The Cure did three encores!  The last two were probably my favorite part of the show.  A lot of great songs, and just a really great environment around the arena.  I found it extremely odd that many fans (I’m guessing very casual fans), left after the first encore.  And more after the second.  Was this their first concert?  Do they not know to watch the lighting of the arena?  That if it stays dark, they’re probably coming back out?  I mean, come on people! I even saw some people racing back to their seats when they realized the show wasn’t over. This would be acceptable if they saw The Cure back in the 80’s.  I remember at my first concert feeling like it depended on me to cheer my loudest so the band would come back.  But this is 2016, and most of the fans looked like they had been to a concert or two in their lives.  They should have known better. Those people missed out on some amazing songs!  They also missed out on some of Robert Smith’s best dance moves. He performed a few songs without his guitar, giving him the freedom to entertain the crowd that much more.  With every subtle move, the crowd would cheer their approval.  The band closed with “Boys Don’t Cry”  And then they were off to Colorado.

The thing that stood out to me was Robert Smith’s voice.  As you can hear in these Youtube clips, he sounds perfect!  To me he sounds the same as he did back in the day.  Very little difference.  I get it that Smith doesn’t have the rangiest voice on earth, but you would think a 57 year old man would have some fall off.  Well, he didn’t.  Every song sounded just like you’d want it to.  I was really happy about this.  It’s sad when our favorite singers start to lose their voices, so I was happy to hear Robert’s voice has stayed intact.  I could not have enjoyed this concert more!
On a personal note, Jamin, one of my best friend’s from high school and beyond was attending the concert with his brother and another high school mate of ours.  As I was walking to my seat, I was about to text him, asking him where his seats were. Just then I looked in my row I found him in the seats right next to mine!  What are the chances?!  I think we brought it up at least four times during the show how crazy it was that with all the seats in the Maverik Center, we happened to be right by each other.  I guess we were just meant to see The Cure together!

Set List

Shake Dog Shake
A Night Like This
Push
Primary
Like Cockatoos
Kyoto Song
The Walk
Lullaby
High
The Caterpillar
The End of the World
Pictures of You
Closedown
Lovesong
Just Like Heaven
Trust
From the Edge of the Deep Green Sea
One Hundred Years
Give Me It

Encore:
Want
Never Enough
Fascination Street
Burn
Wrong Number
A Forest

Encore 2:
In Between Days
Doing the Unstuck
Friday I’m in Love

Encore 3:
Hot Hot Hot!!!
Let’s Go to Bed
Close to Me
Why Can’t I Be You?
Boys Don’t Cry

Today, I’m very thankful to Instagram.  Let me explain.  So, I’ve wanted to see Rihanna for a while now, and here she was performing in downtown Salt Lake City, practically my backyard.  But somehow, I couldn’t find anyone who wanted to join me.  Don’t get me wrong, I have gone solo mission to a number of concerts, but Rihanna seemed like a show that needed to be experienced with others.  So I gave up, and figured I’d be spending the evening watching TV and wondering how the Rihanna show was.  Well, as I was sitting there on my couch, I was looking through Instagram and I saw that a couple of my friends were at Vivint Smart Home Arena about to see the very show I was about to miss.  I “liked” their picture and thought ‘They’re so lucky!’.  Well, one of them saw that I liked her post, and remembering that I liked Rihanna, she quickly text me saying “You here?”.  I of course said that I wasn’t.  She told me they happened to be downtown and just decided to buy tickets and go.  She suggested that I should get to the arena because there were still tickets available.  I mulled it over for about 1 second and jumped in my car and raced downtown.  Keep in mind, the time was 9:15 P.M.  My friend had informed me that Rihanna hadn’t gone on yet.  I figured I had 15 minutes to get to the venue before she took the stage.  Right as my ticket was handed to me, I heard the roar of the crowd.  I did it!  I had just made it.  I speed walked to where my friends were (pathetically out of breath when I got there), and my luck continued, there was an open seat right next to them. Now finally, to Rihanna!

The show opened with Rihanna on a raised stage on the opposite side of the venue from the main stage.  She was hooded in a white robe singing her huge hit “Stay”.  The crowd was really excited to see her.  I don’t know if she’s ever been here and if so, it’s been a while.  So the crowd was really thankful she came through Salt Lake City.  After her opening song, a bridge dropped from above.  Rihanna performed a couple songs on the bridge as it moved across the arena taking her to the main stage.

Most of the set consisted of songs from her album ANTI.  The rest of the set was pretty evenly spread out over her other albums.  Her band consisted of two percussionists, three keyboardists, a bass player, and a guitarist.  Along with three back up singers and six or so dancers, the stage was full and yet at times it felt like an intimate setting. There weren’t too many thrills with the stage.  At one point huge inflatable… well, I don’t know what they were,  let’s just call them stage props, showed up for a while then were gone.  I still don’t really know why they were even there.   Anyway, the band sounded great, the singers were a huge part of the show in that they finish all the lines and phrases that Rihanna doesn’t either due to dancing or crowd work.  The dancers were extremely talented and I really enjoyed what they brought to the whole production.

Something that I noticed pretty early on in the show, and ended up to be a theme for the entirety of the show was that Rihanna would only sing a short version of her big songs.  You’ll see here that Umbrella was only 90 seconds long.  With many songs I get it because she’s a featured artist on a rapper’s song, or the song was a duet.  But sometimes I’d just be getting into a song, and then it was over.  She has so many hits that at first I got it, I figured she was trying to get to all the songs but keep the show within 90 minutes.  But I was wrong.  She did do 25 songs, and she did keep the show to 90 minutes, but I’m guessing because she is promoting her ANTI album, major hits of hers were left off the setlist to make room for these songs.  I understand why that happens but I will say I was really looking forward to some of these songs.  I’m trying not to complain too much because I really did enjoy the show.

I think it has to be said that Rihanna is so sexy.  I hate that word, and I hope I don’t sound like I’m diminishing her musical talents because she is so talented, but damn, she has such a natural sex appeal that I found myself just totally captivated at times.  She claimed one time on Ellen that she was “just dancing” and that she didn’t get what all the fuss was about.  But maybe it’s our puritan American heritage, but the way she moved is not “just dancing”.  I mean, wow.  Ok, I’ll leave that there.  But I feel like it’s necessary to report that Rihanna’s sex appeal is still intact.

Most artists that I’ve seen always seem to have a tour that’s for them.  They’ve done the songs their fans want to hear, and they’ve done those songs a million times.  So there always seems to be a particular tour where they are going to do the show they want to do.  I think this was the case for Rihanna with the ANTI Tour.  As previously stated, a lot of major hits were left off the setlist.  While I wished I would have heard those songs, I can understand an artist’s need to do their thing.  There was no encore, which personally I hated.  We know they’re coming back, it’s all a big charade.  I get that, but it’s just part of the show.  That’s how it goes.  You leave, we clap and scream a lot, and you come back and do songs we love, and she show ends on a huge high.  With no encore, it takes a little luster out of the whole thing.  But that’s the way this show went, it seemed to start at its strongest, and progressively dip finishing out with two songs from ANTI.  Not how I would have wanted the show to end.  But people each have their own perspective on these shows.  Which is why I love sharing my reviews, but love hearing what others think of the shows.

Upon leaving the venue, my friends ran into someone they knew.  They asked him what he thought of the show, and included how disappointed they were with the last song.  And he said, “Really?! Kiss It Better!  I love that song!”  So there you go.  While we were a little disappointed with the finish, this dude loved it.  Overall I must say that it was a good time, much better than the night I thought I was destined for.  I really do want to see Rihanna again.

Setlist

1. Stay
2. Love the Way You Lie (Part II)
3. Woo
4. Sex With Me
5. Birthday Cake
6. Pour It Up
7. Numb
8. Bitch Better Have My Money
9. Goodnight Gotham
10. Consideration
11. Live Your Life / Run This Town / All of the Lights
12. Umbrella
13. Desperado
14. Man Down
15. Rude Boy
16. Work
17. Take Care
18. We Found Love
19. Where Have You Been
20. Needed Me
21. Same Ol’ Mistakes
22. Diamonds
23. FourFiveSeconds
24. Love on the Brain
25. Kiss It Better

A couple of years ago, Ellie Goulding came through Salt Lake City and performed at the Saltair.  Well, for some reason, I didn’t know about this until after she had already come and gone.  I was really disappointed because by all accounts, I have heard she puts on a great show.  I hoped she would one day return to Utah.  You never know what artists are going to make Utah a regular stopping point, or whether they come here and never return.  So I was excited when I heard Ellie was in fact returning, and this time she’d be playing the Maverik Center.

The venue wasn’t quite sold out, but I’d say it was about 85-90% full.  Not too shabby in my opinion.  I was able to get down on the general admission floor, and without having to be one of those rude obnoxious fans that get there late but still try to push their way to the front, I was able to get a pretty good spot.  As most of you know, the Maverik Center is the home arena to the minor league hockey team the Utah Grizzlies.   Well when they are still in season, from what I gather, the stage can’t be set up on the main floor, because ice is still underneath.  So the stage is set up deeper into the end of the venue, which makes the GA floor enormous!  This might sound like a good thing, but I don’t think it is.  While there were thousands on that floor, because of the way things are set up, the floor is only half occupied.  And the people sitting at the end of the venue in seats are really far from the stage.  Don’t get me wrong, I understand why they have to set things up this way, it just makes the venue more awkward and less concert friendly than it normally is.  

Ellie performed about a 90 minute set with most songs coming from her latest album Delirium (Delirium world tour, duh).  Her band consisted of three backup singers, a drummer, and three versatile instrumentalist moving from guitar to keys depending on the song.  She also had four male dancers who did everything from dance fight, to help set up staging for the show.  The entire ensemble were really talented and added to the show.  

Some of the highlights for me were hearing Ellie sing one of her biggest songs “Lights” in a really stripped down version.  It was basically just her and a piano.  While some might have wished to hear the original, I thought this was a great showcase of her unique voice, and a really special moment in the show.  The best moment in my opinion came when she was about to sing the last song of her main set “Burn”.  This is a huge song for her, and it was obvious the crowd was anticipating this song, and excited it was time to hear it.  But before this song was performed, Ellie asked the crowd ever so politely to put away their phones.  She said that she didn’t want to see their phones, she wanted to see their faces.  And I would say about 99.9% of the audience granted her her wish.  You always have to have those selfish phone users who don’t care whether they’re in a movie, a play, or even if the artist you came to see asks you to just be in the moment. They’re just going to use their phones anyway.  But most people followed the prompting, and it was a really cool moment in the show, and probably the highlight of the evening.  It took me back to when there were no cell phones, (I know I’m old) and we just had our memories to rehash later about what we had seen.  I’m guilty of using my phone at concerts.  That’s why you have pictures and video footage of the shows I review.  But I must say it was nice to just be in the moment for once.  Nice move Ellie.  

If you haven’t seen Ellie Goulding, or listened to her music, I encourage you to give it a shot. Her voice is very unique and her songs are great.  She is a true talent.  I really hope she comes to see us again.  

Set List

Intro (Delirium)
Aftertaste
Holding on for Life
Goodness Gracious
Something in the Way You Move
Outside (Calvin Harris cover)
Devotion
I Do What I Love
Keep on Dancin’
Don’t Need Nobody
Heal
Explosions
Lights
Army
Lost and Found
Figure 8
On My Mind
Codes
We Can’t Move to This
(Calvin Harris cover)

Encore:
Anything Could Happen
Love Me Like You Do

Ever since I started this website, I have hoped I’d get this opportunity.  I’m finally able to do a review of a Cary Judd concert. Cary is actually a close personal friend of mine, but that doesn’t take away from that fact that he is one of the best singer songwriters I have heard in the last 10-15 years.  I’m sure you’re thinking that I have this opinion because he is my friend, but I have to tell you this is not at all true.  I have had several friends write songs, perform, and look for that ever elusive signing deal, and none of them are as good as Cary, and without naming names, some are just not good.  

Cary returned to a venue where he experienced some of his greatest triumphs, Velour, in Provo.  I have been to a lot of concert venues in my day, and I have to mention that Velour is probably the best venue of its size I have ever been to, excluding maybe the clubs on the sunset strip in Hollywood.  It has a great sound, and an even better vibe.  If you don’t believe a venue in Provo Utah can live up to this acclaim, I encourage you to see a show there, and I’m confident you’ll agree.

Velour is celebrating its 10 year anniversary.  So they have put together several shows inviting back some of the artists that helped make the venue the landmark it has become.  Cary was one of those artists.

Cary performed about a 35-40 minute set, then made way to John Allred.  A local favorite, and a very talented singer, and performer.  But this is about Cary.  It had been a while since Cary had performed some of these great songs, and perhaps even longer since he had graced the Velour stage.  But if nothing else, Cary is a performer.  He can win over any crowd, rusty or not.  

And Cary was a little bit rusty if I’m being honest.  He played a few songs at a slower tempo than he might have in the past. I imagine he did that in order to ensure he played the songs correctly.  You see, Cary owns and runs a recording studio called The Wormhole in Boise, Idaho.  That takes up most of his time, and with the rest of his time, he fronts a band called The Vacationist.  So he has all but retired these songs.  In fact he said this was more or less his farewell performance as a solo artist.  Thing is, rusty as they may have been (and I’m talking a tiny bit rusty) they still had that secret CJ ingredient that makes his songs special.  

Cary has a looping system where he can play a drum beat, record it, and loop it so it plays over and over. Then he’ll do that with a base line, a rhythm guitar, and whatever else he sees fit to fill the sound of the venue and while we’re looking at one man on stage, it’s as if an entire band is up there.  (I used to call him Bert from Mary Poppins.  Too bad that never caught on.)  

Because of this looping ability, the crowd remains fixated on his ability to progressively fill the room and then perform his song.  But Cary doesn’t rely on smoke and mirrors.  As I said, he is the ultimate performer.  In the middle of his set, he jumped off the stage to the center of the venue floor, and sings his song “Valentine”, surrounded by the audience.  No microphone, no amp, no effects, just Cary and his acoustic guitar.  The Velour crowd is completely silent and again fixated on what felt like a night by the campfire, or just a few friends hanging out jamming together.  Most of that crowd was not there to see Cary, but I bet most of that crowd would leave Velour that night, remembering that intimate experience.  

Cary finished the night performing what are probably his best two songs, “Sarah” and “Eclipse”.  You’ll most likely never hear these songs on the radio, or winning awards, but I believe these songs are better than anything you are hearing released today, and I strongly encourage you to go to iTunes and download them now.  They are beautiful, meaningful songs.  

When CJ finished his last song, part of me grew a little sad wondering if I’d ever hear him play these great songs again live.  But I know that even if I don’t hear these songs, I’ll hear him in his new band, or doing something in the future.  Cary is an artist, he’s a songwriter, and because of this he’ll never stop.  

Congratulations on a brilliant solo career, and I can’t wait to see what you do next!  This is where his story begins, “Farewell my friend”.