Neil Diamond April 9, 2017 Salt Lake City Vivint Smart Home Arena

There are two types of people in this world, those who like Neil Diamond and those who don’t.”  This statement is as true today as it was back when Bill Murray said it as he was playing Bob Wiley in the early nineties classic What About Bob?  When I told people I was going to see Neil Diamond I was given one of two responses, “Why?”, or “Why aren’t you taking me?!”.  I don’t think there is another artist I’ve seen where people have such a strong opinion.  

To be clear, I’m one of those who likes Neil.  I was raised on Neil.  My mom is a big Neil Diamond fan so I’ve been listening to the guy for as long as I remember.  

Neil brought his 50th Anniversary tour to a packed Vivint Smart Home Arena.  I received word that Neil doesn’t have an opener, and he usually goes on right at eight so I made sure to get there early.  I took my seats that were to the side of the stage.  These are interesting seats because they’re right by the stage, so they’re close to the action, but they put me in a position to where I could see the entire arena.  

As I took my seats I saw a couple who I would guess was in their late 60’s.  I asked them if they had seen a Neil Diamond concert before.  By the look on their face, I could tell that they were lifelong fans even before they spoke.  I immediately noticed their New York accents.  They began recounting their experience with the Jewish Elvis having seen him multiple times beginning in the seventies and the last time being twenty years ago in 1997.  They were excited to see him again after such a long break.  

Just as they were finished sharing their experiences, as if on cue, the volume on the background music began to rise, and the band walked to the stage.  The band began playing “In My Lifetime” while pictures began to move across the diamond-shaped video screen.  The pictures showed Neil as a child, with his family, then to adolescence, and on to each stage of his career then finally the footage cut to the exact moment when the mighty Neil Diamond rose from below the stage with his black guitar as his first hit “Cherry Cherry” started to play.  He greeted the audience with a “Hello Salt Lake City!”.  The crowd went wild.  Many sprung to their feet, many eventually made it to their feet, and some stayed put in their chairs.  This seemed to be a battle with many audience members.  Some wanted to get up and dance, and others wanted to enjoy the show from their chairs.  But what those sitting didn’t realize was that eventually,  everybody rises at a Neil Diamond concert.  But we’ll get to that later.  

There are a couple of benefits in seeing someone who has been doing this for fifty years.  One is the endless amount of hit songs that are performed, and another is they know what works to put on a great concert.  Neil has so many hit songs that he can’t fit them all in one night. I don’t think it was until long after I was home that I thought, ‘Oh, he didn’t do this song or that song.’.  He did so many familiar songs that I can’t imagine anyone left feeling disappointed on the setlist.  

Neil knows just how to entertain a crowd.  I saw people of all ages at this concert.  I saw entire families singing along, college-aged friends, and of course couples like the one sitting next to me.  Each one of them, child to adult, had a smile on their face, singing every single word of every song right along with Neil.  He knows how to tell a joke, share a story, and deliver a song.  It’s impressive.  Those who enjoy being entertained,  die-hard Neil Diamond fan or not, I recommend seeing this show.  It really is impressive.  

I took great interest in this New York City born and raised couple seated next to me.  I wondered what they thought about the show as compared to the Diamond concerts of the past.  As the beginning notes of a fan favorite love song “Play Me” began, I looked at the lady and saw tears streaming down her cheeks.  She just looked at me and said “Beautiful”.  She then put her head on her husband’s shoulder for the rest of the song.  I quickly realized that I was imposing on a special moment between them.  Before I could turn away to let the moment be their own, the man looked at me and said, “He’s as good as he’s ever been.”  It truly is amazing the impact a song, a show, a singer can have on people.  

Neil blazed through his set singing sing-alongs like “Song Sung Blue”, “Forever in Blue Jeans”, and my personal favorite, “Holly Holy”.  He ended his main set with the poignant “I Am… I Said”.   The audience, all of them, were on their feet as Neil departed the stage.  And as he returned anyone who thought they might sit back down was sorely mistaken.  Right then organ played those all too familiar initial notes of “Sweet Caroline”.  The place went nuts and sang louder than they had all night.  The “Bum, Bum Bums” and “So Good, So Good, So Goods” could have been heard out in the street they were so loud.  And from my seat, I could see the lower and upper bowl swaying, and singing, and as silly as it sounds, the smiling.  Smiles that lit up Vivint Arena in a way I hadn’t ever seen before! And Neil really lets the crowd get their “Sweet Caroline” fix.  He finishes the song, the crowd goes nuts, and then he starts the chorus up again.  And again, and again, and again!  It really was special.  

The show really could have ended right there.  But what’s a Neil Diamond concert without hearing “America”?  In my opinion, it would be incomplete. So we shouted “Today!” a bunch of times and reached, of course, his traditional closer “Brother Love’s Traveling Salvation Show”.  The arena turned into a revival tent!  People were dancing that had been sitting the whole night.  People with oxygen tanks were on their feet singing and dancing.  I wouldn’t have believed it if I hadn’t seen it.  Perhaps they were saving their legs and oxygen for this very moment.  

As Neil walked off the stage waving to the crowd I wondered if I’d get to see him again.  After all, this was his 50th Anniversary Tour.  And Neil while spry as ever, is 76 years old.  Even the greats can’t do it for forever.  Unfortunately.  But is this was my last time seeing Neil, (I had seen him 4 times previous to this show starting in 2002) this was a perfect show for me to say goodbye.  I was with my brother who, like me loves Neil, and I got to sit with lifelong fans who after a twenty-year break go to see their favorite singer sing their favorite songs.  It was a beautiful evening.  Come to think of it, I guess I could have saved everybody the time reading this by simply saying “Good times never seemed so good.”  Thanks, Neil!

Setlist

In My Lifetime
Cherry, Cherry
You Got to Me
September Morn
Longfellow Serenade
Love on the Rocks
Play Me
Beautiful Noise
Jungletime
If You Know What I Mean
Song Sung Blue
Forever in Blue Jeans
Solitary Man
I’m a Believer
Brooklyn Roads
Pretty Amazing Grace
Jazz Time (Band Intro)
Soolaimon
Crunchy Granola Suite
Done Too Soon
Holly Holly
I Am… I Said

Encore
Sweet Caroline
Cracklin’ Rosie
America
Brother Love’s Traveling Salvation Show

Stevie Nicks with The Pretenders Salt Lake City February 25, 2017 Vivint Smart Home Arena

It’s not every week that one of the biggest icons in Rock n Roll visits Utah.  So I was excited when I saw that Stevie Nicks was coming to Vivint Smart Home Arena.  And to no surprise, she did not disappoint.  

First, Rock n Roll Hall of Famers, The Pretenders were Stevie’s support act.  Headliners in their own right, they flew through their almost hour long set, blending hit songs with some newer numbers.  Chrissie Hynde’s voice was in peak form as she belted out songs like, “I’ll Stand By You”, and “Brass in Pocket”.  They had the entire floor of the arena as well as many areas of the lower bowl on their feet, singing and clapping along.  There was actually a moment that I forgot that this was the opening band.  I totally felt like I was at a Pretenders concert.  But of course, this was just the beginning.  There was of course, Stevie.  

Now, this show was not like a typical concert.  The best way I can describe it is it was like that old VH-1 show “Storytellers”.  You know when VH-1 and MTV actually played music.  Stevie told us early on in the concert that she would be playing what she called “New, old songs” from her “Gothic trunk of lost songs”.  She mentioned that she’d be explaining how the songs came to be, why she released them when she did, and why she chose them for tonight’s show.  I thought it was a good idea to tell the audience up front that we were going to be hearing songs we probably didn’t know, but it should be fun anyway.  I think it put the crowd in the right frame of mind, and they reacted accordingly. The two-hour fifteen-minute show seemed to fly by for me.  

Stevie mentioned that she had actually lived in Salt Lake City while she was in 7-9th grade.  This was something I didn’t know, and something that of course delighted the local audience.  She mentioned that her friend from that time was in attendance and that she has always had fond memories of living here.  

Besides the two drunk dudes who were dragged to the concert by their girlfriends, the rest of the audience seemed to really enjoy the stories Stevie told. Later in the show, she jokingly recognized during one point in the show that she was telling a lot of stories.  She mentioned that by the end of the tour she might not even have a band, she’d just be up there telling stories.  A highlight for me was when she was starting her solo career she was offered a song by Tom Petty.  They ended up recording “Stop Draggin’ My Heart Around”, and it became one of her biggest solo hits.  The crowd went crazy when she started this song and went even crazier when Chrissie Hynde walked back on stage to perform the duet with her.  

Of course, even with the crowd enjoying the stories, and the lost songs, Stevie Nicks understands that we were there to hear her hits.  Even when touring solo, she knew she’d have to play some of her biggest Fleetwood Mac hits.  After she finished singing “Rhiannon”, Stevie told us that she suggested maybe leaving that one of the setlist this tour.  She proceeded to tell us that her band gasped and said no way.  And of course, the crowd roared in approval of the band’s protest.  Along with giving us a string of hits, she brought back some of her classic shawls.  Then she iconically spun around in them, getting a cheer from the audience every time.  

She closed the show with her beautiful song “Landslide”. She mentioned that she was in Aspen Colorado when she wrote it, but she wished she had written it here in Salt Lake City because she actually lived her, and she was only visiting Aspen.  No matter where it was written, it’s a fantastic song, and a perfect way to end the evening.  

Stevie Nicks is an artist that has truly perfected her craft.  I was amazed how one minute she could make us feel like we were sitting in a small coffee house listening to a songwriter tell us how and why she wrote a song, and the next we’re back in a packed arena dancing to a proper rock song.  An artist like this transcends generations.  I saw mothers and daughters there together.  I saw groups of women who were most likely the same age as Stevie Nicks reliving some of their youth with these songs.  I saw groups of women who were much younger than me, enjoying their current youth with these songs.  It says a lot to me about Stevie and her repertoire.  I hope she brings that “Gothic Trunk” back around soon.  

Stevie Nicks Setlist
Gold and Braid
If Anyone Falls
Stop Draggin’ My Heart Around
Belle Fleur
Gypsy
Wild Heart
Bella Donna
Enchanted
New Orleans
Starshine
Moonlight (A Vampire’s Dream)
Stand Back
Crying in the Night
If You Were My Love
Gold Dust Woman
Edge of Seventeen

Encore:
Rhiannon
Landslide

Midge Ure Salt Lake City January 16, 2017 The Complex

I have been wanting to see Midge Ure for most of my life.  Seriously for twenty-something years.  Whether with his band Ultravox, or solo, I have enjoyed his music, yet never really had an opportunity to see him.  Well last night at The Grand in The Complex, I finally had my chance.  

My anticipation for this show was magnified due to the opportunity I had to interview Midge about a month prior to the concert.  So, talking with him about the tour got me really excited for what was to come.  And he did not disappoint.  

Ure joked with the audience asking if anyone could understand him due to his Scottish accent.  He suggested maybe they thought he sounded like Shrek.  Throughout the night he was engaging, comical, and even a little self-deprecating.  When he introduced his song “If I Was”, he talked about how it was a number one hit in various countries, but not in America.  Following by saying, “But I’m not bitter.”  

Midge mentioned that he had been in Utah a couple of years ago as part of the Retro Futura tour.  A number of audience members cheered to let him know they were at that show.  He mentioned how surprised he was that people there were singing his songs.  He didn’t think anyone here would know him.  He jokingly stated that he made a special point of returning to Salt Lake City on this tour just to make sure.  

Midge joked that the type of tour he was on was called a “Scottish Tour.  Because it’s cheap.” He was joined on stage by only a drummer and a bass player who also played keyboard on various songs.  Both of them are very talented musicians and made it feel as if there was an entire band on stage.  I thought Ure did a solid job blending songs from his entire catalog  That can’t be an easy thing to do when you’ve had not only a successful solo career but been a part of hit-making bands such as Visage and of course Ultravox.  I was also really impressed with how well his voice has held up.  The man is in his 60’s and he sounds as good as he ever did.  If anything, there is an added richness to his voice that I really like.  

Admittedly I was most looking forward to hearing the Ultravox songs.  As much as the audience remembered and enjoyed the other songs, it was obvious that the Ultravox songs were the highlight.  Midge mentioned that he wasn’t sure about doing some Ultravox songs because he was in just a three piece band and Ultravox is so layered with synthesizers and other instruments he didn’t know if they could pull it off.  But he knew he wanted to do these songs, so they went for it, and pull it off they did.  I really liked the arrangements of these Ultravox songs. They had a stripped down feel without losing any of their fullness.  For example, one of my favorites was “Dancing With Tears in My Eyes”.  It felt like a proper rock song, heavy with guitar, bass, and drums.  I loved it!   

Ure closed the show with the great David Bowie classic “Starman”.  He mentioned how 2016 was such a hard year due to the loss of so many great people in the music world.  

The best way I can sum up seeing Midge Ure in concert is that it was like meeting up with an old friend. You’re so excited to reconnect.  You talk about the good ole days, share a new story or two, and upon departure you regret not going over a couple more old memories.  And of course, the time together is never long enough.  But ultimately you’re so happy to have seen each other, and a new memory has been made.  And the hope is always that you’ll see each other again sooner than later.  So it is with Midge.   

Setlist

Dear God
New Europeans (Ultravox song)
If I Was
Call of the Wild
Fade to Grey (Visage)
Beneath a Spielberg Sky
Become
Hymn (Ultravox)
The Voice (Ultravox)
Vienna (Ultravox)
All Stood Still (Ultravox)
Passing Strangers (Ultravox)
Dancing With Tears in My Eyes (Ultravox)
Reap the Wild Wind (Ultravox)
Starman (David Bowie cover)

UCR Interview- Midge Ure of Ultravox

Midge Ure of Ultravox is currently making his way across North America with his Live + Electric Tour.  Ure is coming to The Complex in Salt Lake City on Monday January 16, 2017.  Prior to his stop here in town, I had the opportunity to interview him. I believe our conversation will be of interest to any New Wave, New Romantic, or Electro music fan. I split my time during this interview between mustering as much journalistic integrity I possess and just totally geeking out.  I’m a huge Ultravox fan, so this was an absolute delight for me.  I hope you enjoy the interview as much as I had conducting it.  

Utah Concert Review: Hello Mr. Ure.  Where might you be calling in from tonight?

Midge Ure: I’m in deepest darkest Germany today.  

UCR: Wow, well how’s the tour going so far?

MU: It’s been going really well.  It’s a kind of a three piece, mainly acoustic stuff I’ve been doing.  It’s a tour called “Something from Everything”. I’m trying to play something from every album that I’ve done since 1978. So I’m choosing songs from Ultravox right through to now.  So it’s been going incredibly well because a lot of the songs I have never performed live before.

UCR: When you tour the states early next year, will you be continuing with this type of show, or will you be playing with a full band?  

MU: No, we’ve already done the first leg of the US tour back in October.  We did the East Coast and up into Canada.  So we’re picking that back up again starting in Vancouver and working our way across the West Coast through Salt Lake City, and down to Texas and finishing up in Nashville.  This tour we’ll be using two American multi-instrumentalist musicians.  One of whom I’ve worked with before. It’s basically a three piece power trio, but using synthesizers as well.  So we’re trying to incorporate a bit of everything.    

UCR:  I recently read a tweet from you where you were expressing frustration that someone in the front row was doing a lot of texting while you were performing.  I have to say that this is something that drives me nuts!  I think it’s so disrespectful.  

MU: (Laughing) Yeah.

UCR:  You’ve been touring for decades now, aside from people using their smart phone during concerts, whether to text or to record some of the performance, what else has changed over that time for you?

MU: Although I was tweeting about the annoyance of technology and the way people use it, it’s not about me and my ego.  It’s not, ‘How dare they not listen to me!’.  It’s the fact that people will sit in theaters and in cinemas and they’ll look at their phones.  Some will even make phone calls!  And you think, that’s just not the right thing to do.  So, although I was moaning about technology, I think the big change is technology.  The fact that an artist or a band can sit on the computer and book their own flights, book their own car hire, and they can liaise with venues on the road.  And you can do it on the phone while you’re touring as well.   You don’t need a massive office. You don’t need a huge road crew. You have to know what you’re doing of course, but the level I’m doing America right now, I could not have done this twenty years ago.  I could not have gone out without a road crew, or without a tour manager, you know, no one there to kind of back you up.  You’d need that kind of infrastructure.  Now you don’t need that.  You can kind of just do it yourself.  

UCR: That reminds me of when OMD reunited back in, I think around 2007.  After a successful European tour, they wanted to come here to the states and tour.  Concert promoters wouldn’t advance the money to put the tour together.  I guess they didn’t think they had the audience in America anymore.  So OMD decided to put the tour together on their own.  And it was a huge success, and they’ve been touring here ever since.  So to speak to your point, it seems it is possible now to tour without relying on others.  The advancements in technology allowed you to do it on your own.  It that pretty much what you’re saying?  

MU: Absolutely.  I have to look back over the years with me, or with Ultravox or whatever, and I find a twenty-year hole or a twenty-year gap where when I stopped being with major labels. I seemed to lose all connection with the US and Canada.  As I did with Australia and New Zealand and Japan. I seemed to have lost this flow.  So I had no way to get back in again.  So like you say with OMD, people ask you, “Well, how much do you go out for?”  and you tell them, and they say “No, we haven’t heard from you in twenty years. Why would we pay you that kind of money? Everyone has forgotten about you.”   If you’re determined to do it like OMD were, and like I am, I mean, I’ve toured the states maybe three or four times the last few years because I chose to do it. I don’t need to do it. But I chose to do it because maybe there’s a chip on my shoulder saying ‘Why did Ultravox never happen in America?’. Even though I know the answer, it still kind of grinds a little bit.  So I choose to come out to America and do it on a much lower level than I would in Europe or anywhere else really.  

UCR: Ok, so I have to know then, what are the reasons Ultravox didn’t happen in America?  

MU:  It’s probably a variety of answers.  This is a pick and mix. You can throw just the answers in a big pot and mix them up and that’s the reason.  Initially, only the coasts really got Ultravox, at least as far as we were concerned.  I’m not sure Ultravox ever played Salt Lake City, I don’t think we were ever in Utah. As far as we were concerned, it was College radio.  College radio got Ultravox. When we arrived first in New York, we were interviewed by a newspaper and this guy says, this is in around 1978, and the guy says “You guys speak really good English.”  And being British, we’re like “Yeah”.  He says, “I thought you were Germans.”  I think he had us mixed up with Kraftwerk.  And that was part of the problem.  The majority of America didn’t understand us.  They didn’t get what it was.  The record label was distraught that the Vienna album had an eight-minute instrumental as the opening track.  And they didn’t get it because radio played Styx, Boston, and Foreigner.  Corporate middle of the road rock.  So there was no space for something like us.  We were like the very point of the ship, and we got broken off.  And the bit that came behind us, got in. So we kind of helped to pave the way for the Depeche Mode’s, and the Orchestral Maneuvers in the Dark, and whoever to follow through.  That’s part of the reason.  The other part is when we toured America, which we did a few times, we could work our way up to performing places like the Avery Fisher Hall in New York, where they wouldn’t let amplifiers in there, but they let Ultravox in there because they saw Ultravox as art.  And we would play two to three thousand capacity theaters.  And then beyond that, the next step, the obvious step was to open for a bigger band. But we insisted on playing absolutely everything live.  There was nothing pre-programmed.  This was a logistical and technical nightmare because we didn’t have time to do a proper sound check.  So we stalemated at 3,000 capacity venues and we just kind of fell back and disappeared.  

UCR:  It must have been so frustrating to not have the necessary support from the media and your label when you had such a huge fan base everywhere else.  

MU: Of course I can see exactly where it all collapsed and fell apart.  Our record label didn’t understand us.  We were having number one records in the UK, and not seeing anything reciprocated in America. I can’t begin to tell you how hideously frustrating that was.  Ultravox would step off the plane to come and do a tour to promote an album, and the record company would say “Never mind guys, we’ll get them next time.” And I would say ‘Well, hold on, the album’s just come out.  How could it be dead in the water before we ever played a note?  How could this possibly be?’ It was because we were a square peg, and they were trying to push us into a round hole.  It just wasn’t going to happen.  They knew how to do Billy Idol, Pat Benatar and Huey Lewis and the News, and all that, but they had no idea what to do with us.  

UCR: Sometimes it’s amazing that these people are in the music business.  It would seem they rarely know what they’re doing.  

Other than maybe the size of the venues you perform in, what would you say makes a concert in America different than a concert overseas?

MU: You know what, there’s really not a massive difference I have to say. Audiences react similarly all over the world. There are subtle changes between audiences but American audiences tend to be a bit louder than European audiences.  Although, these days I supposed European audiences emulate American audiences with the shouting and screaming, whoopin’ and hollerin’ so maybe the UK and Europe audiences have caught up with how audiences react in American.  But there’s not a huge difference anymore.  I’m quite surprised at the level of reaction I get in America when I play what I think is probably quite obscure material.  The audience knows the songs!  The last time I played Salt Lake City was with the Retro Futura tour with Tom Bailey (Thompson Twins), Howard Jones, China Crisis, and I’m thinking well I haven’t been in Salt Lake City in ages, so no one is going to know me at all.  But I walk on stage and the whole place stands up and sang all my songs.  I was completely and utterly blown away.  So in my mind, my perception is, no one knows me except for hardcore fans that really get into the music and know my place in the chain, my little link in the chain.  When I was in Salt Lake I spoke to the audience afterward and I was signing stuff, and they said there was one radio station there that was a New Wave station and they played Ultravox and that type of music all the time, so they all knew the songs!  

UCR: What was the first concert you attended?

MU: Now this is going to sound bizarre, but the first one I remember buying a ticket was for Black Sabbath, but they didn’t turn up.  On the bill was Family who were a 60’s and 70’s rock band and another band.  So I watched the other two bands. I went to see Black Sabbath because my brother bought their album and I was 15 and wanted to be cool.  

UCR: With touring a lot yourself I’m sure you don’t have time to see a lot of concerts, but is there any band that you would like to see or that you make a point to see.  

MU: I’d love to see Sigur Rós. They’re an Icelandic band well worth checking out.  Really interesting music.  But they don’t tour very often. The last person I saw that I deliberately went to see was Kate Bush.  But I was completing the circle because I saw her first shows she did in London back in 1978.  But yeah, if there is someone I really want to see I’ll make a concerted effort to go see them.  However,  I’m a bit over going to sticky carpeted clubs.  

UCR: Eliminating Live Aid from your options, because that I’m sure was its own incredible experience on its own, what is one of your concerts that stands out to this day?

MU: Yes, there was a very famous venue in Glasgow back in the 70’s and 80’s, called the Glasgow Apollo.  After the single Vienna was successful, therefore the album was successful, Ultravox played the Apollo for the first time.  I walked on to a roar I had never experienced before in my life!  There were 4,000 people screaming, just shouting their heads off because it was my home city. Walking on there and performing in the venue that I saw T-Rex and many other bands perform.  I saw them all on that stage, and to walk on that stage and receive that ovation, was an experience I’ll never ever forget.  And it never gets as good as that again.  It doesn’t matter where you play, how big the venue is, or how magnificent the event might be, that first time you feel that it’s the best time ever!  

UCR: Thank you, Mr. Ure.  I really appreciate you taking the time. It has truly been an honor.  I’m really looking forward to the show.  

MU: Hopefully you’ll hear a lot of things you’ll recognize.  I’ll be doing more Ultravox songs on this set than I ever have outside of Ultravox.  I think you’ll enjoy it.  It’s good fun.  

 

Click here to purchase tickets to Midge’s Live + Electric show.  Keep in mind this is a 21+ show.  Hope to see you there! 

www.midgeure.co.uk