Noah Kahan, a very talented singer-songwriter on the rise, is making his return to Utah this weekend when he supports James Bay on March 23 at The Union. This show comes on the heels of a sold-out show at The State Room. With a new album on the way and a successful lead single just released, Noah is an artist to keep an eye on. I enjoyed talking with Noah about the new album, choosing songs for that album, and what it’s like to headline versus open for someone. He was as interesting and insightful as always. Enjoy!
Noah Kahan: Hey Kevin, good to hear from you again.
Just five dates into her second headlining tour, Maren Morris made her first stop in Utah as a headliner on Tuesday night, bringing her Girl: The World Tour to The Union Events Center in Salt Lake City. Morris had made previous stops in Utah as an opener for Keith Urban and Niall Horan but never as the headlining act. Walking to the venue I could tell from those walking beside me that this was a really big deal for Maren Morris fans.
I’m not sure if there is a better thing in music than seeing a local band leave our town or state and become successful nationally. There’s a level of pride that is felt being from the same place or seeing a band like this from their early days rising from the house show to the headlining act. Such is the case with The Aces. These four young women from Orem returned to Utah to close out their first headlining tour with a sold-out home town show at The Complex on Saturday night. And what a homecoming it was.
When it was announced that The Head and The Heart would be playing a show at Park City Live in Park City I think many of their fans were surprised yet excited that they would be playing a much smaller venue than they might normally play here in Utah. For example, The Head and The Heart’s last two shows in Utah were at The Union Events Center and Red Butte Garden which hold thirty five hundred and three thousand respectfully. Park City Live holds under 900. So it there was some real excitement knowing that we were getting a very intimate show from one of the best live bands out there today.
Joshua James live is a thing to behold. The man never lost focus and wasted no time with banter. Music poured from his veins from the second he took the stage to the second he left. His ardent, impassioned folk was the perfect counterpoint to a damp March evening.
The Young Dubliners and Salt Lake City have had a love affair that started from the early stages of the band. Lead vocalist, Keith Roberts, mentioned a number of times how much he loved playing Utah, and how good Salt Lake City has been to the band. He even mentioned playing two sets one night at the long gone, Zephyr Club downtown. The band plays Utah pretty much every year, sometimes twice if there is a festival involved. Still they pack in a warm and friendly crowd no matter the venue. It was obvious the moment I walked through the doors that the audience was excited to be there and hear some Celtic Rock.
Friday night’s venue was The Commonwealth Room. This venue has existed just over a year, and it’s becoming one of my favorite concert spots in Utah. It holds less than a thousand people so there isn’t a bad spot in the room. The sound is great. And so far they have pulled in great talent, which seems to bring in the best and most appreciative audiences.
Usually, when you see a band you like in concert multiple times, you know what you’re going to get. After a while there is only so much a band can do to keep the show fresh and new for their fans. We as fans will generally accept that because we’re there to hear the songs we love live, so even if we’ve heard them play the songs the exact same way for years, we’re cool with it because we’re happy a band we like has stopped in our city again. That’s not to say the song, or show has become dull. I’m only saying that you eventually figure out what a band is going to do. For example, there are a number of bands that I like, that I’ve seen multiple times, and when they start testing the effect on their guitar, I know what the song is before it even starts. Or if they play a fancy intro, I can make out what song it is already. Sometimes part of the fun of a live show is guessing what the song is before it starts. But try not to be a song predictor too often. It might get old to your friends or those around you. Anyway, the reason I’m rambling about all this is because I just saw Muse in concert. And they put on one of the best live shows out there today. If not the best!
Little Moon will be the headliner at the closing night (February 26) of Les Femmes De Velour, and festival celebrating it’s eighth year of showcasing amazingly talented local female musicians held at Velour Live Music Lounge in Provo. I caught up with Little Moon leading up to this show. I had a great time chatting with her. I hope you enjoy our conversation!
Utah Concert Review: So how did you get into music as far as performing and writing? Where does that all stem from?
Roadie will be performing on night 2 (February 22) at this year’s Les Femmes De Velour. We caught up with lead singer and guitarist Aubree Liz leading up to the show. Enjoy!
Utah Concert Review: What is your story with music? How did you get started? What made you decide you wanted to perform and write music?
Aubree Liz: I was actually a really late bloomer when it came to becoming a musician and songwriter. I’d been very heavily interested in music my whole life, but it wasn’t until I saw one of my first live shows just after graduating high school that it really sucked me in. I’ve been hooked on creating and performing music ever since. There is something incredibly powerful about being a musician that allows you the opportunity to connect with a whole room of people individually at once. And as soon as you get a taste of that, it’s hard to go back. It’s definitely hard work, takes a crazy amount of dedication, and just sheer blind faith that what you’re doing will ever lead to anything or connect to anyone, but that’s all art. And it’s worth it.
UCR: How did you get connected with Les Femmes De Velour?