Echosmith w/ Weathers February 27, 2020, The Complex

By: Erica Fasoli

Photo Credit: Erica Fasoli @ericajfasoli

Echosmith, the sibling trio known for radio hits “Cool Kids” and “Bright” brought Weathers and Jayden Bartels to the Complex on Thursday night. A combination of rock and pop filled the venue and brought a contrast of moody and bright performances made for an interesting and entertaining night.

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Electric Guest w/ Soleima February 22, 2020, Urban Lounge

By: Evelyn Salazar

Photo Credit: Evelyn Salazar @takenbyevelyn

Last Saturday night, Electric Guest and Soleima sold out The Urban Lounge in downtown Salt Lake City. People of all kinds rushed inside as soon as doors opened to grab their drinks from the bar and get close to the stage. If it’s a sold out show, you know it’s going to be a good night. There were even people outside seeing if anyone had tickets for sale in hopes to get inside. I made my way up towards the stage and secured a spot. Urban Lounge is a smaller venue with a bar inside, so there’s no photo pit. So I really can’t leave my spot if I want to be at a good angle to take some photos. 

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The Paranoyds February 14, 2020, Kilby Court

By: Katie Barber

Photo Credit: Katie Barber

After opening for Tacocat last year at Kilby, The Paranoyds made their way back to SLC in support of their first album Carnage Bargain, described on the group’s Bandcamp page as “a raucous blend of garage rock grit, new wave swagger, horror film soundtrack campiness, and a myriad of other influences.” Their live show gave a glimpse into this “myriad,” made evident in their tangible 1960’s Batman theme-esque guitar riffs, their reverberating synth accents, and infinite rhythms that rattle around in your head and never seem to leave. 

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Pinegrove February 15, 2020, The Complex

By: Erica Fasoli

Photo Credit: Erica Fasoli @ericajfasoli

Saturday night at the Complex focused on the comeback of a band that sincerely wanted to make amends and a crowd that was ready to forgive. Pinegrove, an indie-folk band, made a stop in Salt Lake City to promote their newest album release, “Marigold”, based on their experiences over the past few years.

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Sarah McLachlan February 13, 2020, Eccles Theater

By: Tiffany Mull

Photo Credit: Kevin Rolfe @utahconcertreview

“I’ve come to terms with the fact that I write the same song over and over,” Sarah said, “so with my limited musical ability, I try to spice things up by switching instruments.” This isn’t true, of course, but it does show a level of self-deprecation and humility rare for an artist of her renown.

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American Authors & Magic Giant w/ PUBLIC February 10, 2020, The Complex

By: Evelyn Salazar

Photo Credit: Evelyn Salazar @takenbyevelyn

I honestly don’t even know how to begin to explain what an amazing concert The Band of Brothers tour brought to Salt Lake City. For a Monday, it was a party at The Complex, and I don’t mean that lightly. The performers were PUBLIC, Magic Giant and American Authors. I was stoked to see American Authors perform again. It would be my third time seeing them live and my second time photographing the show, last time was when they were here in the summer and performed at Red Butte Garden. That time, they were opening so it was going to be great to see them as a headliner this time. I had never heard of Magic Giant and I only knew one PUBLIC song. However, it was a huge turn out from the moment doors opened, so I expected these other bands to be pretty good. 

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UCR Interview/ Review: Midge Ure January 24, 2020, The State Room

By: Kevin Rolfe with contributions by Heather Callister

Friday, January 24, 2020, at The State Room, was a special night for any music fan, but especially for fans of Midge Ure of Visage, Ultravox or Thin Lizzy fame.  Midge Ure gave his fans a treat in one of Utah’s best music venues with his Songs Questions and Answers acoustic tour.   A more appropriately named tour there has never been.  It was just Ure a microphone and a guitar on that stage.  He walked out and played his only truly planned song of the evening, “Dear God”.  From there it was in the hands of the audience.

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