The Beers On Me Tour kicked off in Salt Lake City, August 13th, 2021 and it was a packed house. It was a beautiful summer night and I was excited to immerse myself in something new. My knowledge of country music and culture is very little. Coming into this I’ve never listened to Dierks Bentley and it was something I was ready to experience.
When I tell you that I was excited about this concert, it would be a severe understatement. I have been a fan of Ritt Momney for a few years now, and I couldn’t wait to see him perform for the 13th Annual DIY festival in Salt Lake City! The DIY festival was created to cultivate an environment that inspires and promotes local artists. I was impressed with the variety of artists that participated in the festival. I loved the inclusive atmosphere that was provided for each person to display their work.
On Friday, July 30, 2021, The Depot was packed with people. The venue was filled with love and good vibes because of Utah’s own local band, Native Leaves. Native Leaves are a reggae band from the 801 who know how to throw a show! The night consisted of some fantastic openers, along with the beautiful Analea Brown who truly knows how to own the stage. Her beautiful voice paired with some lovely cultural dancing by her and her crew were so fun to watch! She had the crowd dancing and vibing along with her. She did an amazing job at setting the tone and preparing the crowd for the headliners of the night.
As I pulled into The Commonwealth Room parking lot on March 11, 2020, to cover JOSEPH, I could already tell things were different. So different that I parked within the first three spots next to the venue.
Just a little under a week earlier I was at The Commonwealth Room. I was watching The Lone Bellow perform in front of a sold-out room. There were a couple of masks being worn, but the place was packed and people were standing shoulder to shoulder. I walked up to the box office to get my ticket and photo pass and asked, “How’s it looking in there?”. “Well, it’s definitely not a full house. This show was almost sold out.” It was clear to me that people were already beginning to practice what we would hear so much in the following year, “social distancing”.
I love springtime, the new beginnings, the fresh smell in the air and let’s not forget the wonderful memories to which we must cling; the future and creating memories may be postponed longer than we may like. However, I refuse to let this period of unrest damper our ability to reminisce and enjoy recent events and anticipate greater things to come. Maybe, my taking, much, much too long in finishing this review for once, is a good thing. Giving us this opportunity to remember a better moment. Today’s review comes from way too long ago, when I had the opportunity to enjoy four groups of performers and songwriters from our very own city and surrounding communities. I was invited to cover this show at the Beehive by some of our local performers. I was excited about this show. More than most. If anything, platforms like this one are ideal for local musicians to be recognized. At the risk of sensationalizing my reviews any more than I do, I have to come out and say this concert was hands down my favorite of the year, so far.
Four groups were playing inside this most intimate venue on 666 South in Salt Lake City. I had never been to The Beehive before and I must say I was intrigued as to how the show was going to take shape. The front of the venue is a bar/ restaurant and the stage was a covered, possibly out of commission rigged and lit platform in the back. The concrete floor and lack of a place to sit did nothing but increase my excitement and anticipation for the night ahead, a night, for which I was completely unprepared. I was not familiar with any of these bands before that night. I had listened to a bit to Savage Daughters after talking with them a bit, yet today, I still find myself scouring the internet for more of their deeper cut tracks, new releases, and live performance videos.