Rayland Baxter

Rayland Baxter w/ Liz Cooper & Friko

Reviewed and Photographed by Kevin Rolfe

When it was announced that Rayland Baxter would be playing The Commonwealth Room in Salt Lake City, there was no doubt that it would be a sold out show.  Baxter is well liked here and it’s also been a while since he’s made a stop in Utah. Of course, we all know how the COVID-19 Pandemic put live music and touring to a halt.  So that was an obvious reason why we hadn’t seen Rayland in a while. The other was he was working on an album.  In 2022 Rayland Baxter released If I Were A Butterfly.  So not only were we finally going to see Rayland Baxter perform live again, but we were going to get to hear some of these songs performed for the first time in Salt Lake City.

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Days Like These: A Tribute to LOW

LOW Tribute Show•March 25, 2023•Velour Live Music Gallery

Reviewed and Photographed by Alisha Gregson

Photo Credit: Alisha Gregson

The atmosphere inside Provo’s esteemed music venue, Velour Live Music Gallery, felt different than normal on Saturday, March 25th. The venue and date had originally been booked to host a concert for the band Low, a place they had performed many times over the years. Sadly, after the recent passing of Low’s drummer, Mimi Parker, no such concert would take place. 

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Young Dubliners

The Young Dubliners• March 14, 2023• The Depot

Reviewed and Photographed by Kevin Rolfe

Happy St. Patrick’s Day!  We can think of no better way to celebrate than to share our review of our amazing time at The Depot in Salt Lake City, with The Young Dubliners.  The Young Dubliners have been a favorite in Utah for many years.  As far back as the old Zephyr Club.  A long-standing venue that hosted many bands in the 80s and 90s.They even played Salt Lake City during the Winter Olympics in 2002.  The Zephyr Club has since been torn down, but Salt Lake City’s love of The Young Dubliners is as strong as ever.  

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UCR on Tour: Ringo Starr

Ringo Starr and His All-Star Band• October 11, 2022• Benaroya Hall

Reviewed and Photographed by Josilyn Wakkuri Lybbert

Photo Credit: Josilyn Wakkuri Lybbert

UCR on Tour

It seems like any trip I’ve taken recently has been to see an artist that wasn’t stopping in Utah. Which is surprising considering all of the great concerts that come through our state! There are some tours I just won’t miss no matter where it’ll take me. Ringo Starr’s show was one of those. As a lifelong Beatles fan, I’ve been hoping for the chance to see him for what seems like my entire life. This time my concert travels took me to my home state of Washington. I had the honor of photographing Ringo Starr and His All Starr Band in Seattle! Since they weren’t making it down to us on this tour, Utah Concert Review happily went to them!

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Mt. Joy

Mt. Joy w/ Wilderado• August 16, 2022• Sandy Amphitheater

Reviewed and Photographed by Kevin Rolfe

Sometimes I’ll get excited about a show simply based on what I hear from other people.  I heard so many people telling me that they were excited for Mt. Joy at Sandy Amphitheater with Wilderado. This would be the first time I saw Mt. Joy  I wasn’t sure what to expect.  A number of people who’s opinion I respect told me I would for sure enjoy it.  So I showed up with no expectations, only to have a good time.  And that I did.  

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The Shins

The Shins w/ JOSEPH• August 6, 2022• Ogden Amphitheater

Reviewed and Photographed by Kevin Rolfe

Have you ever made plans to go to a concert knowing you were in for a good night?  The lineup is great, the venue is cool, and the company you’re rolling with is just who you want to be with.  And while you know there is no way this particular concert can wrong, unless there’s some natural disaster or unforeseen incident, this concert far exceeds any expectation you might have had.  Well, that was the case at Ogden Twilight with The Shins and their special guests JOSEPH.  I knew I would like this concert.  How could I not?  Two amazing bands in one night.  But somehow, someway they exceeded my already high expectations.  This concert was incredible.  

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Rise Against + The Used

Rise Against & The Used w/ Senses Fail July 26, 2022 The Lot at The Complex

Reviewed and Photographed by Jacob Moniz

Despite the heat, fans lined the street outside The Complex just in time for Senses Fail to open for The Used and Rise Against this past Tuesday. Going into this concert I was pretty excited because I haven’t seen a concert set up on the outside stage at The Complex yet. So I was intrigued to see the stage setup. To my surprise, fans filled the outside lot all the way to the entry gate. 

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Barenaked Ladies

Barenaked Ladies w/ Gin Blossoms & Toad the Wet Sprocket• June 20, 2022• Red Butte Garden Amphitheater

Reviewed and Photographed by Kevin Rolfe

I don’t know if Red Butte Garden will ever get more 90s than it did on June 20th.  Barenaked Ladies brought their Last Summer on Earth Tour to the Amphitheater but they didn’t come alone.  BNL was joined by 90s contemporaries, Gin Blossoms and Toad the Wet Sprocket.  It was a lineup of hitmakers from top to bottom.  I arrived as Toad the Wet Sprocket took the stage.  The venue was already full.  It was obvious that Red Butte patrons were excited about this whole show.  

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Tenacious D

Tenacious D w/ Puddles Pitty Party• June 17, 2022• Sandy Amphitheater

Reviewed by Kevin Rolfe

Photographed by Alisha Gregson

It was one of the more wild nights I’ve seen at Sandy Amphitheater. The mighty Tenacious D made a tour stop in the typically mild-mannered Salt Lake suburb. The powerhouse fusion of Jack Black and Kyle Gass was almost more than Sandy Amp could handle.  I don’t know how often the “D” goes on tour. I don’t know that they come to Utah too often.  The vibe inside Sandy Amp was that of great anticipation. It was a different kind of excitement. There was this feeling like “this Is going to be awesome.” But also, “I wonder just how amazingly weird it’s going to get tonight.” And it got pretty weird.  But the perfect amount.  Tenacious D mixed a cocktail of weird, hilarious, blue, and rock on that stage.  This show may have been funny. But Tenacious D came to rock. And so did theIr fans. 

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311

311 w/ Teenage Wrist• June 2, 2022• Sandy Amphitheater

Reviewed by Brittany DeMott
Photographed by Kevin Rolfe

It’s the summer and this is the summer of love and unity. 311 is on the last leg of their Spring 2022 tour and made a stop in Sandy Utah at Sandy Amphitheater. Now, this is a new location for 311 from what we are used to. They usually perform at USANA Amphitheater. I’ve been to many 311 concerts in the past and know they have an amazing turnout at each show. I couldn’t imagine seeing a smaller venue holding all these people. However, this venue being smaller made for a more intimate night. You could tell that the attendees at this show were definitely at the level of “An Excitable One”. The name 311 gave the fan base that’s been there since the beginning. The excitable ones helped get their music outside of Omaha, Nebraska – a grassroots movement- and even named their next albumGrassroots.

As I got into the venue I looked to the left and saw the merch table with a line that was probably about 311 miles long, not really, but it was long. 311 has tour shirts that look like sports jerseys and say the name of your city and state and the date that they performed. It was cool to see the multiple years worn by all different types of people. 

Teenage Wrist

Photo Credit: Brittany DeMott

Teenage Wrist, a band that brought me back to my youth. Their name is inspired by the song “Teenage Wristband” by The Twilight Singers – formed by Greg Dulli. When I heard them perform, it reminded me of the music I would load onto my pink iPod mini in high school and blast at full volume (not realizing the hearing loss I’d start experiencing as I got older). Teenage Wrist came out to perform and the crowd was there for it. They seemed to have taken kindly to this band, as did I, and really got into it. I’d imagine if they weren’t fans before, they are now. I immediately looked them up on Spotify and pulled the lyrics up and it is Brittany approved. Check them out! 

311

Without delay, 311 came out on stage and started off with “Come Original”. I think there is no better song to open with this song as it gets you hyped up immediately. When this song started you had people rushing back in to not miss the show. Fans were dancing and singing as they come into the crowd. Strangers technically, but family here. What really stood out the most in the crowd was the amount of smiles that I could see. I don’t know what it is about younger fans but they always make me want to cry because they are so unbelievably stoked to be at this concert. Shout out to all the cool parents who take their children to shows. Because there’s nothing better than going to school the next day and showing off your new shirt and bragging that you got to go to a concert.  

Photo Credit: Kevin Rolfe

I was sitting about 6 rows back from the stage but it felt like I was in the front because of the size of the venue. The stage is only about three and a half feet tall so it really feels like they’re on the same level as you and there aren’t huge gaps between the seats on the stage. “3. 11. 3 3 11.” chants would come from the crowd, a common occurrence at a 311 show. During their songs, I noticed the lighting design on stage. Lighting is such an important part of how we feel and so it is necessary that the lights fit the vibe of the song. It’s incredible what a few lights can do to a show. My favorite lights were the purple ones as they were incredibly vibrant and fit perfectly with the feeling of the evening.

The sound at Sandy Amphitheater is probably one of the best in the valley. The sound techs that work with the tour did a fantastic job making sure the sound was clear and loud enough to feel. I always rate the sound based on how much bass I can feel throughout my body. I give this one a solid 10/10. Not overpowering so it wouldn’t ruin the music, but not weak, either. I could understand the words and had my earplugs in. Sidebar: please wear your earplugs! I never did and now my television has to be up full blast. My parents call me “grandpa” and I use subtitles for everything.  Anyway, I digress.

As I watched the show, I noticed how 311 interacts with the crew. You can tell this is more than a work relationship. You can see that this crew and 311 are actually an entire family. I have recognized a few of the crew members that have been with them for years and you just don’t see retention like that these days. An extremely special “Thank you” goes to the entire tour crew. Without you all, this show wouldn’t be half of what you have made it into. We appreciate the band but we also appreciate the crew who brings the band to us! Thank you on behalf of the fans! 

The stage sits on a hill and is south-facing. This means the performers are not blinded by the sunset, yet we get to enjoy a sunset and a show. A 2 for 1! And what better song to play at sunset than their cover of The Cure’s “Lovesong”. Throughout the show we got to witness guitar solos by Nick Hexum and Tim Mahoney, P-Nut’s bass solo, and the incredible and notable drum solo by Chad Sexton. We know when we get the drum solo that this will lead to an all-band drum sesh, known as “Applied Science”. Each time I see this set I’ve noticed they incorporate more instruments and visuals to it.

 I overheard someone saying “That means they have 3 songs left!” That someone was right on, they must come here often. They ended the show with “Creatures (For A While)” and said their goodbyes to the fans. If you’re new here, they aren’t done. They’ll be back in just a moment so don’t leave! The band returned to the stage and the screams intensifed. They play the last two songs, “Omaha Stylee” and the hit “Down”. “Down” was their first #1 single to hit the Billboard Alternative Song Chart and is dedicated specifically to those old-school fans, The Excitable Ones. Everyone gave it all that they had to rock out to this. There was headbanging, dancing, jumping, the whole enchilada. This ending was the perfect beginning to a “Never Ending Summer”. Thank you, 311!

Photo Credit: Kevin Rolfe