It doesn’t seem fair that one band can have so many talented musicians, so many talented vocalists, and so many talented songwriters that create so many great songs. There are bands out there that are barely able to squeeze out maybe one solid hit (which is more than I could ever do). Then there’s The Head and the Heart who have what seems like an endless supply of really great songs.
Photo By: Evelyn Salazar
Fresh off two sold-out concerts at Red Rocks Amphitheater in Colorado, The Head and the Heart met up with us here in Utah for their third show in as many days. Those Red Rock shows were streamed online. I took a peek at the first show and I knew we were in for a great night I was really excited to hear a lot of songs from the new album Living Mirage. I have really enjoyed that album. When UCR saw them at Park City Live back in March, The Head and the Heart played some songs from Living Mirage which was still a couple of months away from being released. I loved those songs and was excited to see how many more songs they’d perform on this tour.
Norah Jones gave us the smoky torch songs of the new millennium. Though often understated, her work has the polished precision of a trained musician. It’s no surprise that she has a degree in jazz piano; hers is not a sloppy talent. Her music wafts through Soul, Folk, and even dips into Blues and Country, but it always returns to her roots in Jazz. Three songs in, I could feel the audience’s collective blood pressure lowering. Dreamy lyrics about missed rendezvous and wandering off into the moonlight coupled with seamless vamping melted, then evaporated, my spine. So long as Norah and her crew were playing, there were no cares in the world.
BILLIE. FREAKING. EILISH. WOW! On Tuesday, June 4 Billie brought the most amazing and well put on show I have ever attended to The Great Saltair. As early as 6 am on Tuesday, fans arrived dressed head to toe in Billie’s merch and sat in line all day hoping to get a good enough spot to see this talented 17-year-old perform. The freeway exit to the Saltair was completely backed up due to the number of people anxiously arriving to attend this show. The Great Saltair is all the way out in Magna and there is only one exit to the venue and one parking lot so it was pretty crazy getting all of the cars in.
On Saturday, June 1st, Parachute made their Utah tour stop at The Depot in Downtown Salt Lake City! I personally have loved Parachute since I was 15 years old. I had never seen them before so I was stoked to finally get to see the Charlottesville Virginia based band for the first time in concert. I love their upbeat and fun style of music. I couldn’t wait to see what type of show they would put on.
The Depot has always been one of my favorite venues so I’m always excited when I find out a band is performing there. It was a great fit for this show! As for attendance, I felt like the room was completely packed from front to back. I was surprised when I heard that The Depot wasn’t sold out. I heard the same thing when I coverd Walk Off the Earth. It was so packed in there I don’t know how it wasn’t a sellout!
Photo By: Cassilyn Anderson
Parachute performed beautifully throughout the night and brought so much energy. One of my favorite songs from Parachute is “Can’t Help”. I might be biased but to me, that was the best song of the night. They also played other popular songs like “Jennie”, “Something to Believe In”, and “Kiss Me Slowly”. Each and every one of those performances were insanely good! The crowd seemed to be having a good time. There was a good mix of teenagers and adults and it seemed like everyone danced and sang the night away.
My favorite part of the show was hearing how highly lead singer, Will Anderson spoke of Salt Lake City. He mentioned that there was a different energy from any other show. Anderson expressed how he was always so excited to perform in Salt Lake every year because it has been his favorite for many years.
Photo By: Cassilyn Anderson
As I mentioned, The Depot was a fantastic venue to host this concert. They do very well with sound and the lighting looks great in there. When the sound and lighting are it makes for a really fun atmosphere to be in. You never want to leave! Unfortunately, once Parachute came out and played “Lonely With Me” for their encore, it was time to go. The Depot will forever be one of my favorite venues to attend.
The first time I ever heard NEEDTOBREATHE was from a YouTube video of them performing one of my favorite Christmas songs “Go Tell it On the Mountain”. I absolutely loved that version and I watched that video dozens of times over the Holiday Season. So when I saw a few months back that they would be playing Utah I knew I wanted to cover their concert. I just had a good feeling that I’d be entertained by their live show. I had never even heard any of their original music. When I googled the band to get a little background I saw a lot coming up about NEEDTOBREATHE being a “Christian Rock” band or articles written about “Are they or aren’t they Christian Rock”. Nothing against Christian Rock but it comes with the stigma that “It’s not really rock”, or it is watered down because of its subject matter. Whether that’s true or not is a debate for another day. I only wondered what type of concert I would be going to. Would it be a more traditional concert like the ones I’m used to going to? Or would it be a concert with a lot of preachin’ both in the music and the spoken word? I did see an article in Rolling Stone where NEEDTOBREATHE stated that they don’t put labels on their music and because it can be limiting. They feared that they had been passed over by people who may have enjoyed their music because of being labeled a Christian Rock band. So I told myself before going that I would be open-minded to whatever I was going to see and make my decision after the concert was over.
Ben Folds entered my radar in a real way at a Tori Amos concert. He’d just embarked on his solo career and she gave him a leg up by letting him open for her Lottapianos tour. He has grown as an artist since then and seems to have taken a cue from her refusal to draw harsh lines between the rock and classical music worlds. Ben was backed by the Utah Symphony Orchestra (along with a choir) which plumped out and embellished his melodies as well as faithfully performed pieces from his sonically ambitious So There album, written with an orchestral arrangement in mind. My one disappointment was that they did not perform Ben’s “Concerto for Piano and Orchestra” which topped Billboard Classical and Classical Crossover charts.
After seeing Noah Kahan play a sold-out show at The State Room back in October I thought I knew what was in store when I heard that he’d be supporting James Bay at The Union on March 23. Back in October, Noah put on an exceptional show. The crowd was into it, and they left more than satisfied with the evening. So I had a feeling there would be more of the same at this show. If anything, I thought perhaps it might be a bit of a letdown because Noah would be opening. I had no idea things would go like this.
