By: Kaden Severn
Skizzy Mars November 7, 2019, The Complex
Madeon October November 5, 2019, The Complex
By: Alex Wardell
I remember the first time I saw Madeon’s “Pop Culture, Live Mash-up” on YouTube; reminiscing with fondness at the wonder this musician awoke inside me. Nine years later, Hugo has produced his own album, a number of EP’s, as well as, collaborations with many monolithic artists within the EDM industry; and now drops his latest, during a quite extensive North American tour. ‘Good Faith Live,’ I anticipate to be transcendent as Madeon’s performance at The Complex, last Tuesday. Hugo Pierre Leclercq has a timeless style and ever adapting production techniques. He is one of the few EDM artists which I still find myself impressed with as I get older and my preferences in music change. This is very important to me because of the nuance sometimes involved with new artists and varying styles within EDM genres concerning what’s relevant; the difference between what is currently popular and which artists are truly talented musicians and producers. Very rarely do I find an artist, who possesses the encompassing skill set, capable of attracting a new audience, while also keeping their fan base interested and excited. Madeon seems to do this in an almost effortless manner. The anticipation which had been digging beneath my skin for over a month now, yet as I gazed on the stage instantly dissolved amidst the dancing lights and rhythmic hum.
Continue reading “Madeon October November 5, 2019, The Complex”Logic October 15, 2019, Maverik Center
By: Evelyn Salazar
It’s no surprise that Logic is one of the biggest rappers in the game at the moment. Everywhere you go, you can hear someone listening to him. So it was no surprise when I got to the Maverik Center that the line from the door was wrapping down the stairs and around the arena. Fans of all ages stood in line with friends, bumping Logic on their speakers. You can tell everyone was getting hyped. Once doors opened, the merchandise stand flooded, so did the concession stands. Everyone that had GA tickets rushed the floor to get a good spot and as close to the stage as possible. The nice thing about arena concerts if you’re not GA is that you can still walk around, get comfortable, grab some food to eat, get your merch and just head to your seats when the show starts. But even if you are GA, it’s such a large floor, you’re bound to get a good start.
Continue reading “Logic October 15, 2019, Maverik Center”SHAED October 24, 2019, The Complex
By: Erica Fasoli
Indoor concerts are ramping up as the temperature drops and the Complex recently hosted the American indie-pop trio SHAED (pronounced “shade”). The night was filled with electro-pop bangers blended with smooth, creamy R&B licks that had the crowd swaying in delight. Absofacto opened the show. Jonathan Visger, known as Absofacto, is incredibly dynamic. A blend of different sounds, his high energy set defied genres and boundaries. Absofacto is known for producing music that doesn’t fit a specific mold. The energy built throughout the set and he danced across the stage as the audience cheered. He even played a new song that he anticipates releasing soon. If you’re a fan, keep an eye out, I think you’ll be pleasantly surprised by what’s to come. He ended his set with his breakout single “Dissolve”, which has over 54 million streams on Spotify.
Continue reading “SHAED October 24, 2019, The Complex”Ezra Bell October 30, 2019, Soundwell
By: Breanna Downs
When I say that I have never had a concert experience like this before, I am not joking. This band has a sound like no other, and I couldn’t have enjoyed myself more. The band consists of lead vocalist Benjamin Wuamett, horn player Aaron Mattinson, drummer Tom Trotter, singer Honora Hildreth, and Pianist Jeremy Asay. Ezra Bell was founded by Benjamin Wuamett and is based in Portland, Oregon.
Cat Power October 26, 2019, The Union
By: Local SLC musical artists: Valerie Rose Sterrett and Annie McAllister
Cradling two microphones in her right hand as if she were holding a pair of birds, Chan Marshall, known as Cat Power, pours her powerfully enchanting voice into them, the audience staring into her shadow as if she were casting a spell. The atmosphere was very intimate as the audience swayed and nodded their heads in agreement with her music. You could see her fans feeling it, some smiling with their eyes looking up to her in awe, while others danced freely with eyes closed and arms gliding. The Union is a spacious venue, but it held what felt like a purposefully modest audience in chairs that reached a little more than halfway back into the space. Toward the middle of the concert, she waved for us to leave our chairs and come closer.
Continue reading “Cat Power October 26, 2019, The Union”Frank Turner October 23, 2019, The Depot
By: Alex Wardell
Last week was interesting to say the least, given the opportunity of approaching these last couple performances without knowing too much about the artists was a bit nerve wracking at first, yet a refreshing challenge when exploring any music for the first time. For this reason, I chose to not familiarize myself with Frank Turner, doing what I could to maintain an objective mindset, moving forward. Unfortunately, I was late due to the eight city blocks that is the entirety of Salt Lake being crippled by one basketball game.
Continue reading “Frank Turner October 23, 2019, The Depot”Chelsea Wolfe October 21, 2019, Metro Music Hall
By: Alex Wardell
I was transported Monday evening and I am still not quite sure if I have yet returned. I am slightly terrified as I write this…full disclosure, I did not know that much about Chelsea Wolfe when I was asked to cover this performance. So I put the headphones on, tuned in and let Ms. Wolfe take me away, not dissimilar to what happened Monday night when I arrived at a completely, packed to the back, Metro Music Hall. After binging her music all afternoon, I was ready for an evening of Gothic rock.
Continue reading “Chelsea Wolfe October 21, 2019, Metro Music Hall”Half • Alive w/ Sure Sure October 16, 2019, The Complex
By: Evelyn Salazar
With only four shows left on their North America tour, Half•Alive was in Salt Lake City, Utah for the first time. The Salt Lake City show had been sold out for a while and H•A fans were eager to see the boys in town. A nice surprise was that Half•Alive had accepted alternative rock, radio station, X96’s invitation to do a Lounge X acoustic performance. Earlier in the day, a small group of fans lined up outside Club 50 West, including myself. I have come to love these intimate, lounge X performances because they’re so much more personal and up close. Another plus is fans usually get to meet and take photos with the band afterward, which we did. The acoustic performance was lovely. They started out with “TrusT”, played “Runaway” and “Still Feel”, which is their most famous single. Josh, Brett & J. Tyler took some time to answer questions from the fans, which is always super cool. I even got to ask a question, asking the lead singer Josh, where he and the boys get their music video inspiration from. If you haven’t seen any of Half Alive’s music videos, you should check them out because they are beautiful, cinematic pieces. Josh replied to me saying that on their YouTube page, they actually have a whole playlist of music videos they find beautiful and that they like to get inspired by what catches their eyes in those videos. I think that’s super awesome.
Continue reading “Half • Alive w/ Sure Sure October 16, 2019, The Complex”Ingrid Michaelson October 14, 2019, The Union
By: Kevin Rolfe
I’ve been a fan of Ingrid Michelson for about ten years now. Of course, I knew her big songs, “You and I” and “The Way I Am”. But it wasn’t until July 21, 2010, that I truly got it. Ingrid opened for the British band, Keane at the Greek Theater in Los Angeles, California. It says a lot about an artist when they can win over 6,000 people who are at a venue to see someone else. But she did it. She had the entire audience eating out of the palm of her hand by the end of that set. I think she forced Keane to up their game because the audience must have had high expectations after her set. I’ve had the privilege of seeing Ingrid Michealson a few times here in Utah, both at The Complex and In the Venue and she delivered every time. I always look forward to her coming to Utah. But this time I was especially excited because one, she hadn’t been here in about four years, and two I loved her latest album Stranger Songs, and couldn’t wait for her to perform those songs live.