Author: UCR

I have two confessions.  One, I love Christmas music.  And with that, I enjoy collecting holiday albums.  Second, It was Jewel’s 1999 holiday album Joy: A Holiday Collection, that converted me into a Jewel fan.  Don’t get me wrong, I understood that she was a good songwriter and that she was a talented singer.  But she really displayed her versatility on that album in a way I hadn’t heard from her before.  She moved from Opera (Jewel at one point was training to be an opera singer) to jazz, to country, to her most known singer-songwriter style.  I played that album to death that season, and it’s been a favorite ever since.  So I’m sure you can imagine how excited I was when it was announced that Jewel would be doing a holiday tour.  The concert was everything that I hoped it would be.  

If you haven’t been to a concert at the Eccles Theater in downtown Salt Lake you really need to.  It’s a beautiful venue.  I had seen a few musicals there, but this was my first time seeing a concert.  I love the acoustics in there. 

Jewel invited her father Atz Kilcher and her brothers Atz Lee and Nikos Kilcher to join her on this tour and they actually opened the show.  Each one of them did a couple songs each.  They seemed honored to be on the tour with Jewel, and her brother Atz Lee mentioned that it was great to be together touring since Jewel had to go out on her own on so many of her other tours.  Jewel’s father Atz shared his ties to Utah having received his bachelor’s degree at Brigham Young University, and his masters at the University of Utah as well as living in Payson.  Where Jewel was born.   I think audiences here tend to embrace an artist that much more if they have some connection with Utah.  

Jewel took the stage with a five-piece band consisting of guitar, bass, drums, piano, and a multi-instrumentalist who played the violin, cello, and mandolin.  

She opened with “Joy to the World” and moved through a variety of holiday tunes.  I was instantly impressed with the band.  They sounded like a recording.  They were impressive.  And speaking of sounding like a recording, Jewel’s voice was perfect. I would even say she sounded better than she does on her albums. I just sat there watching her sing “O Holy Night” with such ease and couldn’t believe this was live.  Like I said, I knew she had a good voice; she’s famous because she has a good voice. But having never seen her live until now, I wasn’t prepared for how clear and controlled it is.   

After singing a number of Christmas songs, the band left the stage and it was just Jewel and her guitar.  She asked the audience what they wanted to hear and after hearing several options being shouted to her from the audience she settled on one.  But before I get into that, here’s a bit of advice.  When you go to a concert and the artist says “What song would you like me to play?”, don’t shout out their biggest it.  What they are actually saying is, “What song would you like to hear that you might not hear otherwise.”  People were shouting out, “You were meant for me!” and “Foolish games!”.  Come on people.  Like she’s not going to do those.  

She landed on the song “The Shape of You”, a song she wrote about a friend who had passed away from cancer.  After that, she went into her big hits.  Just her and her guitar, telling stories of how these songs came to be.  Songs like, “Hands, You Were Meant For Me”, “Foolish Games”, and “Who Will Save Your Soul”.  While she was singing “Foolish Games”, a song that she said was her best attempt to knock off the late great Leonard Cohen’s writing style, I couldn’t help from thinking, ‘She’s performed this song thousands of times.  How is she singing it so emotionally, and deeply as she is right now?  I was mesmerized.  I don’t know that I’ve experienced something like that before.  I’ve heard that song so many times over the last twenty years, and yet I had never heard it quite like that. I was initially a little disappointed after the song because Jewel had to check with us to see if she had sung all of it.  She said that she was distracted midway through and had to remind herself where she was.  It was a funny exchange with the audience.  She’s a pro.  If she hadn’t said that, I would have never guessed that she was distracted. The song was fluid and moving.  I’ve been distracted about 20 times writing this review, so if it seems disjointed now you know why.  #ADD #ImNotJewel

She returned to the holiday-themed songs, and it became a real family affair.  Jewel’s brother Atz Lee came on stage and they sang “Silent Night”.  Jewel expressed her gratitude that her brother was with her after surviving a fall off of a forty foot cliff!   

She then sang a song called “My Father’s Daughter”.  From my seat, I could see her dad Atz standing in the wings watching her sing this song and beaming with pride.  He then joined Jewel on stage and they dueted a song he had written called “Homestead Yodeling Christmas”.  They blew the audience away as they yodeled in harmony, going faster and faster and faster.  This song probably received the biggest ovation of the night.  

The show was concluded with all of the Kilchers on stage singing with the band a rocked out version “Let it Snow” as snow machines shot show onto the stage.  It was a beautiful night of music.  I think it was a really good idea for Jewel to do a holiday-themed tour.  It kind of felt like it was a long time coming.  Just like her holiday album, she had the opportunity on the tour to really show off her range. And a great way to celebrate the holiday season.  

Setlist

Joy to the World
The Christmas Song
Have Yourself a Merry Little Christmas
O Holy Night
Hands
The Shape of You
You Were Meant for Me
Foolish Games
Who Will Save Your Soul
Ave Maria
Silent Night (with Atz Lee Kilcher)
My Father’s Daughter
Homestead Yodeling Christmas (with Atz Kilcher)
Let it Snow (with Atz, Atz Lee & Nikos Kilcher)

Getting the opportunity to be the support act on a  tour is a  great opportunity for an up and coming artist to get their music heard by those who might not be familiar with their work.  That being said, I generally get nervous for these artists who open the show for the headliner because I’d imagine that it’s not their ideal situation to be performing in.  The audience isn’t necessarily there to see them, the venue is half full at best, and the sound isn’t always perfect for them.  In my experience more times than not, if the opener isn’t known, the audience tends to ignore them by talking with their friends and paying very little attention. This was not the case when Jade Bird performed at The State Room in support of Son Little on Tuesday night.  

The State Room is a venue I don’t get to as often as I’d like, but it’s one of my favorite places to see a concert in Utah. I have never been disappointed with any of the shows I’ve seen there.  They have an open floor with a few dimly lit pub tables scattered throughout.  Behind the floor is a seating area that looks like it could have been pews from a church at one point.  I like the way the sound resonates in the room, and there isn’t a bad spot in the venue.  

Jade walked out to a half-full venue by herself bringing only a white acoustic guitar with her to the stage.  She said some brief hellos and jumped right into her set.  I noticed a number of the audience members questioning whether Jade had a British accent or not.  Her singing voice doesn’t really display any type of accent so I could tell they weren’t exactly sure.  Especially because Jade’s music is blues and country influenced.  It was fun for me to know of her British background already and watch the audience delight in her speaking voice then blended with the type of music she was playing.  I think it may have contributed to initially gaining the audience’s attention. 

Now if I had to guess, I would say that maybe ten people knew who Jade was.  This was a real opportunity for Jade to gain some new fans and it was obvious that she did exactly that.  Jade played songs mostly from her five-song EP Something American.  Initially, the crowd was polite in their applause, but then they really started to warm up as the show progressed.  She sang the title track to her EP and as she was singing the song I noticed a number of people walk from the seated area to the middle of the floor.  I saw heads begin to bob as she went through her set. By shows end Jade had the audience clapping along.  She attempted a new song called “Anniversary”.  Jade joked that she had made it through the song only once out of three attempts so she was hoping to even it out with this performance.  She was flying through the song brilliantly when all of a sudden she stopped and said “I lost it!” inferring that she couldn’t remember how the rest of the song went.  The audience just cheered their support as Jade just laughed it off.  

The highlight for me and from what I gathered was the highlight for the rest in attendance was when Jade did a Johnny Cash medley.  She sang “Cocaine Blues”, “Folsom Prison Blues”, and “Ring of Fire”.  This really got the audience going.  They were clapping and singing along.  I thought Jade did a great job of making these songs her own while at the same time staying true to the original arrangements. When Jade finished the medley she received her biggest ovation of the night.  

By this point, the floor was mostly full and Jade had their full attention.  I really need to hand it to this audience.  I couldn’t hear anyone talking.  In fact, I actually heard a pen drop.  That’s right, a pen.  It was so silent in The State Room that when someone pulled their phone from their pocket and a pen fell to the floor on the other side of the venue from where I was standing I could actually hear it when it hit the ground.  Jade even thanked the crowd for how engaged they were.  Like I mentioned, this is not always the case for support acts so I could tell that Jade was really enjoying the respect she was being paid.  

Other than the Johnny Cash songs, my favorite moment of the show was when Jade sang my favorite song on her EP “Cathedral”.  I noticed a few fans in the front singing every word of the song.  Jade even looked at them and smiled with a surprise that someone in a very unfamiliar town for her, knew the lyrics to one of her songs.  

Jade has a beautiful singing voice and a really fun stage presence.  I’m happy I was able to see her this early in her career because I really think we’ll be hearing a lot more from her in the future. It’s an amazing thing to witness when an artist has the opportunity to introduce themselves to a new town and they leave having gained more fans than they came in with.  That’s what happened with Jade Bird.  I fully expect her to be the headlining shows in Salt Lake City in the future.  

I had the opportunity to see a rock n roll legend this past Friday night at The Depot.  Don Felder was the lead guitarist for the Eagles from 1974-2001.  During this time he co-wrote a number of songs most notably “Hotel California”.  

Here’s what I expected from this concert.  The guitar play would be fantastic and I’d probably hear some Eagles songs.  Both things happened.  However, that’s putting it mildly.  This show really exceeded my expectations.  

Don got things going right away opening with one of my favorite Eagle songs “Already Gone”.  Then moving on to the classic “One of These Nights”.  The first thing I noticed was how amazing Don Felder is on the guitar.  This, as I mentioned, was one of the things that I expected.  But watching him play these riffs in person was simply amazing!  It truly was a masterclass in guitar.  

The other thing I noticed was Don is actually a solid vocalist.  A famous story within Eagles lore is that Felder wanted to sing lead on “Victim of Love”.  A song he co-wrote.  He recorded the vocals for the song and then the Eagles manager Irving Azoff took him to lunch.  In the meantime, Don Henley re-recorded the lead vocals that ended up being used.  When I heard this story I just assumed that Don Felder wasn’t a very good singer so the rest of the band did what had to be done.  And sure, Felder isn’t Don Henley when it comes to singing.  Not many are though.  But he’s a good vocalist.  I really enjoyed his voice and he sang all of these songs competently.  In fact, he sang “Victim of Love” in this show and I liked his vocals on that song quite a lot.

To my pleasant surprise and to the delight of the mostly middle-aged crowd, 13 of the 16 song setlist would come from the Eagles catalog.  The three other songs were solo gems “Heavy Metal”, “Girls in Black”, and a cover of Stevie Ray Vaughan’s “Pride & Joy”.  

Don dedicated “Tequila Sunrise” to his formerEagles bandmate the late Glenn Frey.  Frey and Felder had a falling out that unfortunately was never reconciled. I thought this was a really classy move and I noticed many in the audience talking with their friends about what a nice touch it was leading into the song and to the show.  

Felder’s backing band was incredible. When introducing them, Don shared some of the other bands they had toured with.  Each one of them had extensive resumes, touring with the likes of Stevie Nicks, Kid Rock, Kenny Chesney, Pat Benatar, White Snake, and the Eagles.  Their harmonies were on point and at times if you closed your eyes, it sounded as if the rest of the Eagles were there.  

Don and his band zipped through Eagles song after Eagles song like “Peaceful Easy Feeling” and “The Long Run” giving some personal history or backstory to each song.  Things really turned up a notch when Felder played “Heartache Tonight” and “Life in the Fast Lane”.  

At that point, the band put down their instruments and waved to the crowd signifying that the main set was over.  They never left the stage.  They picked their instruments back up and went into the Eagles first hit “Take it Easy”.  The crowd was electric.  They sang and shouted every line of the song.  It was then immediately clear why everyone to see Don Felder as soon as he strapped on his iconic double neck guitar.  It was, of course, the guitar he used for “Hotel California”.  

Now I’ve of course heard this song before, and I’ve seen it played live before.  But there is just something about seeing the man who wrote the music to “Hotel California” play that legendary solo and of course the guitar duet at the end.  I was mesmerized the whole time.  I found myself just staring at his hands picking away and moving up and down the fretboard.  People were singing this song so loud that a few times I couldn’t even hear Felder’s vocals.  People were singing to their friends, and at times singing it to me even though we had never met. 

Don couldn’t have ended this show with another song.  The audience, however, still cheered for more.  They kept cheering even after the lights came on and music from the house speakers came on.  I thought for a second they might give a second encore but then the crew came out and started breaking down the gear and we knew it was over.  

I’ve got to hand it to Mr. Felder.  I’m sure in some way it has to be disappointing to not have been with the Eagles in the past years and I’m sure he at times misses being in that band.  But he is a true talent, and he has put together a great band and a really fun show.  I’m glad he’s out there doing his thing. 

This past summer Don opened for Styx and REO Speedwagon out at USANA Amphitheater.  I was unable to attend the concert but the reports I heard back from friends was that Don Felder’s opening set blew away the bands that he was supposed to be warming up.  At the time I took that as the other bands weren’t that good.  But after being able to see Don Felder for myself, I realized that Don and his band and these songs are just that great!  

 

I am a huge fan of David Gray.  And if there was any doubt, I feel like I proved it on Saturday Night.  On what felt like the coldest evening so far this fall, the co-headlining tour of Alison Krauss and David Gray bundled up their way to USANA Amphitheater.   

I think that due to the cold weather, USANA didn’t expect a big crowd.  And while the venue wasn’t sold out, there was still a huge line to enter the venue due to only a few gates being open.  This was a little frustrating because I had arrived with at least 20 minutes to spare, and I still didn’t make it to my seat until about two to three songs in.  These things happen, but I was disappointed to miss the opening of the show.

I came to the show prepared.  I wasn’t going to be frozen out of this concert.  I had a beanie, scarf, gloves, thermals, heavy coat, and hand warmers.  I was still not the warmest I’ve ever been. But I was warm enough to enjoy the evening. Now 39° in the middle of winter isn’t so bad.  But when it’s the first time you’re feeling that weather in a while, and you’re sitting outside, it almost felt like 20°.

I was curious how David would do in these conditions. DG is constantly using his hands throughout the show by moving from guitar to piano depending on the song.  Would he be able to play in the cold? Would his voice be affected? Would he shorten the setlist? In addition, extreme weather can make it difficult for instruments to stay in tune.  

Somehow, someway, everything stayed in tune throughout each song, and Mr. Gray played and sang as perfectly as a warm spring day.  I have to give him credit for being a great sport. He didn’t say too much, I’m sure he wanted to move the show along, but he made jokes here and there about how cold it was, even stating that this might be the coldest show he had ever played.  He soldiered on and seemed to have a really good time.

For the first seven or eight songs, it was only David on the stage.  He played stripped-down versions of “World to Me” and “Please Forgive Me” that gave each song a simple yet meaningful feeling.  This is what I imagine it was like to see him when he was starting out. It was a great way to begin his set.

The band joined him on stage and they plated “Say Hello, Wave Goodbye”  a favorite of mine from White Ladder.  I’ve seen David Gray several times and I don’t think I had ever seen him perform this one, so it was particularly exciting to get to hear it live.  

David Gray does this amazing thing with the song “Nemesis” to where he extends it to about ten or so minutes. I’ve even heard versions that go about sixteen minutes!  He plays the song and then seems to improvise the rest with his talented band following every move as if it’s rehearsed this way. But it’s been done so many different ways that I don’t think the song is laid out in a particular way.  It’s a real tribute to how in sync the band is with David and each other. David will add new lyrics, themes, and emotions to the end of the song that makes it feel like it’s a unique moment for each show on his tour. It was the highlight of the show for me.  It gave me chills and I don’t think it was the cold!

He also performed favorites of mine like “The One I Love” and “Silver Lining” which I hadn’t heard in some time.  I noticed many audience members looking at each other throughout the night saying things like “I love this one!” or “This one is my favorite”.  I noticed that the most when he performed another favorite “This Years Love”.  

Of course, the most high energy moment of the night is when he sings “Babylon”.  The crowd who had spent the majority of the set under blankets drinking coffee or hot chocolate showed some life with this classic sing-a-long.  David got into it by throwing his coat and scarf on the ground and moving around the stage. The crowd responded in kind by throwing off their blankets, standing up, and clapping and singing along.  It was a perfect way to end the set.

In a few days, I get to see David again down in Santa Barbara, California.  I anticipate warmer weather and another great performance from one of my all time favorites.  I expect David Gray is looking forward to being in a warmer place as well!

Since the season is changing, I anticipate this being the last show I see outdoors for a while.  On one hand, I’m glad because I don’t enjoy freezing even if it is to see some great live music. On the other hand, there is nothing like seeing a great show outdoors.  I look forward to the end of winter when I can come back to USANA Amphitheater for another summer of great shows! Stay warm everyone!

By: Brittany Demott & Meghan Johnson  

It seems there’s a lot of tension right now in this country.  When that happens we all look for a place to go where we can find peace of mind even if for a couple hours.  Some go to church, some go to the gym, and some just take a nap. We chose to go see Damian “Jr. Gong” Marley at The Depot.  

The minute we walked in we could see the vibe was relaxed and easy.  Just like you’d expect a Reggae concert to be. The crowd was so fun.  Everyone was having a great time. It was a great feeling to see everyone getting along and singing along together.  Security was so nice and friendly at The Depot.  They stayed pretty relaxed throughout the show and let the crowd enjoy the concert.  This wasn’t really the type of show where people got too crazy so security had an easy night.  

We loved Damian’s band.  They really set the tone for the show. They sounded great!  The beautiful backup singers had amazing moves and their voices blended perfectly with Damian’s.  There was one guy on stage whose sole responsibility was to wave a Rastafarian flag.  And that is just what he did.  For the entire show!  He waved that flag back and for almost 2 hours! We were so impressed.  We thought that he’d maybe just wave it for the first song, or maybe the first few.  But nope.  He was up there all night.  It was great.  The band as a whole just seemed like they loved what they were doing and loved being up on that stage. 

Damian sounded great and seemed to be really enjoying himself as well.  He has dreadlocks that fall all the way to his ankles. Watching those is a show in itself.  He played the best songs from his catalog including “Medication”. Damian also educated us on the benefits of legalized Marijuana.  We found it very informative.  

The highlight for us was when he sang some of his father Bob Marley’s hits.  He sang “War”, “Exodus”, and our favorite of the three “Is This Love”.  When Damian Sang “Is This Love” it was almost as if we were seeing Bob Marley himself singing it. Damian sounded just like him.  It was incredible.  It bordered on being a spiritual experience for us.  The moment was that special for us and really the entire audience.  

 

 

Damian finished the show with his biggest hit “Welcome to Jamrock”.  The crowd went as crazy as they had all night and we all sang every word.  It was the perfect way to end such a beautiful night.  

With so many crazy things going on in the world right now it was so nice to spend a couple hours with Damian and his fans. The unity, fellowship, and one love in The Depot was exactly what we need it.  We recommend that everyone spend some time at a Reggae show.  

The summer is quickly transitioning to fall here in Utah.  But the temperature is still warm enough for just a few more outdoor concerts.  One of the final shows at USANA Amphitheater this season and one I had been eagerly anticipating since I bought tickets in the spring was Muse.   

Due to scheduling conflicts, I wasn’t able to see all of 30 Seconds to Mars set.  I saw the final few songs. From the little that I did see I was impressed.  The crowd was alive as if they were the headliners, and Jared Leto sounded better live than I had anticipated.  He’s also a really good front man.  He had the crowd singing along while inviting many to come on stage for the final song.  The constant thought while looking at him was, ‘This guy is an academy award winning actor, and he’s killing it on stage in a moo moo? Share some of the talent dude.’  

While the energy was high for 30 Seconds to Mars, it really did go up a notch when Muse walked onto the stage. They hadn’t made a tour stop in Utah since October, 013 so I think the crowd was happy to have them back. Truth be told it was that 2013 concert that inspired me to want to create this website back in 2013.   

Frontman and lead guitarist Matt Bellamy doesn’t say much in between songs.  He’ll say things like “How’s it going Salt Lake?”, or “Let me hear you Salt Lake!”.  But other than that, there isn’t much crowd work on his part. They play the songs, let the crowd go nuts for about 30 seconds, then get right back to playing.   

The thing I find most interesting about a Muse concert is that despite their lack of crowd interaction, it’s impossible to not be drawn into the show.  Yes, the lighting and special effects are great.  They always are at a Muse concert.  But it’s more than that.  It’s quite simply the music.  They have so many great songs.  Songs that are meant to be performed live, and in front of a large crowd. And from my vantage point, USANA Amphitheater was packed!  

Their music is a blend of so many music genres.  In one song I’m hearing indie rock, the next I’m hearing elements of funk and disco.  And of course, many of their songs feature strong elements of hard rock.  It fascinates me to watch a crowd go from a dance party to headbanging.  Sometimes within the same song!  I think that’s why there really is no need to interact too much with the audience.  Their music speaks for them.  

There was, however, a moment towards the end of the show when Muse mega-hit “Starlight” began.  I could hear Matt Bellamy singing, and I could tell it was the vocals were live.  But I couldn’t see him.  His face was on the screen and he appeared to be walking so I looked behind me and saw him walking at the back of the seated part of the venue where the seats end and the lawn begins.  As someone who has sat in the lawn many times, I was excited for those fans to get a closer look. Selfishly though, I was bummed to have the action so far away during one of Muse’s biggest songs.  So while I say that Matt didn’t say much, the music and his visit to the back of the venue made up for it.

The band closed the main set with “Mercy” off of their most recent album “Drones”.   They came back and sang two huge anthems “Uprising” and “Knights of Cydonia” to close the night.  I really like both of those songs and they are incredible live.  I remember after becoming a fan of Muse thinking ‘How are they going to top the album “Absolution” and the song “Hysteria?”’. And then I heard “Knights of Cydonia” on their follow-up album “Black Holes & Revelations” and I thought, ‘Touche Muse. Touche.”. So as I’m sure you can guess, I was so excited they closed with that song.  The place was on fire, and I was going nuts.  I looked to my left and there was this really pretty girl headbanging as if it were a Metallica concert.  It was awesome!

I’m sure it’s obvious, but it must be said that I’m a huge fan of Muse.  I used to like them, and then I saw them live back in 2013 and I appreciate them so much more. I think everyone needs to experience their live show. Their songs need to be heard in that setting.  I can’t wait to see them again. I just hope they come back sooner.  

Muse Setlist

Dig Down
Psycho
Interlude
Hysteria
Butterflies & Hurricanes
Plug in Baby
The 2nd Law: Isolated System
Stockholm Syndrome
Supermassive Black Hole
New Kind of Kick
Madness
Dead Inside
Take a Bow
Munich Jam
Starlight
Time is Running Out
Mercy

Encore
Uprising
Knights of Cydonia

Nostalgia is a beautiful thing.  Isn’t it?  And music is one of the biggest aids in taking us to that nostalgic place.  One song can race us back to a moment in time, to a specific memory.  A certain song or band will remind us of those glorious high school or college days.  Or perhaps we’ll be reminded of a first boyfriend or girlfriend.  And music of course, can make us nostalgic for those unrequited loves of our past.  For many, last night’s Dashboard Confessional with The All-American Rejects show was exactly that.  A nostalgic night of emotional memories and music.  

The All-American Rejects took the stage just a few minutes after 7 PM. I felt a little bad for them because it was still about 100 degrees and the sun was still up.  Not usually the ideal conditions a band is looking for when they begin a show.  Lead singer, Tyson Ritter, even commented that the band were Vampires and weren’t used to playing in the daylight or in such heat.  Mentioning that usually, the sun is already going down by 7 PM.  The heat didn’t seem to bother their fans though.  As I looked around, sweaty smiles were huge, people were dancing, and people were singing along with the band as if it were 2004.  

I suppose one of the benefits of performing in the daylight is the band can see their fans more clearly.  Throughout the show, Ritter spoke to sections of the audience as well as specific fans.  One, in particular, was a lady in the row in front of me.  She was dancing the entire time, and singing along to every single song. Tyson pointed her out, mentioning how into the show she was and how red her face had become due to the heat and exerting all of her energy into the show.  At one point Tyson even stepped into the audience during a song, dancing with fans, using one of their fans to cool himself off, and taking a  little boys hat for part of the song.  I’m a big fan of these moments.  I know that years from now, these people will still remember and share the story of when Tyson Ritter of The All-American Rejects danced with them.  

The band played a condensed set consisting of all their hits, some fan favorites, and a new song called “Sweat”.  When it was clear that the set was almost over, I heard members of the audience yelling out variations of “Come back soon!”  For fans of The All-American Rejects the set was much too short.  But the band gave them a good show despite the light and the heat.  

I’ve been going to concerts for years.  And with all the advancements in technology, with sound, or lighting design, one of the things I’ve been most impressed with is how fast they change from one band to another.  I remember this process taking forever when I was young!  The fact that they can get all of the equipment from the first band removed, move the next band’s gear into place, and have all the sound ready within twenty minutes blows me away.  Anyway, back to the bands…

Dashboard took the stage at about 9 PM. The temperature had dropped, and the sun was almost down.  But the emotion was high at the Sandy Amphitheater.  Excuse me, I mean to say the Emo was high at the Sandy Amphitheater. One by one, members of the band took the stage until finally Chris Carrabba, lead singer, principal song writer, and well, basically Mr. Dashboard Confessional himself took the stage.  Everyone in Sandy Amphitheater rose to their feet as we all rushed back to 2003.  

Something that I appreciate about a band like Dashboard Confessional is the dedication of their fans.  Dashboard doesn’t really have what I’d call “radio hits”.  But it just doesn’t matter to their fans.  As I looked around the venue, I saw women, and men singing lyric after lyric.  You know when you just love a song so much, and you sing along so passionately that your eyes close?  Well, there was a lot of closed eye singing at this concert.  It’s an easy indicator to just how happy these people were to be there singing along.

A personal highlight for me was when they followed through on a request from earlier in the day and covered “Today” from Smashing Pumpkins.  I enjoy when bands pay tribute to artists that have influenced them.  Plus, I really like that song.  

While nostalgia seems to be a theme in this review, there were points in the show where Chris Carrabba shared some new songs set to be on Dashboard’s forthcoming album.  When he declared that he was done playing new stuff, people were shouting that they wanted more new songs!  How often do you hear that for a band that’s been around for 15 plus years?  Usually, people just want the songs they know.  It had to be a good feeling for Chris and the band to know that their new album is much anticipated.  

Dashboard closed their main set with a huge fan favorite “Screaming Infidelities”.  Dashboard fans were singing the song so loud!  I could see that even after having sung this song hundreds of times, Chris really enjoyed the reaction of the crowd, even pulling back on his vocals so he could hear the audience sing.  

Dashboard returned and performed “Hands Down”.  The crowd recognized the song immediately.  They used any remaining energy they had to sing along.  As Dashboard, left the stage, the lights came up, and the audience returned to 2017 reflecting on the show they just saw, and the music that shaped them.