Marking their tenth stop on the Direction Of Dreams Tour, Hippie Sabotage took Salt Lake City by storm. Hippie Sabotage is an indie duo from Sacramento California, composed of brothers Kevin and Jeff Saurer. Stopping by Utah for the first time since last summer’s SLC Twilight, Hippie Sabotage put on one of the best concerts that I have ever been to. Fans were allowed into The Union at 7 PM, however, they started lining up long before then trying to secure their spot at the front of the barricade.
Echosmith, the sibling trio known for radio hits “Cool Kids” and “Bright” brought Weathers and Jayden Bartels to the Complex on Thursday night. A combination of rock and pop filled the venue and brought a contrast of moody and bright performances made for an interesting and entertaining night.
Last Saturday night, Electric Guest and Soleima sold out The Urban Lounge in downtown Salt Lake City. People of all kinds rushed inside as soon as doors opened to grab their drinks from the bar and get close to the stage. If it’s a sold out show, you know it’s going to be a good night. There were even people outside seeing if anyone had tickets for sale in hopes to get inside. I made my way up towards the stage and secured a spot. Urban Lounge is a smaller venue with a bar inside, so there’s no photo pit. So I really can’t leave my spot if I want to be at a good angle to take some photos.
Saturday night at the Complex focused on the comeback of a band that sincerely wanted to make amends and a crowd that was ready to forgive. Pinegrove, an indie-folk band, made a stop in Salt Lake City to promote their newest album release, “Marigold”, based on their experiences over the past few years.
The Ogden Twilight Concert Series on Thursday night brought Alvvays and The National to the Ogden Amphitheater. The sold-out show was packed from the beginning, with a full crowd by the time Alvvays (pronounced always) took the stage. As they kicked off the night, the crowd rose to their feet and remained that way for the entirety of the evening. I had never heard of Alvvays, a Toronto based indie-pop band. As they began to play, I was immediately impressed with Molly Rankin’s voice. There was a sweetness to it, yet it was strong and powerful as she sang out to the crowd. Keyboardist, Kerri MacLellan’s voice complimented Molly’s nicely and the two of them commanded the front of the stage. Their 45-minute set had fans singing along with a relaxed yet exciting presence to the crowd. As they wrapped up their set, anticipation filled the air for the National.
Norah Jones gave us the smoky torch songs of the new millennium. Though often understated, her work has the polished precision of a trained musician. It’s no surprise that she has a degree in jazz piano; hers is not a sloppy talent. Her music wafts through Soul, Folk, and even dips into Blues and Country, but it always returns to her roots in Jazz. Three songs in, I could feel the audience’s collective blood pressure lowering. Dreamy lyrics about missed rendezvous and wandering off into the moonlight coupled with seamless vamping melted, then evaporated, my spine. So long as Norah and her crew were playing, there were no cares in the world.