It’s hard to believe, but Little Big Town finally played Salt Lake City on “The Nightfall Tour”. The show had to be rescheduled at least twice. Covid-19 and the pandemic caused a lot of shows to be postponed and ultimately canceled. But Little Big Town never canceled. They tried to keep the initial date, then tried to keep the next one, and finally, they were able to play two nights at Eccles Theater in downtown Salt Lake City. People who held on to their tickets finally got the payoff months later. We had the opportunity to attend night one and it was obvious that both the band and the audience were happy to be together.
With a minute to go until the 8 o’clock showtime, chimes warned the stragglers filtering through security in the Eccles Theater lobby to take their seats. These chimes were more of a guarantee than a warning, as Joe Bonamassa and his band took the stage not a moment past 8:01. Beyond punctual, the all-time #1 Billboard Blues Album record holder has been described as “magical” and “transformational.”
Nineteen-year-old Jackie Evancho stunned an audience of all ages as she performed at the Eccles Theater in Salt Lake City this past Thursday. At an early age of 10, she made her first appearance to the world on America’s Got Talent season 5 where she finished with a 2nd place medal. No longer a child, Jackie sang songs from her newest broadway album, “The Debut.” Jackie exclaimed on her website, “I’m very proud to be recording and interpreting songs by these contemporary theater songwriters. Not only do I love the songs, but I am able to tell a story and interpret them from my perspective. It was an incredible experience getting to know these characters and songs and I can’t wait to perform them live!”
“I’ve come to terms with the fact that I write the same song over and over,” Sarah said, “so with my limited musical ability, I try to spice things up by switching instruments.” This isn’t true, of course, but it does show a level of self-deprecation and humility rare for an artist of her renown.
Finding humor in the every day is easier said than done, but Miss North Carolina 1963 (better known as Jeanne Robertson) makes it look like a breeze. This isn’t a product simply of age experience, it’s the result of a finely-tuned analytical perspective sharpened by wit and just the right amount of wackiness—specifically, the type of wacky that decorated the lobby of the Eccles Theater with signs encouraging the night’s attendees to enter a drawing to win a “JEANNE ROBERTSON SIGNED AND SAT-ON ROCKING CHAIR.”