Branson Anderson September 20, 2019, Kilby Court

By: Katie Barber

Photo Credit: Alex Wardell

The crowd was forced to part as a casket was brought into the room. Its pallbearers strained under the weight before laying it down next to Kilby Court’s stage. The wildly unexpected sound of an industrial saw ripped through idle chatter—something was breaking free from within the casket. Emerged a figure with dark hair, a blue bandana around his neck, and a face painted ghostly white. Branson Anderson was back from the dead. 

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Belle Jewel July 23, 2019, Kilby Court

Photo By: Kaden Severn @simplybrilliantstudios

By: Kaden Severn

Tuesday, July 23 brought some heat that I hadn’t felt since moving to Utah. That didn’t stop people from coming out to the historic Kilby Court! The venue famous for being the debut spot for artists in the Salt Lake area brought out a small, but enthusiastic crowd to experience the chilled out vibes and beautiful vocals from three up and coming female artists. 

This was my first time attending a concert at Kilby Court and was fascinated to learn of its rich history of being one of the first places that many artists play at before becoming superstars. I was excited to hear some great music from some artists I hadn’t yet heard of but have the potential to blow up like many artists who have played here before them!

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Fork Fest June 8, 2019

By: Kevin Rolfe

Photo By: Kevin Rolfe

Back in 2010 Corey Fox, owner of Velour Live Music Gallery and singer-songwriter, Joshua James put together the first Fork Fest. It’s an event that is still talked about to this day.  Now in 2019, the Harrington Center for the Arts got involved and brought back this amazing festival that spotlights the best local talent in Utah.

Photo By: Kevin Rolfe

This event could easily, and perhaps should be called Velour Fest because these bands have all graced the stage at one point or another of the iconic Utah County venue and champion for musicians in the area.  There were 28 bands on the lineup, each of them at varying stages of their musical career. I’ve seen local music all over this great nation of ours. I’m continually in awe of the talent pool here in Utah. If you heard that any one of these bands were signed (whatever that means nowadays) and were heading on a nationwide headlining tour you wouldn’t be surprised.  There is not only an embarrassment of riches when it comes to music talent here in Utah, but there is real professionalism in their approach to their music. Many of them started at an open mic night or a battle of the bands. But when they stepped on to one of the three Fork Fest stages they looked like seasoned veterans.

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UCR Interview- Little Moon

By: Kevin Rolfe

Little Moon will be the headliner at the closing night (February 26) of Les Femmes De Velour, and festival celebrating it’s eighth year of showcasing amazingly talented local female musicians held at Velour Live Music Lounge in Provo. I caught up with Little Moon leading up to this show. I had a great time chatting with her. I hope you enjoy our conversation!

Utah Concert Review: So how did you get into music as far as performing and writing? Where does that all stem from?

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UCR Interview- Roadie

Roadie will be performing on night 2 (February 22) at this year’s Les Femmes De Velour.  We caught up with lead singer and guitarist Aubree Liz leading up to the show. Enjoy!

Utah Concert Review: What is your story with music? How did you get started?  What made you decide you wanted to perform and write music?

Aubree Liz: I was actually a really late bloomer when it came to becoming a musician and songwriter. I’d been very heavily interested in music my whole life, but it wasn’t until I saw one of my first live shows just after graduating high school that it really sucked me in. I’ve been hooked on creating and performing music ever since. There is something incredibly powerful about being a musician that allows you the opportunity to connect with a whole room of people individually at once. And as soon as you get a taste of that, it’s hard to go back. It’s definitely hard work, takes a crazy amount of dedication, and just sheer blind faith that what you’re doing will ever lead to anything or connect to anyone, but that’s all art. And it’s worth it.

UCR: How did you get connected with Les Femmes De Velour?

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UCR Interview- Belle Jewel

By: Kevin Rolfe

Photo By: Nikolaih Photography

Belle Jewel will be playing at Les Femmes De Velour on Thursday evening February 21 at Velour Live Music Gallery in Provo. I was able to catch up with Belle leading up to the show. She has an incredible voice, and it will be really exciting to see her at this event. Here’s our conversation. Enjoy!

UCR: First of all thank you so much for agreeing to do this with me. I just really love this event and I really enjoy your music. You have a beautiful voice so I’m happy to be speaking with you. 

UCR: First of all thank you so much for agreeing to do this with me. I just really love this event and I really enjoy your music. You have a beautiful voice so I’m happy to be speaking with you.

Belle Jewel: Thank You. I Really appreciate it. I really love Les Femmes too! It’s so fun man. 

UCR: So how did you get connected with Les Femmes?

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UCR Interview- Cat Leavy of New Shack

Trevor Christensen

New Shack is headlining Les Femmes De Velour second night (Feb 23).  I was able to speak with lead vocalist Cat Leavy.  Here is our conversation.   

Utah Concert Review: I’m always interested in how things got started.  How did you decide you wanted to do music, and how did you New Shack form?

Cat Leavy: Eric and I have similar backstories in that we weren’t originally pursuing music full time as careers.  But it’s something that we’ve always done our whole lives.  I was raised as a classical musician doing a lot of competitions and I always thought I was going to study music and become a classical performer but that changed.  It was a really intense way to grow up.  It’s something I still love.  I practice the piano every day and I have a very deep love for classical music.  But as a teenager, it became a very negative thing for me.  I trend towards being obsessive and neurotic so it was a really negative environment for that. Just like the competition aspect.  So yeah, I decided to stop doing classical music that way and I actually didn’t really think I’d ever come back to music but I did.  And in my early twenties, I decided that I was going to use music as therapy, to write out my feelings.  And at the same time, this was before I knew Eric, he lost his job and decided to do music full time.  We met through mutual friends and began collaborating virtually because I was living in Germany.  We just started emailing tracks between us.  So Eric would come up with a cool beat, he would send it to me, then I would write a song to it, record some vocals then send it back to him.  And then we would mix it and turn it into a finished product.  What’s interesting is even now I live in L.A. and Eric lives in Utah and we still make all of our music virtually.  With that said, I think that our live shows have a lot of different exciting qualities about it.  Because when we get together and make a live version, it adds a whole different dimension to the music that is already there because we have to spend time figuring out how to really make it come together in a group setting because we don’t create it that way.  So we have to put extra effort and strategy into figuring out how to make it translate live.  I would describe our live show as our music but elevated.  It has so much more excitement and presence.  It’s been really fun to do that.  

UCR: So how did you get involved with Les Femmes?  

CL: Well Velour is our hometown venue.  I’m from Provo.  So I spent many high school nights at Velour.  We perform most of our shows there so it’s really exciting to be able to headline Friday night.  We’re basically friends with everyone we’re playing with.  It’s a really positive cozy experience.  It’s the atmosphere.  It’s not too big, it’s perfect.  We Love it.

UCR: So what can those attending Les Femmes this weekend expect.  Not only for your performance but throughout the weekend?

CL:  I think that they can expect a very wide range of musical styles.  I look at the artists performing and it’s quite diverse in musical style.  That said, I also think it’s important to bring up that this is just a very small group of women artists and specifically femme artists.  I think that there are so many underrepresented artists in Utah that won’t be playing this show.  You know this is just a three-day series.  While I definitely think it’s important to support this show, I think it’s also really important to keep in mind that there is a diverse music scene with young queer, female, like, a lot of underrepresented artists that are out there.  There’s a music scene for that and it should be supported.  I think that we can use this weekend as a reminder that this is a tiny little peek into people participating in that scene.  But the biggest takeaway is that there are a lot of different musical styles represented.  Which I think is so cool!  

UCR:  Why do you think Provo thrives as a local music scene?

CL:  You know, I think there are a few reasons, but I think one is very much the presence of Velour.  You know, a cool venue, and Corey who’s doing a lot to support local music and connect local bands with opportunities and exposure. I think that he and also Kaneischa foster that music scene.  But also, I think if you go to a small town where there isn’t really a nightlife and there’s also a bunch of high school and university students and it’s just something really fun to do.  There aren’t any nightclubs or bars, and a lot of people don’t drink.  So the music scene is where it’s at.  It’s what you look forward to doing on the weekend.  When I was in high school that was what we did.  It almost didn’t even matter who was playing at Velour, it was where to go.  It was where you meet people, hang out with your friends, it’s exciting, it can be loud, it can feel like a party.  So I think between the fact that there is this really cool venue and there are a lot of young people looking for thing to do, I think it encourages people who are prone to creating and writing music, I think it gives them a space to do that.  So I think it between all those factors it snowballs into something really cool.

UCR:  Do you remember the first concert you ever attended?  

CL: I remember when I was 14 I went to a smoothie cafe that was really cool for teenagers at the time.  At night they would let local bands play and I remember going to see this local screamo band with these cool 16 year old boys.  I remember feeling really cool.  I have no idea who that band was, but I was definitely a really young teen.  But the first real concert I remember was, I think I was 15 or 16 and it was Death Cab.  And I was obsessed with Death Cab when I was a teenager when I started to feel feelings and realize there was more than pop music.  And it was just a little more alternative than Jimmy Eat World.  I just remember listening to that music in a dark room being like “Oh, so many emotions!”

UCR:  Do you remember the first time you performed live?  What was that experience like?  

CL:  Oh my gosh.  So the very first show I ever played was at Velour with New Shack. AndI had never performed a show in my life ever.  I had maybe sung in a microphone twice.  I was writing and kind of recording songs, but I wasn’t ever viewing myself as a vocalist.  The very first show I played I was headlining at Velour, the crowd was huge and I actually was so nervous that I can’t even remember it.  I like, blacked out! I don’t even remember performing the show.  It was so awful, I think my voice was just so shaky.  Someone had taken some cellphone footage of it, so the next day I watched it and it was so traumatic!  Hearing my voice so shaky and so off, I couldn’t hear myself because I sing so quietly, and it was just traumatic.  Eric just laughs it off, he is just able to look at things objectively.  And objectively people had a great time, but I remember the next day he could not get out of bed the next day.  I would be like “Well, that was my debut! All these people came to see me and I just really flopped.”  It was rough.  But it’s also motivated me practice really hard and invest in my voice as an instrument.  I definitely identify myself as a vocalist.  I’m comfortable singing a wide variety of things and I’m comfortable on stage.  So yeah, I’ve come a long way from that first show.  

UCR: What would you say has been your best experience as a performer.  

CL:  I’m not sure if this is my best performance, but my best experience would be last summer, New Shack got to open for Glass Animals at the Complex.  The crowd was huge!  Three Thousand people I think!  I really like to dance when I perform.  Every time I pulled a dance move the whole crowd just freaked out!  So I was like wait, hold on a second you like that?  You want me to keep doing that?  It was incredibly validating, incredibly fun, and just exciting to play with a big successful band!  So yeah that’s probably been my favorite experience.  

I want to thank Cat for chatting with me.  I really enjoyed it. Be sure to catch New Shack’s headlining performance this Friday night (Feb 23) at Velour!  

Get New Shack’s single Cherry!  Just released today!  Available everywhere.  You can take a look at the video below.  

Cat has a solo project called Madge with an excellent single titled “Fight or Fight Club” available everywhere.

Eric has a music subscription service called Pleasant Pictures Music Club. There is a wide variety of music that you can license.