This last Sunday, the next group of musicians on the lineup for the Red Butte Concert Series was The Blind Boys of Alabama with North Mississippi Allstars. As the doors opened to the amphitheater the crowd was buzzing with excitement for the show. Personally, I had never been to the Red Butte Garden Amphitheater. I didn’t even know that they hosted outdoor concert series. On top of that, I haven’t ever heard of either performer. I made the decision to not listen to their music before the show. I went in with completely zero expectations and was just excited to see how the night went. That was probably the best decision to make because I was not disappointed in the slightest.
The Beers On Me Tour kicked off in Salt Lake City, August 13th, 2021 and it was a packed house. It was a beautiful summer night and I was excited to immerse myself in something new. My knowledge of country music and culture is very little. Coming into this I’ve never listened to Dierks Bentley and it was something I was ready to experience.
When I tell you that I was excited about this concert, it would be a severe understatement. I have been a fan of Ritt Momney for a few years now, and I couldn’t wait to see him perform for the 13th Annual DIY festival in Salt Lake City! The DIY festival was created to cultivate an environment that inspires and promotes local artists. I was impressed with the variety of artists that participated in the festival. I loved the inclusive atmosphere that was provided for each person to display their work.
With a minute to go until the 8 o’clock showtime, chimes warned the stragglers filtering through security in the Eccles Theater lobby to take their seats. These chimes were more of a guarantee than a warning, as Joe Bonamassa and his band took the stage not a moment past 8:01. Beyond punctual, the all-time #1 Billboard Blues Album record holder has been described as “magical” and “transformational.”
What a way for concerts to make their return to Utah! Saturday, March 20th, 2021 brought us not only Vivint Smart Home Arena’s first concert of 2021 but their first concert in over a year. Utah-based indie-folk band The National Parks played Vivint Arena in a socially distanced sold-out show in front of thousands of concert hungry fans.
I love springtime, the new beginnings, the fresh smell in the air and let’s not forget the wonderful memories to which we must cling; the future and creating memories may be postponed longer than we may like. However, I refuse to let this period of unrest damper our ability to reminisce and enjoy recent events and anticipate greater things to come. Maybe, my taking, much, much too long in finishing this review for once, is a good thing. Giving us this opportunity to remember a better moment. Today’s review comes from way too long ago, when I had the opportunity to enjoy four groups of performers and songwriters from our very own city and surrounding communities. I was invited to cover this show at the Beehive by some of our local performers. I was excited about this show. More than most. If anything, platforms like this one are ideal for local musicians to be recognized. At the risk of sensationalizing my reviews any more than I do, I have to come out and say this concert was hands down my favorite of the year, so far.
Four groups were playing inside this most intimate venue on 666 South in Salt Lake City. I had never been to The Beehive before and I must say I was intrigued as to how the show was going to take shape. The front of the venue is a bar/ restaurant and the stage was a covered, possibly out of commission rigged and lit platform in the back. The concrete floor and lack of a place to sit did nothing but increase my excitement and anticipation for the night ahead, a night, for which I was completely unprepared. I was not familiar with any of these bands before that night. I had listened to a bit to Savage Daughters after talking with them a bit, yet today, I still find myself scouring the internet for more of their deeper cut tracks, new releases, and live performance videos.
We’ve had a few canceled or postponed shows in Utah in the last few months. Some due to weather, and some due to illness. The latter is the case for Country Music superstar, Miranda Lambert. From what I read on social media, Ms. Lambert became under the weather and wasn’t comfortable performing with her voice in the state it was in. It’s disappointing when a show needs to be postponed, but I admire Miranda for wanting to give her fans the best show possible. This performance was well worth the wait.
Saturday night at the Complex focused on the comeback of a band that sincerely wanted to make amends and a crowd that was ready to forgive. Pinegrove, an indie-folk band, made a stop in Salt Lake City to promote their newest album release, “Marigold”, based on their experiences over the past few years.
“I’ve come to terms with the fact that I write the same song over and over,” Sarah said, “so with my limited musical ability, I try to spice things up by switching instruments.” This isn’t true, of course, but it does show a level of self-deprecation and humility rare for an artist of her renown.
Finding humor in the every day is easier said than done, but Miss North Carolina 1963 (better known as Jeanne Robertson) makes it look like a breeze. This isn’t a product simply of age experience, it’s the result of a finely-tuned analytical perspective sharpened by wit and just the right amount of wackiness—specifically, the type of wacky that decorated the lobby of the Eccles Theater with signs encouraging the night’s attendees to enter a drawing to win a “JEANNE ROBERTSON SIGNED AND SAT-ON ROCKING CHAIR.”
