Arizona Southern Rocker, Christopher Shayne recently released his highly anticipated debut EP, Ten High. As I’m sure you can imagine, Christopher is anxious to get the band together and hit the road to share his music. In the meantime, we were able to catch up with him to discuss the EP, what it’s like being a southern rocker in Arizona, and how he discovered his voice. I really enjoyed this Utah Concert Reviewinterview with Christopher Shayne. Hope you enjoy our conversation!
–Kevin Rolfe (Interviewer)
UCR: So where am I speaking to you from today? Tonight?
Christopher: We are in my home studio because I’m not allowed to go anywhere else.
Nina Herzog is a singer/songwriter from Los Angeles California. Nina first stepped into the spotlight as the speaking and singing voice of Odette, The Swan Princess, in Sony Animation’s “The Swan Princess” series. She has also done an extensive amount of session and voice over work along with various performances with symphonies around the country including the National Symphony Orchestra in Washington D.C.
Nina will be releasing her EP Together Away on March 12. She has just recently released her version of the Elvis Presley Classic, “Can’t Help Falling in Love” in February. I had the opportunity to chat with Nina about making her own music after performing and recording other people’s songs for so long. Enjoy!
THE LICKERISH QUARTET—ex-Jellyfish members Roger Joseph Manning Jr. (Beck, Air, Cheap Trick, Imperial Drag), Tim Smith (Noel Gallagher’s High Flying Birds, The Finn Brothers, Sheryl Crow, Umajets) and Eric Dover (Imperial Drag, Slash’s Snakepit, Alice Cooper, Sextus)—is standing by their promise to their fans to release more new music before the end of 2020. They’re excited to announce their highly anticipated THREESOME VOL. 2 EP, which was released on January 8, 2021, via Stranger Danger Records and Tapes. The first single and video, “Snollygoster Goon,” can be seen now on the band’s official YouTube page and streamed on Spotify, Apple Music, and Amazon.
Back in 2012, I was at the concert of a band (who shall remain nameless) who was huge that year. Their songs were on the charts, they were all over TV and everybody seemed to really like them. Obviously I liked them, I was at their concert. But I remember leaving the venue and running into a former coworker. I asked him if he liked the concert and he stated that he wasn’t at that concert but at the venue nearby seeing ZZ Ward. I knew the name but wasn’t familiar with her music. He stated that he could hear the concert I was at through the wall dividing the venues. He then mentioned, “Sounds like it was a good time.” But he said it in a tone that let me know, it wasn’t as good as his show. ZZ Ward was playing in a smaller, more intimate venue so I thought, “There’s no way that show was better than mine!” Well in the following days, I heard people at other shows I was attending and posts online mentioning how amazing that ZZ Ward show was. All this time later, I wished I could have seen her in that tiny no longer used venue. Finally, on March 2 I was able to see what all the fuss was about.
I love springtime, the new beginnings, the fresh smell in the air and let’s not forget the wonderful memories to which we must cling; the future and creating memories may be postponed longer than we may like. However, I refuse to let this period of unrest damper our ability to reminisce and enjoy recent events and anticipate greater things to come. Maybe, my taking, much, much too long in finishing this review for once, is a good thing. Giving us this opportunity to remember a better moment. Today’s review comes from way too long ago, when I had the opportunity to enjoy four groups of performers and songwriters from our very own city and surrounding communities. I was invited to cover this show at the Beehive by some of our local performers. I was excited about this show. More than most. If anything, platforms like this one are ideal for local musicians to be recognized. At the risk of sensationalizing my reviews any more than I do, I have to come out and say this concert was hands down my favorite of the year, so far.
Four groups were playing inside this most intimate venue on 666 South in Salt Lake City. I had never been to The Beehive before and I must say I was intrigued as to how the show was going to take shape. The front of the venue is a bar/ restaurant and the stage was a covered, possibly out of commission rigged and lit platform in the back. The concrete floor and lack of a place to sit did nothing but increase my excitement and anticipation for the night ahead, a night, for which I was completely unprepared. I was not familiar with any of these bands before that night. I had listened to a bit to Savage Daughters after talking with them a bit, yet today, I still find myself scouring the internet for more of their deeper cut tracks, new releases, and live performance videos.
Live music is being consumed very differently today than it was just a few weeks ago. Before the live-music world temporarily shifted to quarantined stream only on social media, earlier this month I had a blast attending a wonderful show by Amanda Shires and L.A. Edwards. These are two artists that I was not previously familiar with, and with everything currently on pause, I’m so happy I took advantage of this opportunity to introduce myself to their music.
We’ve had a few canceled or postponed shows in Utah in the last few months. Some due to weather, and some due to illness. The latter is the case for Country Music superstar, Miranda Lambert. From what I read on social media, Ms. Lambert became under the weather and wasn’t comfortable performing with her voice in the state it was in. It’s disappointing when a show needs to be postponed, but I admire Miranda for wanting to give her fans the best show possible. This performance was well worth the wait.
Marking their tenth stop on the Direction Of Dreams Tour, Hippie Sabotage took Salt Lake City by storm. Hippie Sabotage is an indie duo from Sacramento California, composed of brothers Kevin and Jeff Saurer. Stopping by Utah for the first time since last summer’s SLC Twilight, Hippie Sabotage put on one of the best concerts that I have ever been to. Fans were allowed into The Union at 7 PM, however, they started lining up long before then trying to secure their spot at the front of the barricade.
Every once in a while we’ll get a musical that has been written in the present tense, with modern themes and modern lessons. Sure you’ll have a show like Hamilton which has many modern elements and musical stylings, but the story takes place over 200 years ago. I’m talking about shows like Hair, which in which the story took place in the ’70s and debuted on Broadway in the ’70s. Another show like this that comes to mind is Rent from the ‘90s. The show takes place in the ‘90s, it’s themes are from current events of the day and the show debuted on Broadway in the ‘90s. You get the idea. Now we have Dear Evan Hansen. A story for our time.
