When I first saw that Picture This would be playing Kilby Court on May 11 I thought ‘Great. I’m not familiar with these guys so Kilby Court will be perfect for them.’. Then I rechecked the date and realized that May 11 would be the Kilby Court 20th Anniversary Block Party. Death Cab For Cutie, who had played the all-ages venue way back in 1999 would be headlining the festival along with many bands who started in Utah and have since gained national attention. When I learned this I thought, what a perfect situation for Picture This to get some great attention here in Utah.
Carlie Hanson is a singer-songwriter from La Crosse Wisconson. She is getting ready to release her first EP Junk on June 7th. Her current single “Back in my Arms” was just released in April and is getting a ton of play. I had the opportunity to speak with Carlie the day before her show at The Depot. I really enjoyed chatting with her. Enjoy!
Photo By: Cassie Anderson
Utah Concert Review: Hi Carlie how are you? Where are you currently?
Carlie Hanson: Hii, Kevin! I’m good, very good. I’m in Denver right now where we’re doing a show tonight.
UCR: Well, we’re excited to have you here in Utah.
CH: We played Salt Lake City one other time and it was one of my most memorable/ favorite concerts ever. Like the crowd was just unreal. Everyone was so hype. We played in like this little garage. I think it was called Kilby Court.
This was the first Sabroso Festival in Utah. The show is usually based in California so I was excited to see that they were touring the Fest and bringing it to Utah. I’d say it was a huge success. There were a lot of people at the fairgrounds. The food and drink lines were never short. I was hoping to get a taste of the tacos, but I really didn’t want to miss any of the bands or the lucha libre wrestling. So I stayed away from the lines. The food must have been really good because one taco cart actually ran out of meat! The crowd seemed to really enjoy the festival. Here’s hoping that Sabroso Festival in Utah is a continuing tradition. Here are some photos of the bands and the festival with a brief rundown on everything that went on.
When I got the invite to review Flora Cash I did a little research about the band to get myself familiar with them leading up to the show. I became fascinated with their history and origin. Female vocalist Shpresa Lleshaj hails from Sweden. Male vocalist and guitarist Cole Randall is from Minnesota. Shpresa discovered some of Cole’s tracks on SoundCloud. She began commenting on the tracks and they started sharing their music back and forth. They then started conversing over Facebook Messenger, then they’d talk on the phone, which was followed by lengthy Skype collaborations. They finally met in Minneapolis. They than headed to Sweden to begin their career as a band. This ultimately led to their marriage and the band Flora Cash was born. Flora Cash is currently supporting lovelytheband on their current Finding it Hard to Smile U.S. tour. The tour stopped at the Depot in downtown Salt Lake City on Tuesday, April 23.
Can you imagine starting a band, signing a record deal, then collaborating with members of your favorite bands growing up, then heading out on tour and playing these songs in cities across the world that you never thought you’d play in? That’s the dream, right? Well, this is exactly what has happened to up and coming Australian pop-rock band The Faim.
These boys from Perth have been headlining tours in Europe and Australia performing songs that they have co-written with the likes of Pete Wentz (Fall Out Boy), Mark Hoppus (blink-182), Josh Dun (Twenty One Pilots), and Ashton Irwin (5 Seconds of Summer). They stopped by The Depot in Salt Lake City supporting Andy Black of the Black Veil Brides.
Conan Gray seems like an artist who is skyrocketing. The truth is Gray has had been around since 2013. He first came on the scene with his well-followed YouTube Channel, then releasing self-penned songs on that channel in 2015 eventually being signed to Republic Records. In late 2018 Gray released his debut EP, Sunset Season which was followed by a tour where he has sold out most cities. Conan Gray finished off his first North American headlining tour to Salt Lake City with a sold out show at Kilby Court.
Ben Folds entered my radar in a real way at a Tori Amos concert. He’d just embarked on his solo career and she gave him a leg up by letting him open for her Lottapianos tour. He has grown as an artist since then and seems to have taken a cue from her refusal to draw harsh lines between the rock and classical music worlds. Ben was backed by the Utah Symphony Orchestra (along with a choir) which plumped out and embellished his melodies as well as faithfully performed pieces from his sonically ambitious So There album, written with an orchestral arrangement in mind. My one disappointment was that they did not perform Ben’s “Concerto for Piano and Orchestra” which topped Billboard Classical and Classical Crossover charts.
Note from the Editor: When I saw that Jade Bird was coming back to Utah, I knew UCR had to cover her concert again. We’ve been lucky to have covered Jade from the beginning and are so excited where her career is going. I have had the pleasure of reviewing Jade’s previous stops in Utah so for this tour as much as I wanted to cover the show, I thought it might be interesting to get another take on this brilliant up and coming singer-songwriter. Just a few short months ago, I had the opportunity to Interview Aubree Schill of the band Roadie, an up and coming singer-songwriter in her own right. During our interview, we discussed our mutual love for Jade Bird. A lightbulb went off. “What if I had Aubree review Jade when she comes town next?” I felt like getting the perspective of an artist who is a fan as well as on the path Jade herself trod not long ago would be the fresh take on this show I was hoping for. Well, as it turns out that’s just what happened. Here is Aubree’s account of Jade’s most recent visit to Utah. It turned out just as I hoped it would.
-Kevin
One of the first things I read about Jade Bird when I discovered her music was that she had “a voice that can silence the busiest bar.” At that time, I couldn’t have agreed more, but now I think this statement could be updated: “a voice that can silence a crowd of thousands.” She played for her third time ever in Salt Lake City on April 6th in front of the largest crowd I’ve personally seen her at yet. Opening for Hozier at the Union, she braved the crowd of likely around three thousand with her voice and guitar alone. And she owned it.
Utah is quickly becoming acquainted with African Folk singer J.S. Ondara. I can’t think of any artists or groups (non-home-based) who have played shows in Utah four times in a less than 13-month span, but that’s exactly what Ondara just accomplished. The fourth and final time coming last Wednesday night April 3rd at The State Room in Salt Lake City, Utah. During his first three visits, Ondara performed as a supporting act for Anderson East, The Milk Carton Kids, and The Head and The Heart. This visit was J.S.’s first as a headliner – coming off the back of his debut record, Tales of America and he knocked it out of the park.
I remember the week following P!nk’s concert in May of 2018 I had a strong feeling that I had missed something special. People were going on and on about how amazing the show was. So when it was announced shortly after the May concert that P!nk would be returning to Vivint Smart Home Arena in April of 2019 I knew I couldn’t miss this tour stop. The only problem was having to wait for pretty much a year for her to come back. But years seem to fly by and before I knew it, P!nk made her much anticipated return to Utah.
