Brian Wilson September 19, 2019, Sandy Amphitheater

By: David Bokovoy

Photo courtesy of the Sandy Amphitheater

It wasn’t really a concert, at least not in the traditional sense.  September 19th at the Sandy Amphitheater was more of a musical celebration devoted to Brian Wilson while he primarily sat and soaked in the experience.   It certainly wasn’t for everybody.  Those who went expecting to experience the Mike Love incarnation of the Beach Boys sporting Bahama shirts while playing their pop classics like, “Be True to Your School” may have left disappointed.  Yet from the moment Brian Wilson scuffled onto the stage with the support of his walker and took his seat at the piano where he played a few notes and struggled to sing along to his amazing band, those who went to celebrate the harmonies and instrumental creativity Brian has given the world through his extraordinary gifts were given a special treat, a moment never to be forgotten.

Photo Courtesy of the Sandy Amphitheater

True, the show opened up with a few classics such as, “California Girls,” “I Get Around,” and “Help Me, Rhonda,” but a bulk of the concert was devoted to some of the lesser known songs from the Beach Boys late 60’s material that at the time of their original release failed to gain widespread appreciation by an American audience.   The band performed “Darlin’” from the 1967 album Wild Honey before turning to four straight songs from the 1968 album Friends.

Despite Brian’s physical difficulties, performing these live renditions truly showcased his incredible brilliance.  Hearing the music live leaves little doubt as to why Wilson is rightfully considered one of the greatest musical geniuses of the modern era.

Photo Courtesy of the Sandy Amphitheater

This was the Brian Wilson “Something Great From 68 Tour,” yet the band treated Sandy to a rare performance of “Salt Lake City,” which was obviously, given the setting, a fun experience.  Unfortunately, some of those expecting a Mike Love type Beach Boys concert left early while the band explored the lesser known music primarily from the 1971 album Surf’s Up, including, “Feel Flows,” “Long Promised Road,” “Till I Die,” “Lookin’ at Tomorrow,” and of course, the album’s title track.    These songs were clearly not the Beach Boys’ material some came to experience, but for devoted fans, the setlist truly showcased some of Brian’s finest material.

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Collective Soul August 27, 2019, Sandy Amphitheater

By: Cameron Reynolds

Photo Credit: Cassylin Anderson

When it was announced that Collective Soul would be celebrating their 25th anniversary tour at the Sandy Amphitheater with Gin Blossoms, I knew this was a show I had to go to.  Two of my favorite bands from the 90s and early 2000s in one show at a great venue, sign me up! As I walked into the amphitheater there was a noticeable buzz in the air. If the show wasn’t sold out I’d be surprised.  The Sandy Amp was packed! I was on the lawn behind the seats and was happy to get there early enough to be at the front of the lawn. By the time the show started people were placed on the lawn all the way to the fence that overlooks 90th South.  

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UCR Interview- Will Turpin of Collective Soul

Interview By: Kevin Rolfe

Photo By: Lee Clower

Multi-Platinum, Georgia-bred rockers COLLECTIVE SOUL are celebrating their 25th anniversary in 2019! The band’s silver anniversary year will be a celebration of their ongoing legacy in all-out style with a little bit of the classic and a lot of the new.

Not only have they already announced their Summer “Now’s The Time Tour” with Gin Blossoms that kicked off May 25, but in keeping with the Atlanta band’s theme of 2019, “Now’s the Time” to also let fans know that their tenth highly anticipated studio album, BLOOD, was released June 21 on Fuzze-Flex Records/ADA.

The “Now’s the Time Tour” will be stopping here in Utah tonight (August 27) with Gin Blossoms at the Sandy Amphitheater.

I had the opportunity to visit with Collective Soul bassist, Will Turpin. We discussed the bands recently released album BLOOD, what it feels like to be celebrating 25 years in music, what his kids think of his career, and what we can expect from the live show. I hope you enjoy our conversation as much as I did! -Kevin

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Lost 80’s Live! August 15, 2019, Sandy Amphitheater

By: Kevin Rolfe

Photo By: Kevin Rolfe

Nostalgia can be a beautiful thing. And Sandy Amphitheater was full of it on August 15. The amphitheater was full of people thinking back to their youth and to the songs that made up the soundtrack of their lives back then. Many of those songs were on display during the Lost 80’s Live Tour. With a lineup including A Flock of Seagulls, Wang Chung, The Vapors, Boys Don’t Cry, The Escape Club, Real Life, and Farrington & Mann(Original Members of When in Rome UK) you get the most bang for your buck. Several bands performing some of the ’80s most iconic songs in one show. When I was stationed by the soundboard to take pictures a man stopped to chat with me. I asked him what he thought of shows like this. He thought it was great. He stated that he could see all these bands at once whereas he might not be able to see all of them if they toured individually. We also discussed that this gave these bands the opportunity to play to a larger audience then they might if they toured on their own. He shared that he had seen A Flock of Seagulls way back in the early 80s and was excited to see them again. He also stated that he had never seen When in Rome when they were first on the scene so he was excited to finally hear “The Promise” live by original vocalists Farrington & Mann.

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Norah Jones July 19th, 2019, Sandy Amphitheater

By: Tiffany Mull

Photo By: Kaden Severn @simplybrilliantstudios

Norah Jones gave us the smoky torch songs of the new millennium. Though often understated, her work has the polished precision of a trained musician. It’s no surprise that she has a degree in jazz piano; hers is not a sloppy talent. Her music wafts through Soul, Folk, and even dips into Blues and Country, but it always returns to her roots in Jazz. Three songs in, I could feel the audience’s collective blood pressure lowering. Dreamy lyrics about missed rendezvous and wandering off into the moonlight coupled with seamless vamping melted, then evaporated, my spine. So long as Norah and her crew were playing, there were no cares in the world.

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