ZZ Ward March 2, 2020 The Complex

By: Kevin Rolfe

Photo Credit: Kevin Rolfe @utahconcertreview

Back in 2012, I was at the concert of a band (who shall remain nameless) who was huge that year.  Their songs were on the charts, they were all over TV and everybody seemed to really like them. Obviously I liked them, I was at their concert. But I remember leaving the venue and running into a former coworker.  I asked him if he liked the concert and he stated that he wasn’t at that concert but at the venue nearby seeing ZZ Ward. I knew the name but wasn’t familiar with her music. He stated that he could hear the concert I was at through the wall dividing the venues.  He then mentioned, “Sounds like it was a good time.” But he said it in a tone that let me know, it wasn’t as good as his show. ZZ Ward was playing in a smaller, more intimate venue so I thought, “There’s no way that show was better than mine!” Well in the following days, I heard people at other shows I was attending and posts online mentioning how amazing that ZZ Ward show was.  All this time later, I wished I could have seen her in that tiny no longer used venue. Finally, on March 2 I was able to see what all the fuss was about.

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Hippie Sabotage March 7, 2020 The Union

By: Kinsi Cook

Photo Credit: Kinsi Cook @kinsis.photos

Marking their tenth stop on the Direction Of Dreams Tour, Hippie Sabotage took Salt Lake City by storm. Hippie Sabotage is an indie duo from Sacramento California, composed of brothers Kevin and Jeff Saurer. Stopping by Utah for the first time since last summer’s SLC Twilight, Hippie Sabotage put on one of the best concerts that I have ever been to. Fans were allowed into The Union at 7 PM, however, they started lining up long before then trying to secure their spot at the front of the barricade. 

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Sarah McLachlan February 13, 2020, Eccles Theater

By: Tiffany Mull

Photo Credit: Kevin Rolfe @utahconcertreview

“I’ve come to terms with the fact that I write the same song over and over,” Sarah said, “so with my limited musical ability, I try to spice things up by switching instruments.” This isn’t true, of course, but it does show a level of self-deprecation and humility rare for an artist of her renown.

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Jeanne Robertson February 7, 2020, Eccles Theater

By: Katie Barber

Photo Credit: Kevin Rolfe @utahconcertreview

Finding humor in the every day is easier said than done, but Miss North Carolina 1963 (better known as Jeanne Robertson) makes it look like a breeze. This isn’t a product simply of age experience, it’s the result of a finely-tuned analytical perspective sharpened by wit and just the right amount of wackiness—specifically, the type of wacky that decorated the lobby of the Eccles Theater with signs encouraging the night’s attendees to enter a drawing to win a “JEANNE ROBERTSON SIGNED AND SAT-ON ROCKING CHAIR.”

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UCR Interview/ Review: Midge Ure January 24, 2020, The State Room

By: Kevin Rolfe with contributions by Heather Callister

Friday, January 24, 2020, at The State Room, was a special night for any music fan, but especially for fans of Midge Ure of Visage, Ultravox or Thin Lizzy fame.  Midge Ure gave his fans a treat in one of Utah’s best music venues with his Songs Questions and Answers acoustic tour.   A more appropriately named tour there has never been.  It was just Ure a microphone and a guitar on that stage.  He walked out and played his only truly planned song of the evening, “Dear God”.  From there it was in the hands of the audience.

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