Relive the Utah Concert Experience!
By: Kevin Rolfe
Have you ever seen Bastille live before? I’ve seen them one other time when they played at the UCCU Center on the campus of Utah Valley University. After that Utah County concert, I knew Bastille was a band I would always enjoy seeing live when they came to Utah. The combination of hearing their melodic indie pop style live and the energy of the band make the Bastille live show one to never miss.
Continue reading “Bastille October 5, 2019, The Complex”By: Justin Hicken
“You guys are witnessing the toddler-stages of this band.” Bear Rinehart said to a crowd of curious attendees on October 2nd, at the Metro Music Hall in Salt Lake City.
“This is honestly like our 16th show ever,” Rinehart explained. This was done in such a calculated way, that he both built up the excitement for the few privileged fans getting to witness the infant stages of the band, while also allowing for a few hiccups here and there along with some growing pains.
When I found out that Vampire Weekend was playing The Complex, I envisioned them playing in the biggest of the two rooms, The Rockwell. But it wasn’t until I arrived at the venue that I realized this show wouldn’t be taking place in either of them. I walked up to where security usually checks bags and scans their metal detectors and found that there was actually a tent in front of that gate for Will Call and that the security checkpoint was now where you enter the show. The big lot that will usually house the tour buses was now the venue where Vampire Weekend would be performing. I have to admit I was a little confused. A stage had been constructed for this show and instead of a typical concert at The Complex, we were treated to one of the last albeit unexpected outdoor concerts of the year.
Continue reading “Vampire Weekend October 6, 2019, The Complex”By: Kaden Severn
Tuesday night a massive line formed all the way to the parking lot at the Great Saltair full of thousands of fans (mainly people 15-25 years of age) eager to see one of the most entertaining, diverse, controversial, and talented artists in not only the rap world but also in the pop scene as well, Tyler the Creator.
Continue reading “Tyler, The Creator w/ Blood Orange October 8, 2019, The Great Saltair”By: Evelyn Salazar
By: Erica Fasoli
Continue reading “Cold War Kids October 4, 2019, The Depot”By: Alex Wardell
What a night. What a line-up. What a crowd! Not since Warped tour in 2005 have I witnessed such an amalgam of people and music lovers; hardcore fans, old school punkers and die-hard Irish circle mashers. This diverse crowd swamped the bar lines around the dimly lit ambiance of The Union Event Center’s balcony; a tour de force of a show about to take place and I have a front of house pass to the hammering guitar riffs and spitting vocals of Wayne Lozniak, and Jamey Jasta of Hatebreed; the jamming smooth bass lines and pure American gravel that come with the classic rockers in Clutch and last but not to be left “tossed a lily,” the prolific Irish ensemble that is ever pervading, consuming and inclusive: Dropkick Murphys. The energy and palpitation flowing around the throngs of mid-generation butt-rockers was nothing short of soul shaking. If I could flashback to 2010: the last time I witnessed The Dropkick Murphys in concert. What a day of hardcore and death metal enormity that my then developing psyche just could not comprehend. This show had much of the same feeling and overpowering hunger for a sense of comradery and community. Everyone there had been listening to the same punky and essential hardcore ballads for years, letting it combat the inevitable yuppie growing within all of us; here they are, ready to melt faces and transport all of us right back into 1997.
Continue reading “Dropkick Murphys October 6, 2019, The Union”By: Tiffany Mull
Kishi Bashi’s new album, Omoiyari (which roughly translates as “empathy” or “having compassion”), is a concept album that draws inspiration from the lives and experiences of those Japanese Americans sent to internment camps in the xenophobic hysteria that swept the nation after the attack on Pearl Harbor during World War II. Kaoru Ishibashi traveled to the internment camps—Manzanar, Tule Lake, Heart Mountain, Jerome, Rohwer—to get a sense of the place and ordeals through physical surroundings and photographs. He reached into that history, those stories, and found a sort of aching beauty in all that sadness and injustice, as expressed by the resilience of those people whose lives were wrongfully upended. Early 2020 will see the release of a documentary about the making of Omoiyari.
Continue reading “Kishi Bashi October 3, 2019, Metro Music Hall”By: David Bokovoy
It wasn’t really a concert, at least not in the traditional sense. September 19th at the Sandy Amphitheater was more of a musical celebration devoted to Brian Wilson while he primarily sat and soaked in the experience. It certainly wasn’t for everybody. Those who went expecting to experience the Mike Love incarnation of the Beach Boys sporting Bahama shirts while playing their pop classics like, “Be True to Your School” may have left disappointed. Yet from the moment Brian Wilson scuffled onto the stage with the support of his walker and took his seat at the piano where he played a few notes and struggled to sing along to his amazing band, those who went to celebrate the harmonies and instrumental creativity Brian has given the world through his extraordinary gifts were given a special treat, a moment never to be forgotten.
True, the show opened up with a few classics such as, “California Girls,” “I Get Around,” and “Help Me, Rhonda,” but a bulk of the concert was devoted to some of the lesser known songs from the Beach Boys late 60’s material that at the time of their original release failed to gain widespread appreciation by an American audience. The band performed “Darlin’” from the 1967 album Wild Honey before turning to four straight songs from the 1968 album Friends.
Despite Brian’s physical difficulties, performing these live renditions truly showcased his incredible brilliance. Hearing the music live leaves little doubt as to why Wilson is rightfully considered one of the greatest musical geniuses of the modern era.
This was the Brian Wilson “Something Great From 68 Tour,” yet the band treated Sandy to a rare performance of “Salt Lake City,” which was obviously, given the setting, a fun experience. Unfortunately, some of those expecting a Mike Love type Beach Boys concert left early while the band explored the lesser known music primarily from the 1971 album Surf’s Up, including, “Feel Flows,” “Long Promised Road,” “Till I Die,” “Lookin’ at Tomorrow,” and of course, the album’s title track. These songs were clearly not the Beach Boys’ material some came to experience, but for devoted fans, the setlist truly showcased some of Brian’s finest material.
Continue reading “Brian Wilson September 19, 2019, Sandy Amphitheater”By: Katie Barber
Exactly ten years and one day after the release of their first album, Band Of Skulls returned to Salt Lake City to play Urban Lounge on a rainy Saturday night. Psychedelia took over the house music before the band took the stage with 1971’s “Diamonds Are Forever” cinematically blasting through the speakers. In Sean Connery’s stead appeared bassist Emma Richardson, guitarist Russel Marsden, and drummer Julian Dorio. Dorio promptly applied the Bond vibes with a shimmer of cymbals to “Love Is All You Love,” from the group’s newest release. Church-bell chimes highlighted Richardson’s vocals as Marsden smoothly navigated the majority of the lyrics and teased the audience with a loud guitar skill that hinted the psychedelic energy was going to be converted to that of some good old rock and roll.
Continue reading “Band of Skulls September 28, 2019, Urban Lounge”