Bishop Briggs November 8, 2019, The Complex

By: Erica Fasoli

Photo Credit: Erica Fasoli @ericajfasoli

Friday night at the Complex was a special one. Not only was the lineup packed with incredible female talent, but the headliner, Bishop Briggs, released her new album “Champion” that same day. Joined by Jax Anderson and Miya Folick, the lineup screamed confidence, empowerment, and powerhouse vocals. A night to remember.

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Brent Cobb November 8, 2019, The State Room

By: Breanna Downs

Photo Credit: Breanna Downs @

This Friday was a great one for me because I was able to see the great Brent Cobb in action. I was completely blown away by his performance! Personally, country music generally isn’t quite up my alley, but nonetheless, I enjoyed every moment. I’ve never experienced a country concert before, I wasn’t really sure what to expect going into it. I’ve heard only good things, that it only takes one show to get hooked on them. That rumor definitely held up! The overall atmosphere seemed so welcoming, almost as if you were just catching a show with all of your friends. Looking out at the audience, all I saw was a sea of flannel and it was great. I especially lucked out with having the opportunity to see the one and only Brent Cobb for my first ever country concert.

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Madeon October November 5, 2019, The Complex

By: Alex Wardell

Photo Credit: Alex Wardell

I remember the first time I saw Madeon’s “Pop Culture, Live Mash-up” on YouTube; reminiscing with fondness at the wonder this musician awoke inside me. Nine years later, Hugo has produced his own album, a number of EP’s, as well as, collaborations with many monolithic artists within the EDM industry; and now drops his latest, during a quite extensive North American tour. ‘Good Faith Live,’ I anticipate to be transcendent as Madeon’s performance at The Complex, last Tuesday. Hugo Pierre Leclercq has a timeless style and ever adapting production techniques. He is one of the few EDM artists which I still find myself impressed with as I get older and my preferences in music change. This is very important to me because of the nuance sometimes involved with new artists and varying styles within EDM genres concerning what’s relevant; the difference between what is currently popular and which artists are truly talented musicians and producers. Very rarely do I find an artist, who possesses the encompassing skill set, capable of attracting a new audience, while also keeping their fan base interested and excited. Madeon seems to do this in an almost effortless manner. The anticipation which had been digging beneath my skin for over a month now, yet as I gazed on the stage instantly dissolved amidst the dancing lights and rhythmic hum.

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SHAED October 24, 2019, The Complex

By: Erica Fasoli

Photo Credit: Erica Fasoli @ericajfasoli

Indoor concerts are ramping up as the temperature drops and the Complex recently hosted the American indie-pop trio SHAED (pronounced “shade”). The night was filled with electro-pop bangers blended with smooth, creamy R&B licks that had the crowd swaying in delight. Absofacto opened the show. Jonathan Visger, known as Absofacto, is incredibly dynamic. A blend of different sounds, his high energy set defied genres and boundaries. Absofacto is known for producing music that doesn’t fit a specific mold. The energy built throughout the set and he danced across the stage as the audience cheered. He even played a new song that he anticipates releasing soon. If you’re a fan, keep an eye out, I think you’ll be pleasantly surprised by what’s to come. He ended his set with his breakout single “Dissolve”, which has over 54 million streams on Spotify. 

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Ezra Bell October 30, 2019, Soundwell

By: Breanna Downs

Photo Credit: Breanna Downs

When I say that I have never had a concert experience like this before, I am not joking. This band has a sound like no other, and I couldn’t have enjoyed myself more. The band consists of lead vocalist Benjamin Wuamett, horn player Aaron Mattinson, drummer Tom Trotter, singer Honora Hildreth, and Pianist Jeremy Asay. Ezra Bell was founded by Benjamin Wuamett and is based in Portland, Oregon.

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Cat Power October 26, 2019, The Union

By: Local SLC musical artists: Valerie Rose Sterrett and Annie McAllister

Photo Credit: Julien Bourgeois

Cradling two microphones in her right hand as if she were holding a pair of birds, Chan Marshall, known as Cat Power, pours her powerfully enchanting voice into them, the audience staring into her shadow as if she were casting a spell. The atmosphere was very intimate as the audience swayed and nodded their heads in agreement with her music. You could see her fans feeling it, some smiling with their eyes looking up to her in awe, while others danced freely with eyes closed and arms gliding. The Union is a spacious venue, but it held what felt like a purposefully modest audience in chairs that reached a little more than halfway back into the space. Toward the middle of the concert, she waved for us to leave our chairs and come closer.

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Frank Turner October 23, 2019, The Depot

By: Alex Wardell

Photo Credit: Alex Wardell

Last week was interesting to say the least, given the opportunity of approaching these last couple performances without knowing too much about the artists was a bit nerve wracking at first, yet a refreshing challenge when exploring any music for the first time. For this reason, I chose to not familiarize myself with Frank Turner, doing what I could to maintain an objective mindset, moving forward. Unfortunately, I was late due to the eight city blocks that is the entirety of Salt Lake being crippled by one basketball game.

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