I was transported Monday evening and I am still not quite sure if I have yet returned. I am slightly terrified as I write this…full disclosure, I did not know that much about Chelsea Wolfe when I was asked to cover this performance. So I put the headphones on, tuned in and let Ms. Wolfe take me away, not dissimilar to what happened Monday night when I arrived at a completely, packed to the back, Metro Music Hall. After binging her music all afternoon, I was ready for an evening of Gothic rock.
I had no idea what to expect when I was headed to Metro Music Hall to cover the band Chiiild. For one, I had never been to the venue and for two, I had never heard Chiiild’s music before, so it was bound to be a night of surprises! Once I got in I was astounded by how cool and hip the venue was. It was a bar, so 21 and over only, and it had some really cool vibes going on! In the back was a merch booth set up for the bands, along one side was a huge bar area with bottles and bottles along the wall and along the other side was a good amount of nice, private booths that were elevated off the ground. Towards the front of the room was a large stage. I was very taken aback by the venue. I thought it was really cool.
“You guys are witnessing the toddler-stages of this band.” Bear Rinehart said to a crowd of curious attendees on October 2nd, at the Metro Music Hall in Salt Lake City. “This is honestly like our 16th show ever,” Rinehart explained. This was done in such a calculated way, that he both built up the excitement for the few privileged fans getting to witness the infant stages of the band, while also allowing for a few hiccups here and there along with some growing pains.
Kishi Bashi’s new album, Omoiyari (which roughly translates as “empathy” or “having compassion”), is a concept album that draws inspiration from the lives and experiences of those Japanese Americans sent to internment camps in the xenophobic hysteria that swept the nation after the attack on Pearl Harbor during World War II. Kaoru Ishibashi traveled to the internment camps—Manzanar, Tule Lake, Heart Mountain, Jerome, Rohwer—to get a sense of the place and ordeals through physical surroundings and photographs. He reached into that history, those stories, and found a sort of aching beauty in all that sadness and injustice, as expressed by the resilience of those people whose lives were wrongfully upended. Early 2020 will see the release of a documentary about the making of Omoiyari.