By: Erica Fasoli
Continue reading “Julia Michaels November 9, 2019, The Depot”Julia Michaels November 9, 2019, The Depot
Bishop Briggs November 8, 2019, The Complex
By: Erica Fasoli
Friday night at the Complex was a special one. Not only was the lineup packed with incredible female talent, but the headliner, Bishop Briggs, released her new album “Champion” that same day. Joined by Jax Anderson and Miya Folick, the lineup screamed confidence, empowerment, and powerhouse vocals. A night to remember.
Continue reading “Bishop Briggs November 8, 2019, The Complex”Brent Cobb November 8, 2019, The State Room
By: Breanna Downs
This Friday was a great one for me because I was able to see the great Brent Cobb in action. I was completely blown away by his performance! Personally, country music generally isn’t quite up my alley, but nonetheless, I enjoyed every moment. I’ve never experienced a country concert before, I wasn’t really sure what to expect going into it. I’ve heard only good things, that it only takes one show to get hooked on them. That rumor definitely held up! The overall atmosphere seemed so welcoming, almost as if you were just catching a show with all of your friends. Looking out at the audience, all I saw was a sea of flannel and it was great. I especially lucked out with having the opportunity to see the one and only Brent Cobb for my first ever country concert.
Skizzy Mars November 7, 2019, The Complex
By: Kaden Severn
Madeon October November 5, 2019, The Complex
By: Alex Wardell
I remember the first time I saw Madeon’s “Pop Culture, Live Mash-up” on YouTube; reminiscing with fondness at the wonder this musician awoke inside me. Nine years later, Hugo has produced his own album, a number of EP’s, as well as, collaborations with many monolithic artists within the EDM industry; and now drops his latest, during a quite extensive North American tour. ‘Good Faith Live,’ I anticipate to be transcendent as Madeon’s performance at The Complex, last Tuesday. Hugo Pierre Leclercq has a timeless style and ever adapting production techniques. He is one of the few EDM artists which I still find myself impressed with as I get older and my preferences in music change. This is very important to me because of the nuance sometimes involved with new artists and varying styles within EDM genres concerning what’s relevant; the difference between what is currently popular and which artists are truly talented musicians and producers. Very rarely do I find an artist, who possesses the encompassing skill set, capable of attracting a new audience, while also keeping their fan base interested and excited. Madeon seems to do this in an almost effortless manner. The anticipation which had been digging beneath my skin for over a month now, yet as I gazed on the stage instantly dissolved amidst the dancing lights and rhythmic hum.
Continue reading “Madeon October November 5, 2019, The Complex”Logic October 15, 2019, Maverik Center
By: Evelyn Salazar
It’s no surprise that Logic is one of the biggest rappers in the game at the moment. Everywhere you go, you can hear someone listening to him. So it was no surprise when I got to the Maverik Center that the line from the door was wrapping down the stairs and around the arena. Fans of all ages stood in line with friends, bumping Logic on their speakers. You can tell everyone was getting hyped. Once doors opened, the merchandise stand flooded, so did the concession stands. Everyone that had GA tickets rushed the floor to get a good spot and as close to the stage as possible. The nice thing about arena concerts if you’re not GA is that you can still walk around, get comfortable, grab some food to eat, get your merch and just head to your seats when the show starts. But even if you are GA, it’s such a large floor, you’re bound to get a good start.
Continue reading “Logic October 15, 2019, Maverik Center”Chelsea Grin October 31, 2019, The Complex
By: Alex Wardell
Circle pits, a small riot, a guitar shreddin’ banana and the start of one of the most hardcore tours were kicking ass in Salt Lake City on Halloween. The ‘Eternal Nightmare’ tour featuring four of my favorite groups performed at the Complex; October 31st, 2019 was one of the most incredible concerts of my life and definitely the most memorable Halloween of recent years. The Complex was thriving with fans from all scenes of the hardcore world: Thrash, Grindcore, Hardcore-Punk, Sludge, Stoner Metal, Metalcore and the ever hated Deathcore. For the sake of us having a good time, I do not categorize performers within the hardcore scene for any other reason other than to distinguish the vastly different and prolific talents of these bands from one another. Isn’t this why there are mosh pits in the first place? All of us have such passions and emotions tied to this music and our most beloved talents in the community, that reason and arguing will never get us anywhere, perhaps a few bruised ribs and split lips will; probably not, but that will never keep us from trying. Now, let’s chat about the thunderous scene I found myself in upon simply entering the venue.
Continue reading “Chelsea Grin October 31, 2019, The Complex”SHAED October 24, 2019, The Complex
By: Erica Fasoli
Indoor concerts are ramping up as the temperature drops and the Complex recently hosted the American indie-pop trio SHAED (pronounced “shade”). The night was filled with electro-pop bangers blended with smooth, creamy R&B licks that had the crowd swaying in delight. Absofacto opened the show. Jonathan Visger, known as Absofacto, is incredibly dynamic. A blend of different sounds, his high energy set defied genres and boundaries. Absofacto is known for producing music that doesn’t fit a specific mold. The energy built throughout the set and he danced across the stage as the audience cheered. He even played a new song that he anticipates releasing soon. If you’re a fan, keep an eye out, I think you’ll be pleasantly surprised by what’s to come. He ended his set with his breakout single “Dissolve”, which has over 54 million streams on Spotify.
Continue reading “SHAED October 24, 2019, The Complex”Ezra Bell October 30, 2019, Soundwell
By: Breanna Downs
When I say that I have never had a concert experience like this before, I am not joking. This band has a sound like no other, and I couldn’t have enjoyed myself more. The band consists of lead vocalist Benjamin Wuamett, horn player Aaron Mattinson, drummer Tom Trotter, singer Honora Hildreth, and Pianist Jeremy Asay. Ezra Bell was founded by Benjamin Wuamett and is based in Portland, Oregon.
Cat Power October 26, 2019, The Union
By: Local SLC musical artists: Valerie Rose Sterrett and Annie McAllister
Cradling two microphones in her right hand as if she were holding a pair of birds, Chan Marshall, known as Cat Power, pours her powerfully enchanting voice into them, the audience staring into her shadow as if she were casting a spell. The atmosphere was very intimate as the audience swayed and nodded their heads in agreement with her music. You could see her fans feeling it, some smiling with their eyes looking up to her in awe, while others danced freely with eyes closed and arms gliding. The Union is a spacious venue, but it held what felt like a purposefully modest audience in chairs that reached a little more than halfway back into the space. Toward the middle of the concert, she waved for us to leave our chairs and come closer.
Continue reading “Cat Power October 26, 2019, The Union”